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ALL IS TRUE, or HENRY VIII by The Porters of Hellsgate

Sean Faye and Dawn Alden. Photo by Lucia Towers.
November 26, 2022Steven Leigh Morris – Stage Raw Confession: In all my years of reviewing theater, this is the first production I’ve ever seen of Shakespeare’s Henry VIII originally titled All is True, co-written (somebody thinks, who knows?) with Shakespeare’s peer, John Fletcher. It’s the last history play penned or co-penned by the Bard, and it’s a
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MRS. DILBER’S FABULOUS BEDCURTAINS at Loft Ensemble

Mrs. Dilber's Fabulous Bedcurtains, Loft Ensemble
November 25, 2022Tracey Paleo – Gia On The Move Outrage sets the stage for a righteous reset according to Dilber in Arthur Jolly’s reimagined Christmas Carol classic MRS. DILBER’S FABULOUS BEDCURTAINS at Loft Ensemble. More… Through December 16

THE BROTHERS PARANORMAL at East West Players

East West Players, Brothers Paranormal
November 25, 2022Terry Morgan – Stage Raw Everyone knows that a good ghost story needs to be scary, but to be a great ghost story, it needs to move its audience as well. Where would The Sixth Sense be without the Bruce Willis character slowly realizing his fate or The Haunting of Hill House be without poor,
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ANATOMY OF GRAY at Open Fist Theatre Company

Jeremy Guskin, Beth Robbins and James Fowler. Photo by Frank Ishman.
November 25, 2022Deborah Klugman – Stage Raw First produced with the title Gray’s Anatomy at New York’s Circle Rep Theatre in 1994, Jim Leonard’s family-oriented coming-of-age fable strives for the unvarnished poignancy of Thornton Wilder’s Our Town as it recounts the story of a fatherless teen in 1880s rural Indiana. Leonard’s revised version, published as Anatomy of
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BROKEN STORY at The Sherry Theater

Photo courtesy of Matt Kamimura
November 23, 2022Harker Jones – BroadwayWorld In the West Coast premiere of Cyndy A. Marion’s BROKEN STORY, Jess (Lindsay Danielle Gitter), a Manhattan journalist, relates her childhood obsession with a mobster’s daughter whose parents died under mysterious circumstances. Years later, that daughter, Jane Hartman (Lynn Adrianna Freedman), has moved to Los Angeles and become a successful author.
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CLYDE’S at Mark Taper Forum

Photo by Craig Schwartz Photography
November 23, 2022Terry Morgan – ArtsBeat LA According to a survey conducted by American Theater magazine, Lynn Nottage’s Clyde’s is currently the most produced play in the U.S. It’s not surprising that Nottage’s work is being done; she’s received the Pulitzer Prize twice during her illustrious career. But it’s a little disappointing that this show seems to
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Confrontations with classics: THE INHERITANCE and PENELOPIAD

Adam Kantor, Bill Brochtrup, August Gray Gall and Juan Castano in The Inheritance Part 1. Photo by Jeff Lorch
November 21, 2022Don Shirley – Angeles Stage Also: ’2:22,’ ‘To Kill a Mockingbird,’ ‘Rent,’ ‘Eisenhower’ When a narrative work of art attains “classic” stature, it often settles comfortably into collegiate required-reading lists — but loses its share of the current limelight. So if E.M. Forster or Homer were alive today and sampling theater on the west side
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AN INSPECTOR CALLS at the Wallis Annenberg Center for the Performing Arts

By LADCC critics
Tuesday, January 29th, 2019
Mark Douet

Mark Douet

Terry Morgan  -  Stage Raw

When J. B. Priestley’s An Inspector Calls premiered in 1945, its vivid dissection of the British social class system in the guise of an Agatha Christie–style mystery was appreciated as a modern classic. Nonetheless, in the following decades its drawing-room play format fell out of favor amidst a tide of naturalism.
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Dany Margolies – The Daily News

With “An Inspector Calls,” director Stephen Daldry saddles up an old warhorse and turns it into a sleek, muscular triple-crown winner.
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Now running through February 10

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