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TEA – Hero Theatre at the Rosenthal Theater at Inner-City Arts

Photo by Jenny Graham
May 4, 2022Deborah Klugman – Stage Raw Tea, the final installment in Velina Hasu Houston’s trilogy of plays about Japanese war brides, takes place, geographically speaking, in Junction City, a small town in the northeast stretch of Kansas. That’s close to where Houston, the daughter of a Japanese woman and an American GI of African American and
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DANCIN’ at the Old Globe in San Diego

Photo by Julieta Cervantes
May 4, 2022Jonas Schwartz-Owen – Theatermania In 1978, Bob Fosse created an evening spotlighting the artistry of dance called Dancin‘, utilizing songs from the ’70s, previous decades, and classical music. Currently at the Old Globe in San Diego, the revival of Bob Fosse’s Dancin’ is having its pre-Broadway run, under the direction of Wayne Cilento, one of
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WHO’S AFRAID OF VIRGINIA WOOLF at Geffen Playhouse

Photo by Jeff Lorch
May 4, 2022Terry Morgan  -  Artsbeat LA Bitchiness, thy name is Albee. Has there ever been a play that reveled in so much in mean-spirited badinage as Edward Albee’s Who’s Afraid of Virginia Woolf? Sour wit courses through the blackened veins of this show like acidic blood, or more specifically like the booze the characters actively embalm
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BRIGHT HALF LIFE at the road Theatre on Magnolia

Photo by Elizabeth Kimball
April 20, 2022Terry Morgan  -  Artsbeat LA Plays that chart the course of a romantic relationship have long been a staple of theater. Stories told in a nonlinear way are less common but not unheard of. When you take the previous two structures and apply them to the topic of a lesbian interracial marriage, the result is
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BLUES FOR AN ALABAMA SKY at the Mark Taper Forum

Photo by Craig Scwartz
April 20, 2022Jonas Schwartz-Owen – Theatermania Dynamic performances by Nija Okoro and Greg Alverez Reid fuel Center Theatre Group’s new revival of Pearl Cleage’s Blues for an Alabama Sky. Phylicia Rashad, who originated Okoro’s role in the play’s 1995 world premiere, returns to direct this humorous production that always simmers with devastation under the surface. Read more…
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ANNA IN THE TROPICS at A Noise Within

Photo by Craig Schwartz
April 6, 2022Deborah Klugman – Stage Raw Imagine, if you can, members of the UAW or the United Mine Workers of America hiring a reader to read to them while they labor at their job. And not just any printed material — not a gossip rag or a bodice ripper or a third-rate paperback. No, we’re talking
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A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY at the Odyssey Theatre

Photo by Jenny Graham
April 2, 2022Terry Morgan  -  Artsbeat LA I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by demonstrating how they were necessary. Most experimental pieces, in my experience, fail that test, but when they succeed
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Social Media

Several of the members of the LADCC have an active presence on various social media sites. Below is a list of active links to those members’ pages on Twitter and Instagram, and their respective websites:

LA Drama Critics
@LADCC on Facebook
@LADramaCC on Twitter

Katie Buenneke

Ellen Dostal
@musicalsinla
Musicals in LA

Hoyt Hilsman
@HoytHilsman

Deborah Klugman
Capital and Main

Dany Margolies
@ArtsinLA.com
Arts in LA

Dana Martin
@danamartin18
@DanaMartinGraduates

Terry Morgan
@TerryMorgan45

Tracey Paleo
Gia On The Move

Jonas Schwartz
@jonasschwartz

Don Shirley
Angeles Stage

Rob Stevens
Haines His Way

 

 

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