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How did Angeles Stage mark its first birthday? Via UNCLE VANYA, DRIVE MY CAR

The cast of Uncle Vanya. Photo by Jeff Lorch
June 28, 2022Plus a merry but muddled ‘Windsor’ at the Theatricum, ‘King James’ and two new musicals on opposite poles of the gender discussion. Don Shirley – Angeles Stage Angeles Stage first appeared a year ago, as masked audiences were beginning to return to LA stages in person, after more than a year of mostly virtual-only activity.
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THE BIRTHDAY PARTY at City Garage Theatre

Isaac Stackonis and Peggy Flood. Photo by Paul M. Rubenstein
June 28, 2022Deborah Klugman – Stage Raw The Birthday Party, Harold Pinter’s first full length play, opened in London in May 1958. Reviews were grim. Most critics, accustomed to the kitchen sink realism of writers like Sillitoe, Braine and Osborne, were incensed and/or bewildered by the non-sequiturs, contradictions and pauses in Pinter’s language, along with the murkiness
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THE FUNNY MAN, Write Act Repertory at the Brickhouse Theatre

Sam Aaron in The Funny Man. Photo by Audaur Kountz
June 28, 2022Steven Leigh Morris – Stage Raw Playwright Will Manus’s one-man homage to humorist and screenwriter S.J. Perelman (Sam Aaron) is a bit of throwback, and that’s a compliment. In a world as lunatic and partisan as ours, when the divide between evidence and superstition has melted across huge swaths of the country (strategically and cynically,
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NOT THAT ILLEGAL at the Broadwater – Hollywood Fringe Festival

Photo courtesy of the artists
June 28, 2022Rob Stevens – Haines His Way Yusuf Yildiz’s Not That Illegal started life as a 15-minute work at the 2019 Strawberry One-Act Festival in New York City where it received a Best Play nomination. Now he has expanded it to a 90-minute one-act at the Hollywood Fringe Festival. It’s about 60 minutes too long in
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HOUSEWIFE ’52 at The Broadwater – Hollywood Fringe Festival

Housewife 52
June 28, 2022Rob Stevens – Haines His Way Writer/director/choreographer/percussionist John Wuchte and had a big success at the 2019 Hollywood Fringe Festival with Scarlett Fever, a physical movement piece that looked behind the scenes at the search for an actress to play Scarlett O’Hara in the classic film Gone With the Wind. They are back this year
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THE BEAUTIFUL PEOPLE, Rogue Machine at the Matrix Theatre

Photo by John Perrin Flynn
June 28, 2022Tracey Paleo – Gia On The Move It’s the late 90’s…and you’re hanging out in a boy’s basement bedroom, somewhere in suburban America with two teenagers as they stay up on a school night; chugging soda, watching MTV, and preparing for the future. As the morning approaches, their seemingly innocent sleepover reveals another purpose. Read
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PRETTY WOMAN: THE MUSICAL at the Dolby Theatre

Photo by Matthew Murphy for MurphyMade
June 28, 2022Harker Jones – BroadwayWorld Rebooting a classic is always dicey. If it’s an exact blueprint, what’s the point? But deviating from that blueprint can alienate its fans. And how to make it fresh yet still retain the magic that made it work in the first place? The producers of PRETTY WOMAN the musical learned the
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AN INSPECTOR CALLS at the Wallis Annenberg Center for the Performing Arts

By LADCC critics
Tuesday, January 29th, 2019
Mark Douet

Mark Douet

Terry Morgan  -  Stage Raw

When J. B. Priestley’s An Inspector Calls premiered in 1945, its vivid dissection of the British social class system in the guise of an Agatha Christie–style mystery was appreciated as a modern classic. Nonetheless, in the following decades its drawing-room play format fell out of favor amidst a tide of naturalism.
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Dany Margolies – The Daily News

With “An Inspector Calls,” director Stephen Daldry saddles up an old warhorse and turns it into a sleek, muscular triple-crown winner.
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Now running through February 10

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