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KISS ME KATE at the Pasadena Playhouse

Photo by Earl Gibson III

Photo by Earl Gibson III

Margaret Gray – LA Times

Let’s Make a Deal’s” Wayne Brady as the lead in a revival of “Kiss Me, Kate”: It almost sounds like an especially wacky draft in some fantasy stunt-casting league for theater directors.

Sheldon Epps of the Pasadena Playhouse has not only made it happen, he has used it as the inspiration for an ingenious adaptation of the beloved 1948 musical.Read more…

Jonas Schwartz -  TheaterMania

Pasadena Playhouse‘s artistic director Sheldon Epps and music director Rahn Coleman have updated the musical comedy juggernaut Kiss Me, Kate by altering some of the orchestrations and featuring a mostly black cast to “showcase the trailblazing African-American actors and entertainers of the early 20th century.” This production has many dazzling moments, particularly because of the supporting cast, but it’s not without its faults in casting and concept. Read more…

Bob Verini  -   Stage Raw

Your typical Kiss Me, Kate features exactly one African-American. It’s Hattie the maid, who kicks off the proceedings with the lead vocals on “Another Op’nin’, Another Show”  and thereafter recedes into the background during the Baltimore tryout of a musical version of Shakespeare’s Taming of the Shrew.   Read more…

Now running through Oct. 12.

 

 

 

 

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