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Archive for Ahmanson Theatre

COME FROM AWAY at the Ahmanson Theatre

Photo by Matthew Murphy

Photo by Matthew Murphy

Harker Jones – BroadwayWorld

Based on a true story of compassion in the face of horror, COME FROM AWAY dazzles with sheer exuberance, leading to a surprisingly moving conclusion. When terrorists took control of airplanes, using them as weapons and crashing them near the Pentagon and in New York City on September 11, 2001, the world came to a crashing halt. And that included the small town of Gander on the island of Newfoundland on the eastern end of Canada. Read more…

Now through June 12

HADESTOWN at the Ahmanson Theatre

Photo by T Charles Erickson

Photo by T Charles Erickson

Jonas Schwartz-Owen – Theatermania

There’s a gargantuan myth surrounding the opening of Hadestown at the Ahmanson Theatre. Not the Greek tragedy of Orpheus and Eurydice, which this musical does borrow, but the legend of the juggernaut Broadway production that opened in April 2019. Arriving with 14 Tony nominations and eight awards in tow, the production almost dares the audience to not be absorbed by the fandom and hype. Read more…

Rob Stevens – Haines His Way

Even though Hadestown is mostly set in hell, it’s a lively and jazzy version of the fearsome place. Anais Mitchell has created an amazing piece of theatre with her book, music and lyrics and director Rachel Chavkin has put a special spin on the characters and action. It’s like two classic Greek love stories rolled into the biggest, rowdiest New Orleans Mardi Gras party ever. If hell is like this, I want to book my ticket now! The National Tour played the Ahmanson Theatre in Los Angeles recently and will play the Orange County Performing Arts Center soon. Read more…

Now running through May 29

To hell (and back?) in TOOTSIE and HADESTOWN: Plus, A Heated Discussion, Who’s Afraid of Virginia Woolf?, A Doll’s House Part 2, Masao and the Bronze Nightingale, Jane Austen Unscripted

Photo by Evan Zimmerman for MurphyMade

Photo by Evan Zimmerman for MurphyMade

Don Shirley – Angeles Stage

Just over a month ago, millions of us witnessed a dramatic descent into chaos onstage at the Dolby Theatre in Hollywood. At the Oscar ceremony, the usual back-patting was upstaged by the unscripted cheek-slapping of Chris Rock by Will Smith.

Now fresh drama has returned to the Dolby. Last Tuesday, the stage musical adaptation of “Tootsie” made its first LA appearance there, under the auspices of Broadway in Hollywood, depicting a very different fall from grace. It’s a contemporary take on the beloved 1982 film comedy about a man who enjoys steady employment — and even fame — while posing as a woman, before his ruse is exposed. Read more…

 

THE LEHMAN TRILOGY at the Ahmanson Theatre

Photo by Craig Schwartz

Photo by Craig Schwartz

Jonas Schwartz-Owen – Broadway World

Three men stand on a stage for over three hours, trekking through 150 years of history in The Lehman Trilogy and it’s the most invigorating evening imaginable. Read more…

Now running through April 6

EVERYBODY’S TALKING ABOUT JAMIE at the Ahmanson Theatre

 

Photo by Johan Persson

Photo by Johan Persson

Tracey Paleo – Broadway World

It was just what we needed!”

The audience response was joyous. Indeed, that was the very vocal sentiment of so many in the crowd after a triumphant opening night at the Ahmanson Theatre downtown Los Angeles….
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Jonas Schwartz -  TheaterMania

Of course, Everybody’s Talking About Jamie, since its star, Layton Williams, is an unbridled force of nature. Read more…

Now running through February 2o

A CHRISTMAS CAROL at the Ahmanson Theatre

Photo by Joan Marcus

Photo by Joan Marcus

Jonas Schwartz-Owen – Theatermania

The holiday season has come to the Ahmanson Theatre, where London’s Old Vic Theatre has installed its annual A Christmas Carol, with Bradley Whitford playing Scrooge.
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Now running through January 1, 2022

THE BOOK OF MORMON at the Ahmanson Theatre

Julieta Cervantes

Julieta Cervantes

Jonas Schwartz – Broadway World

After two successful runs in Los Angeles in 2012 and 2014 at the Pantages, that smut-mouthed, but endearing musical comedy The Book Of Mormon has squatted downtown at the Ahmanson, and third time around, it has lost none of its luster, or its smut.
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Now running through March 29

THE LAST SHIP at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Erin Conley – On Stage & Screen

At first blush, the shipbuilding industry does not seem the most obvious topic for a musical. The Last Ship, an original musical with music and lyrics by Sting and a new book by Lorne Campbell, opened this week at the Ahmanson Theatre in Los Angeles with some of the problems you might expect given the show’s tumultuous journey the last few years. But impressive design elements, a talented cast, and a surprising amount of heart save the production from running aground.
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Deborah Klugman – Stage Raw

The Last Ship is a good match for anyone with powerful empathy for the working-class men and women whose livelihoods over the past 50 years have been devastated by ruthless corporatism. It’s probably an agreeable one for theatergoers who, in their restless rebellious youth, may have pulled up roots to venture out into the world, leaving friends and family behind. And the show is a fortuitous opportunity for fans of Sting, the internationally famous British musician who birthed the idea behind it, wrote the score and lyrics, and is featured among the ensemble.
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Now running through February 16

LATIN HISTORY FOR MORONS at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Erin Conley – On Stage & Screen

In his sixth one-man show, Tony winner John Leguizamo is back on stage with Latin History for Morons, a timely and engaging piece that is part comedy special, part solo revue, and part poignant academic lesson.
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Katie Buenneke – Stage Raw

John Leguizamo has a remarkable knack for drawing an audience in and making them feel comfortable immediately. Before you realize you’re even watching a one-man show, you’re well into it, you’ve unknowingly taken a leap of faith and you’re trusting this man to guide you through the next two hours.
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Now running through October 20

THE PLAY THAT GOES WRONG at the Ahmanson Theatre

Jeremy Daniel

Jeremy Daniel

Erin Conley – On Stage & Screen

The tone for the farce that is The Play That Goes Wrong is set long before the curtain rises. Frazzled cast members wander the audience, asking questions such as if anyone has a dog they can borrow for the second act, as others attempt to fix the constantly malfunctioning set.
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Katie Buenneke – Stage Raw

The Play That Goes Wrong, a British production at the Ahmanson by way of Broadway and, as the title would indicate, nearly everything goes wrong, as planned. The show is quite funny at times, with moments so hilarious you’ll laugh until you cry, but it’s too long, and loses the comedic momentum it builds for itself.
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Jonas Schwartz – Theatermania

The Play That Goes Wrong stabs you in the funny bone over and over. A mastery of pratfalls and a love letter to bad acting (cowritten by Mischief Theatre company members Henry Lewis, Jonathan Sayer, and Henry Shields), the comedy is such an adrenalin rush, audiences at the Ahmanson Theatre will be panting heavier than the actors forced to contend with a collapsing set.
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Now running through August 11

INDECENT at the Ahmanson Theatre

Craig Schwartz

Erin Conley – On Stage and Screen

Those of us who frequent the theater do not need to be convinced of this art form’s importance. But there are some stories that really drive this home, emphasizing the true power of theater, particularly when the world wants to prevent a story from being told.
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Now running through July 7

FALSETTOS at the Ahmanson Theatre

Joan Marcus

Joan Marcus

Erin Conley – On Stage & Screen

Most people hear the term “falsetto” and think of the vocal technique used by male singers to sing notes above their natural range, often resulting in a sound that is strikingly high and, in a sense, untraditional. It is not very obvious why the musical Falsettos, which opened last night at Center Theatre Group’s Ahmanson Theatre as part of a national tour, has the title it does, but it is about an untraditional family.
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Jonas Schwartz – Arts In LA

Falsettos is a master class in acting modulation. The characters are self-involved, sometimes violent, energy vampires. An actor must be true to author William Finn’s vision of Marvin and his clan, revealing warts and all, but compel the audience to accept and forgive those who need eons of therapy.
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Now running through May 19