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Archive for November 2018 – Page 2

ONE ACT FESTIVAL at SkyPilot Theatre Company

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Ellen Dostal – Broadway World

New work is the lifeblood of the theatre and it is also the sole focus of LA-based SkyPilot Theatre Company. Going one step further, SkyPilot’s niche is “producing only original plays, created by LA playwrights,” which they have done consistently since 2010.
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Now running through November 18

THE WOMAN WHO WENT TO SPACE AS A MAN at Son of Semele

Mauricio Gomez

Mauricio Gomez

Ellen Dostal – Musicals in L.A.

Maureen Huskey’s new one act play with music takes place wholly in the moment before death. Conceived as a 90 minute suspension of time in which Alice B. Sheldon (Betsy Moore) watches her life pass before her eyes, it blends music, movement, sound, and text to create as enigmatic a piece as the life of its central character. That’s not necessarily a good thing.
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Rob Stevens – Haines His Way

Alice B. Sheldon was a Chicago debutante who was never completely comfortable in her body or her life.
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Now running through November 18

 

THE LITTLE FOXES at Antaeus Theatre Company

Geoffrey Wade Photography

Geoffrey Wade Photography

Erin Conley – On Stage & Screen

Sometimes, family can bring out the worst in us—especially if your relatives would do anything to get to the top.
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Terry Morgan  -  Talkin’ Broadway

Sometimes a play simply works within its own era, and exists later simply as an accurate representation of that time. But other times a play is prescient, and seems as if it was written directly to comment on today. Although Lillian Hellman’s The Little Foxes is a period piece, its portrait of dreadful people doing awful things in the pursuit of money and power feels particularly pointed now…Read more…

Margaret Gray – LA Times

Say your husband, whom you had never liked, suffered from an ill-defined but dangerous heart condition. And say he happened to mention — in not a very nice way — that he was about to take a step that would scuttle all your hopes and dreams and leave you penniless. And imagine that at that very moment, overexcited by triumph, he reached for his medicine bottle and found it empty.
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Rob Stevens – Haines His Way

Lillian Hellman was a playwright, screenwriter, memoirist whose most famous piece of writing may well be the letter she wrote in 1952 to the House Un-American Activities Committee stating “I cannot and will not cut my conscience to fit this year’s fashions..”
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Now running through December 1o

WINTER SOLSTICE at City Garage

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Margaret Gray – LA Times

There’s nothing scary, at first, about Rudolph, the elderly gentleman who shows up at Albert and Bettina’s house one Christmas Eve in “Winter Solstice,” a 2013 play by the German writer Roland Schimmelpfennig, translated by David Tushingham, which is having its West Coast premiere at City Garage.
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Katie Buenneke – Stage Raw

It is abundantly clear that Roland Schimmelpfenig, the playwright of Winter Solstice, currently making its West Coast debut at City Garage in Santa Monica, wishes he were a novelist, or perhaps an experimental filmmaker like the characters in the play.
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Now running through November 25

VIETGONE at East West Players

Michael Lamont

Michael Lamont

Terry Morgan  -  Stage Raw

Translating personal experiences or family history into theatre can be a tricky proposition. On the one hand, simply recounting events as they happened doesn’t necessarily create fascinating drama. On the other hand, fictionalizing things too much may betray the truth of the story.
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Now running through November 18