Layout Image

Archive for Ahmanson Theatre

THE PLAY THAT GOES WRONG at the Ahmanson Theatre

Jeremy Daniel

Jeremy Daniel

Erin Conley – On Stage & Screen

The tone for the farce that is The Play That Goes Wrong is set long before the curtain rises. Frazzled cast members wander the audience, asking questions such as if anyone has a dog they can borrow for the second act, as others attempt to fix the constantly malfunctioning set.
Read more…

Katie Buenneke – Stage Raw

The Play That Goes Wrong, a British production at the Ahmanson by way of Broadway and, as the title would indicate, nearly everything goes wrong, as planned. The show is quite funny at times, with moments so hilarious you’ll laugh until you cry, but it’s too long, and loses the comedic momentum it builds for itself.
Read more…

Jonas Schwartz – Theatermania

The Play That Goes Wrong stabs you in the funny bone over and over. A mastery of pratfalls and a love letter to bad acting (cowritten by Mischief Theatre company members Henry Lewis, Jonathan Sayer, and Henry Shields), the comedy is such an adrenalin rush, audiences at the Ahmanson Theatre will be panting heavier than the actors forced to contend with a collapsing set.
Read more…

Now running through August 11

INDECENT at the Ahmanson Theatre

Craig Schwartz

Erin Conley – On Stage and Screen

Those of us who frequent the theater do not need to be convinced of this art form’s importance. But there are some stories that really drive this home, emphasizing the true power of theater, particularly when the world wants to prevent a story from being told.
Read more…

Now running through July 7

FALSETTOS at the Ahmanson Theatre

Joan Marcus

Joan Marcus

Erin Conley – On Stage & Screen

Most people hear the term “falsetto” and think of the vocal technique used by male singers to sing notes above their natural range, often resulting in a sound that is strikingly high and, in a sense, untraditional. It is not very obvious why the musical Falsettos, which opened last night at Center Theatre Group’s Ahmanson Theatre as part of a national tour, has the title it does, but it is about an untraditional family.
Read more…

Jonas Schwartz – Arts In LA

Falsettos is a master class in acting modulation. The characters are self-involved, sometimes violent, energy vampires. An actor must be true to author William Finn’s vision of Marvin and his clan, revealing warts and all, but compel the audience to accept and forgive those who need eons of therapy.
Read more…

Now running through May 19

MATTHEW BOURNE’S CINDERELLA at the Ahmanson Theatre

Johan Persson

Dany Margolies – The Daily Breeze

“Admit passersby!” urged Britain’s wartime instructions. In Matthew Bourne’s dance-theater production of “Cinderella,” we find a reminder to open up our hearts and let the sunshine in.

But the story Bourne tells, at the Ahmanson through March 10, is far from the sunny fairytale we might expect. Using Sergei Prokofiev’s brooding, elegantly dissonant, subtly disturbing score, and setting the story in 1940 during the Blitz, Bourne makes his version fully accessible yet requires the audience to put puzzle pieces together.
Read more…

Erin Conley – On Stage & Screen

There are no carriages turning into pumpkins to be seen in Matthew Bourne’s Cinderella, an enchanting, contemporary ballet currently being presented by New Adventures at Center Theatre Group’s Ahmanson Theatre in Los Angeles. Instead, this interpretation of the classic fairy tale takes place over a backdrop of a city in turmoil at the height of World War II, crafting a new story of lovers torn apart until they are reunited, thanks, of course, to a very special shoe. Read more…

Now running through March 10

COME FROM AWAY at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Erin Conley – On Stage & Screen

On paper, it feels a bit wrong to call a musical about September 11th, 2001 “uplifting.” It is easy to wonder how that could possibly be true…until seeing Come From Away, a true marvel of a show that manages to take a large story everyone knows about one of the most devastating days in modern times and find inside of it a much smaller story few people know that shines a light on the very best aspects of humanity.      Read more…

Rob Stevens – Haines His Way

On September 11, 2001, the world stopped. A horrific and unforgettable event took place that a generation will always remember where they were, what they were doing when they first heard news of it.    Read more…

Dany Margolies – The Daily News

On Sept. 11, 2001, 38 airliners were diverted to Gander, Newfoundland. There they remained grounded for five days.

The story of the Canadians and the world travelers they fed and housed makes up this 2013 musical — with book, music and lyrics by Irene Sankoff and David Hein. You won’t hum any of the songs when you’re leaving the theater. You will instead hum the human spirit.
Read more…

Ellen Dostal – Musicals in LA

My one big recommendation this holiday season is an easy one – go see Come From Away at the Ahmanson. That’s it. The world’s a tough place right now and this musical will restore your faith in humanity in every way possible.    Read more…

Frances Baum Nicholson –The Stage Struck Review

No argument. Anyone who was alive and over 5 or 6 on September 11, 2001 remembers with aching accuracy all that they did, heard, and reacted to that day.
Read more…

Now running through January 6

DEAR EVAN HANSEN at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Frances Baum Nicholson – Stage Struck Review

When news the Tony-winning “Dear Evan Hansen” was headed for L.A. on its first national tour, a dash for tickets seeming mildly reminiscent of the “Hamilton” frenzy began.
Read more…

Erin Conley -  On Stage and Screen

There have been plenty of musicals about complicated, grieving families over the years, but until now, there has not been one tailor-made for the social media era. Enter Dear Evan Hansen, the 2017 Tony winner for Best Musical that opened last night at Center Theatre Group’s Ahmanson Theatre in Los Angeles.
Read more…

Rob Stevens – Haines His Way

If you have seen the musical Dear Evan Hansen and are a fan, you might not want to read any further because I will be challenging most things that you hold dear about the show.
Read more…

Katie Buenneke – Stage Raw

First things first: if you didn’t get the chance to see Dear Evan Hansen in New York, don’t worry. The first national tour of the show, currently playing at the Ahmanson, is nearly identical to the New York incarnation.
Read more…

Jonas Schwartz -  TheaterMania

Young Evan Hansen has broken his arm. Before the Tony winning musical Dear Evan Hansen ends, the titular character will also have broken many hearts in this poignant, topical drama about isolation in high school and how social media takes an already stressful situation and heightens it by exposing and recording all of life’s foibles small and large.
Read more…

Dany Margolies – The Daily News

Evan Hansen struggles with social interaction, prefers to isolate himself and fears being judged by others. To varying degrees, so do we all, whether for a moment, a day or constantly.
Read more…

Now running through November 25

AIN’T TOO PROUD – THE LIFE AND TIMES OF THE TEMPTATIONS at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Erin Conley – On Stage & Screen

Look out, baby, cause here they come. Ain’t Too Proud—The Life and Times of The Temptations opened in Los Angeles at Center Theatre Group’s Ahmanson Theatre last night, just hours after it was announced the show will transfer to Broadway in spring 2019. Read more…

Katie Buenneke – Stage Raw

The two trickiest types of musical, to this critic’s mind at least, are the bio-musical and the jukebox musical. The former ties musicals, often a fanciful form, to rote biographical facts, while the latter often requires the show’s cast and creative team to impart significance to songs that might not be able to carry the meaning they’re meant to support.
Read more…

Dany Margolies – The Daily Breeze

For sheer entertainment, “Ain’t Too Proud” is the show to see in Los Angeles during the next five weeks.
As a jukebox musical featuring the songs of The Temptations plus a generous handful of others, the score is unsurpassable. The quintet that many consider the greatest group ever in R&B music gave us such 1960s and ’70s classics as “My Girl,” “Papa Was a Rollin’ Stone” and of course “Ain’t Too Proud to Beg.”
Read more…

Now running through September 30

 

THE HUMANS at the Ahmanson Theatre

Lawrence K. Ho

Lawrence K. Ho

Erin Conley – On Stage & Screen

Despite an impressive pedigree, there is little that’s flashy about The Humans, the 2016 Tony Award winner for Best Play that opened this week at Center Theatre Group’s Ahmanson Theatre. Written by Stephen Karam with the entire original Broadway cast reprising their roles, the one-act play unfolds over the course of Thanksgiving dinner with a multigenerational family……Read more…

Rob Stevens – Haines His Way

The Ahmanson Theatre in the Los Angeles Music Center is a big house, usually home to touring musicals like the upcoming Dear Evan Hansen and Come From Away.
Read more…

Frances Baum Nicholson –The Stage Struck Review

The neatest trick to accomplish, when writing an intimate play, is to find that spark which ties the issues and personalties of a few people to something inherently a part of everyone. That very concept centers Stephen Karam’s “The Humans,”……
Read more…

Jonas Schwartz -  TheaterMania

Something so small can feel so vast. A simple family dinner can stir up old haunts. Even if one listens closely to the mundane conversations, it’s what’s not said aloud or what’s unseen in the shadows that can sting the most. Read more…

Now running through July 29

SOFT POWER at the Ahmanson Theatre

Craig Schwartz Photography

Craig Schwartz Photography

Ellen Dostal – Musicals in L.A.

Playwright David Henry Hwang and composer Jeanine Tesori are pushing buttons and challenging conventions with their new work, Soft Power, now in its world premiere at Center Theatre Group’s Ahmanson Theatre.
Read more…

Rob Stevens – Haines His Way

American musical theatre and politics would seem to make strange bedfellows. However, since Of Thee I Sing won the Pulitzer Prize for Drama in 1932. there have been many other successful and not-so-successful musicals mingling politics with song and dance.
Read more…

Erin Conley – On Stage and Screen

Soft Power, currently in its world premiere at Center Theatre Group’s Ahmanson Theatre, is billed as “a play with a musical.” This is a unique description fitting for a unique show, both in structure and in content. With play and lyrics by David Henry Hwang and music and additional lyrics by Jeanine Tesori, Soft Power taps into timely political subject matter—some may say too timely—and adds a refreshing twist, creating a show with a perspective rarely seen.
Read more…

Jonas Schwartz -  TheaterMania

What was the last musical to feature Hillary Clinton twerking at a McDonald’s or White House cabinet members bloodthirstily carrying tommy guns? Soft Power, the new political-satire musical by two Tony winners, composer Jeanine Tesori and writer David Henry Hwang, ambushes the 2016 US election through the eyes of a foreigner.
Read more…

Frances Baum Nicholson – The Daily Breeze

There is a moment in “Soft Power,” the new “play with a musical” at the Ahmanson, when the disquiet hits you. The show has a lovely time acknowledging musical theater tropes, discussing the power of the musical to slowly convince people of an idea (this is what “soft power” is — gradual bending of minds), and expressing the outrage and increasing xenophobia which accompanied the 2016 election. Read more…

Now running through June 10

 

SOMETHING ROTTEN at the Ahmanson Theatre

Photo by Jeremy Daniel

Photo by Jeremy Daniel

Erin Conley – On Stage & Screen

Just in time for the holidays, the rambunctious, crowd-pleasing national tour of Something Rotten! has opened at Center Theatre Group’s Ahmanson Theatre. This original musical, which ran for nearly two years on Broadway and was nominated for 9 Tony Awards, is a rare show that is equally enjoyable for theatre aficionados and more casual patrons alike.
Read more…

Rob Stevens – Haines His Way

There is nothing rotten to be found in Something Rotten!, a joyously over-the-top musical at the Ahmanson Theatre that spoofs and celebrates anything and everything about musical theatre. How can you not love a musical that celebrates The Black Death in song?
Read more...

Paul Birchall  – Stage Raw

I’m of two minds about this upbeat musical (the bus and truck production of the 2014 Broadway hit) which is about theater during Shakespeare’s time. Credited to Karey and Wayne Kirkpatrick and John O’Farrell, it’s cheerful, peppy, energetic, and at times quite cute.
Read more…

Deborah Klugman – LA Weekly

Something Rotten! is a ditzy satire that takes a wry poke at wannabe-ism and artistic celebrity; while it may not be the deepest or drollest of musicals, the choreography is great, the lyrics are clever, and the comic performances  are entertainingly on the mark.
Read more…

Now running through December 31

BRIGHT STAR at the Ahmanson theatre

Photo by Craig Schwartz

Photo by Craig Schwartz

Dany Margolies – The Daily Breeze

“Bright Star” is a fairly new musical by Steve Martin and Edie Brickell. It had a life on Broadway last year and has arrived at L.A.’s Ahmanson Theatre.
Read more…

Jonas Schwartz -  TheaterMania

Bright Star has so many winning attributes that one can easily forget its shortcomings and simply enjoy the experience. The music by Steve Martin and Edie Brickell employs a lilting bluegrass sound, Walter Bobbie’s direction is stellar, and Carmen Cusack gives a performance you will remember for years to come.
Read more…

Erin Conley – On Stage and Screen

Trouble and happiness often go hand in hand, and there is plenty of both to be found in Bright Star, the charming bluegrass musical that just launched its national tour at Center Theatre Group’s Ahmanson Theatre in Los Angeles after a Broadway run last year.

Rob Stevens – Haines His Way

The opening lyrics of the opening song of Steve Martin and Edie Brickell’s bluegrass/country western infused musical Bright Star, currently starting its National Tour at the Ahmanson Theatre, tell you what to expect.
Read more…

Now running through November 19

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at the Ahmanson Theatre

Photo by Joan Marcus

Photo by Joan Marcus

Hoyt Hilsman  -  Huffington Post

Simon Stephens’ Tony-award winning adaptation of Mark Haddon’s best-selling novel arrives in Los Angeles after productions in New York and London, still full of vibrancy and innovation. It tells the story of Christopher John Francis Boone (Adam Langdon), a 15-year old on the autism spectrum, who sets out to solve the mysterious killing of a neighbor’s dog. Read more…

Rob Stevens – Haines His Way

At the start of The Curious Incident of the Dog in the Night-Time, the National Tour is currently at the Ahmanson Theatre, 15-year old Christopher (Adam Langdon), a mathematical genius, is found in a neighbor’s garden next to a dog which has a garden fork AKA pitchfork sticking out of it. Read more…

Pauline Adamek – ArtsBeatLA

Part murder mystery, part technical extravaganza, The Curious Incident of the Dog in the Night-Time follows the earnest endeavors of an autistic 15-year old named Christopher John Francis Boone, (played by Adam Langdon, alternating with Benjamin Wheelwright), to solve the mysterious and violent killing of a neighbor’s dog. Sadly, this production from The National Theatre of Britain suffers from some overly dramatic acting and over enunciation (everything is so terrible spiffing!) in its attempt to express the heart of the story beneath the technical spectacle.  Read more…

 

Now running through September 10