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Archive for April 2022

A DOLL’S HOUSE, PART 2 at International City Theatre

Photo by Kayte Deioma

Photo by Kayte Deioma

Rob Stevens – Haines His Way

In 1879, Norwegian playwright Henrik Ibsen shook up the theatrical world with his “feminist” play A Doll’s House. In 2017, up and coming young American playwright Lucas Hnath wrote a sequel, A Doll’s House, Part 2, that picked up the action 15 years later. Read more...

Steven Leigh Morris – Stage Raw

What is the point of writing and staging a sequel to Henrik Ibsen’s 1894 world classic A Doll’s House – perhaps the earliest call to feminism in modern stage literature? Read more…

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BRIGHT HALF LIFE at the Road Theatre on Magnolia

Photo by Elizabeth Kimball

Photo by Elizabeth Kimball

Terry Morgan  -  ArtsBeat LA

Plays that chart the course of a romantic relationship have long been a staple of theater. Stories told in a nonlinear way are less common but not unheard of. When you take the previous two structures and apply them to the topic of a lesbian interracial marriage, the result is a work that one doesn’t often see in American theater, which is refreshing. What’s better is that Tanya Barfield’s Bright Half Life is more than the sum of its diverse parts…. Read more…

Harker Jones – BroadwayWorld

Pulitzer Prize nominee Tanya Barfield‘s brilliant BRIGHT HALF LIFE is smartly and artfully realized by director Amy K. Harmon at the Road Theatre on Magnolia. With just two actors, the energy never flags, but it does fluctuate, veering as it does from high comedy to pathos to heart-rending drama… Read more…

Tracey Paleo – Gia On The Move

BRIGHT HALF LIFE at The Road Theatre in North Hollywood is nothing less than exhilarating; genuine theater baddassery in your face – empathetic and very personal.  Sit up front… Read more…

Now running through May 8

 

BLUES FOR AN ALABAMA SKY at the Mark Taper Forum

Photo by Craig Schwartz

Photo by Craig Schwartz

Jonas Schwartz-Owen – Theatermania

Dynamic performances by Nija Okoro and Greg Alverez Reid fuel Center Theatre Group’s new revival of Pearl Cleage’s Blues for an Alabama Sky. Phylicia Rashad, who originated Okoro’s role in the play’s 1995 world premiere, returns to direct this humorous production that always simmers with devastation under the surface. Read more…

Deborah Klugman – Stage Raw

“Harlem was supposed to be a place where Negroes could come together and really walk about, and for a red-hot minute, we did,” muses Guy (Greg Alverez Reid), a gay fashion designer and one of five aspirational figures in Pearl Cleage’s Blues for an Alabama Sky. Read more…

Now running through May 8

RAPUNZEL ALONE at the 24th Street Theatre

Photo by Jesús Castaños–Chima

Photo by Jesús Castaños–Chima

Deborah Klugman – Stage Raw

In 2013, the 24th Street Theater produced a play by British playwright Mike Kenny, Walking the Tightrope. It was directed by Debbie Devine and starred adult performer Paige Lindsey White as a little girl who visits her grandparents at the seaside every year…Now comes Rapunzel Alone, another play by Kenny that was commissioned by this company in 2019, with the request that it embody the theme of isolation. Read more…

Tracey Paleo – BroadwayWorld

The room was dark and bare. Not much to do or look at. There were no other children to play with. In fact, it wasn’t welcoming at all. Even the projections were like shadows stenciled in 3-D moving across the stage-wide screens. It was cold. I didn’t like it there. Just like Lettie, I felt very alone. Read more…

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THE QUEEN’S BALL: A BRIDGERTON EXPERIENCE at the Millennium Biltmore Hotel

Photo by Federico Imperiiale

Photo by Federico Imperiale

Dana Martin– Stage Raw

Social season is upon us, people, and every respectable lord and lady is eager to be the talk of the “ton”. Shondaland, Netflix and Fever join forces to present Bridgerton: An Immersive Experience, an epically delightful evening of 19thcentury cosplay appropriately housed at the majestic Millennium Biltmore Hotel in downtown Los Angeles. Read more…

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ANNA IN THE TROPICS at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Deborah Klugman – Stage Raw

Imagine, if you can, members of the UAW or the United Mine Workers of America hiring a reader to read to them while they labor at their job. And not just any printed material — not a gossip rag or a bodice ripper or a third-rate paperback. No, we’re talking good books, well- respected tomes, like Tolstoy’s classic, Anna Karenina. That’s the novel the lector reads to the workers in a cigar factory in Anna in the Tropics, Nilo Cruz’s vital, vibrant 2003 Pulitzer prize-winning drama, now in pallid revival at A Noise Within. Read more…

Now running through April 17

 

A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY at the Odyssey Theatre

Photo by Jenny Graham

Photo by Jenny Graham

Terry Morgan  -  Artsbeat LA

I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by demonstrating how they were necessary. Most experimental pieces, in my experience, fail that test, but when they succeed it’s thrilling. Read more…

Rob Stevens – Haines His Way

Lucas Hnath is a young American playwright whose work (The Christians, Red Speedo, A Doll’s House, Part 2) I have found interesting and worth experiencing. Read more…

Jonas Schwartz-Owen – Broadway World

Lucas Hnath is an ambitious playwright. He turned his mother’s harrowing recollections of being abducted in the ’90s into a riveting, intimate one-woman tale, Dana H, where the actress lip-syncs to the recording that his mother had made. Read more…

Deborah Klugman – Stage Raw

John Updike once called Mickey Mouse “the most persistent and pervasive figure of American popular culture in his century.” The mouse came into being in 1928, birthed by a young animator named Walt Disney. Read more…

Now running through May 1