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Archive for May 2017 – Page 2

THE DESIGNATED MOURNER at REDCAT

K. HO

K. HO

Terry Morgan  -  Stage Raw

Sometimes a play finds its moment long after its premiere and initial exposure to the world. Read more…

Deborah Klugman – LA Weekly

Wallace Shawn is a powerhouse storyteller, and the story he spins in The Designated Mourner is a riveting tale.    Read more…

Now running through May 21

THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE at The Theatre at Boston Court

Ed Krieger

Ed Krieger

Jonas Schwartz -  TheaterMania

Dan O’Brien has written an American gothic tale on a par with Pulitzer Prize winner Sam Shepard’s best works. Like many of the characters in Shepard’s plays, the protagonist seeks the truth, but the answers will not assuage his guilt or pain. Read more…

Deborah Klugman – Stage Raw

Early in Dan O’Brien’s intense and lyrical play, a scene transpires between Dan (Brian Henderson) the playwright’s alter ego, and Skip (Tim Cummings), a childhood acquaintance and the son of his wealthy grandfather’s second wife. Read more…

Frances Baum Nicholson – The Sun

There are two ways to approach Dan O’Brien’s “The House in Scarsdale: A Memoir for the Stage.” Read more…

Margaret Gray – LA Times

In “The House in Scarsdale: A Memoir for the Stage,” the poet and playwright Dan O’Brien dramatizes a mystery of his past. His fictive alter ego, also named Dan O’Brien (played by Brian Henderson), is a writer in his late 30s whose parents recently, with no explanation, severed ties with him. Read more…

 

Now running through May 22

 

OF MICE AND MEN at The Belfry Stage at the Crown Theater

Photo by Lonni Silverman

Photo by Lonni Silverman

Lovell Estell III — Stage Raw

No American writer chronicled the unpleasant reality of the Depression era with more clarity and inventiveness than John Steinbeck. His gift for creating memorable characters underscores his best work, and this is no truer anywhere than in his 1937 novella about the ill-fated relationship between two itinerant migrant workers in Salinas Valley. Read more…

Now running through May 13

 

MIDDLETON at Chance Theatre

Photo by Doug Catiller

Photo by Doug Catiller

Jonas Schwartz -  TheaterMania

Middletown, a delicate, essentially plotless play about Anywhere, U.S.A., and how human connection is essential for our survival, requires actors to be able to fill the void that playwright Will Eno has left in the script. Read more…

Now running through May 19

ARCHDUKE at the Mark Taper Forum

Photo by Craig Schwartz

Photo by Craig Schwartz

Erin Conley – OnStage

Most people know about the assassination of Archduke Franz Ferdinand of Austria, the event historically seen as the inciting incident of World War I. But what do we really know about the assassins? In Archduke, a new play by Rajiv Joseph currently making its world premiere at Center Theatre Group’s Mark Taper Forum in Los Angeles, we look at the weeks leading up to the 1914 assassination and the unlikely path of a few young men who are recruited into terrorism at a particularly vulnerable time in their lives. Read more…

Deborah Klugman – LA Weekly

What drives a young person to commit an act of terror? Is he propelled by his own volition or are there other, more sinister individuals or forces pulling the strings?

Now running through June 4

 

THE BODYGUARD at the Pantages Theatre

The Bodyguard

Erin Conley – On Stage & Screen

Not many musicals literally start with a bang. In the case of The Bodyguard: the Musical, now playing at the Pantages Theatre in Los Angeles, an opening gunshot was both very startling and pretty effective at getting the stragglers to settle into their seats. Read more…

Rob Stevens – Haines His Way

The 1992 film The Bodyguard starred Kevin Costner in the title role and featured the film debut of singing superstar Whitney Houston. The film received seven Golden Raspberry Award nominations, including Worst Picture, and has a score of 32% on Rotten Tomatoes yet it was the second highest grossing film worldwide that year. Read more…

Dany Margolies – The Daily News

If in 1992 the films on your must-see list included “Reservoir Dogs,” “The Player,” “Howard’s End,” “Orlando” or even “Wayne’s World,” Lawrence Kasdan’s “The Bodyguard” probably didn’t make the cut. But that film has indeed been musicalized and brought to the stage, adapted by Alexander Dinelaris. Its national tour is basking at Hollywood’s Pantages Theatre, where the late Whitney Houston’s legion of fans can hear her megahits receive full power-ballad treatment. Read more…

Pauline Adamek – ArtsBeatLA

Now playing at the Pantages Theatre in Hollywood and it’s the closest thing you’ll get to hearing the late, great pop star Whitney Houston sing live. All up, this is a fantastically entertaining show. The pace is snappy and the staging is fluid.   Read more…

 

Now running through May 21

PERICLES – The Porters of Hellsgate at the Whitmore-Lindley Theatre Center

OLYMPUS DIGITAL CAMERA

Terry Morgan  -  Stage Raw

As a theatre critic, I’ve reviewed a lot of Shakespeare’s plays, but this is the first time I’ve seen anyone, in this case George Wilkins, credited as a collaborator in the writing. Read more…

Now running through June 4

UNCANNY VALLEY at International City Theatre

Photo by Steven Georges

Photo by Steven Georges

Melinda Schupmann – Arts In LA

Playwright Thomas Gibbons says the title of this play refers to the feeling that people have when they’re confronted with a very realistic robot: a feeling of fascination. He adds, “But the more realistic the robot becomes, at some point that fascination turns to a kind of revulsion. They’re creeped out, and that effect is called the ‘uncanny valley.’” Read more…

Now running through May 7

KISS at the Odyssey Theatre

Kiss_8

Rob Stevens – Haines His Way

I have always been a proponent of good political theatre, not agitprop theatre such as written by Italian playwright Dario Fo. I prefer political writing that is more balanced like the great teleplays that David E. Kelley wrote for L.A. Law…Read more…

Neal Weaver  – Stage Raw

Chilean playwright Guillermo Calderón sets his play in the apartment of a young woman named Hadeel (Kristin Couture), who is hosting a soap-opera watching party for her friends. Read more…

Photo by  Enci Box

Photo by Enci Box

Deborah Klugman – LA Weekly

In Kiss, directed by Bart DeLorenzo at the Odyssey Theatre, Chilean playwright Guillermo Calderón explores the gap (one might say chasm) in perspective between people who live in a war-free society (ourselves, at least for now), and those trapped in the horrors of war who are subject to atrocities committed by vile men, like Syria’s Assad. Read more…

Dany Margolies  -  Arts In LA

Critics have been asked to not give away the plot of this play. Out of respect to the theater, the work’s playwright, and its director, most of us won’t. But good luck to anyone who tries to describe the work and the potent sensations it induces. Read more…

Erin Conley – On Stage & Screen

Both in theater and in life, things are often not what they seem to be. The power of perspective is a strong influence in Kiss, a play by Guillermo Calderón currently in its west coast premiere at the Odyssey Theatre. Read more…

Now running through June 18