February 21, 2019Ellen Dostal – Broadway World Never has the relationship between Iago and Roderigo in Shakespeare’s OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky. Read more… Now running through April 28

February 20, 2019Deborah Klugman – Capital & Main Birth tourism in the United States is a flourishing business. Each year thousands of women from foreign nations pay big bucks to birth their babies on U.S. soil, insuring that their child (courtesy of our Fourteenth Amendment) will become a U.S. citizen. Read more… Now running through March 24

February 19, 2019Dany Margolies – The Daily Breeze Is anything more fascinating than the mind of man? From the 1930s through the ’60s, entertainer Nat “King” Cole seemed the epitome of gentlemanliness, clad and coiffed to perfection, his quiet croon a soothing voice in turbulent times. But in “Lights Out: Nat ‘King’ Cole,” a West Coast–premiering play
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February 15, 2019Katie Buenneke – Stage Raw Ragtime has got to be up there with Oklahoma! as one of the most undeniably American musicals of all time, and it has finally come home to Southern California. Lynn Ahrens and Stephen Flaherty’s musical made its U.S. premiere at the now-demolished Shubert Theatre in Century City in 1997, before opening
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February 13, 2019Terry Morgan  -  Stage Raw Artistic ambition should always be encouraged. If artists never attempt greatness, if they never try working on a bigger canvas, we wouldn’t have works like Angels in America or The Iceman Cometh — plays that demonstrate how amazing theatre can be. Read more… Now running through March 17

February 13, 2019Dany Margolies – The Daily Breeze Presumably expelled by his New York City church for being gay, Griffin Matthews gathered his earnings from his then-unfruitful acting career and headed to Uganda for a six-week stay to help build a school. He changed lives there. The Ugandans he met changed his. And from this real-life journey
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February 12, 2019Dany Margolies – The Daily Breeze “Admit passersby!” urged Britain’s wartime instructions. In Matthew Bourne’s dance-theater production of “Cinderella,” we find a reminder to open up our hearts and let the sunshine in. But the story Bourne tells, at the Ahmanson through March 10, is far from the sunny fairytale we might expect. Using Sergei
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