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Archive for Atwater Village Theatre

APPLE SEASON at Atwater Village Theatre

Benjamin Simpson

Benjamin Simpson

Deborah Klugman – Stage Raw

Perhaps most notable among the many prizes received by playwright E.M. Lewis is the Steinberg Award from the American Theatre Critics Association, garnered for Song of Extinction, produced in 2008 by the L.A. troupe Moving Arts. (That production also won both an LA Weekly award for Best Production and the LADCC award for Outstanding New Play.)
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Now running through August 5

THE END OF BEAUTY – Playwright’s Arena at Atwater Village Theatre

PressPhotoBeauty3

Deborah Klugman – Stage Raw

In its world premiere, Cory Hinkle’s The End of Beauty runs about two hours, but it’s not until the last 10 minutes that it grips one’s attention. That’s when Silas Weir Mitchell, playing one of the story’s three characters, looks back on the past with acceptance, perplexity and regret.
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Now running through June 18

 

THE WOLVES – ECHO THEATER COMPANY at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Erin Conley – On Stage & Screen

“We are the Wolves. We are the Wolves,” a group of teenage girls chants, each repetition of the phrase growing in both volume and urgency. The Wolves are a high school indoor soccer team, and the subject of Sarah DeLappe’s play of the same name currently in its west coast premiere at the Echo Theater Company.     Read more…

Katie Buenneke – Stage Raw

It’s both remarkable and unnerving when a writer, director, and cast work in tandem so effectively that you leave the theater feeling like you know the characters personally. It’s a rare magic, currently happening in Atwater Village, where Echo Theater Company is staging Sarah DeLappe’s The Wolves.       Read more…

Now running through April 22

HOW WE’RE DIFFERENT FROM ANIMALS at Atwater Village Theatre

Meredith  Adelaide

Erin Conley – On Stage & Screen

In How We’re Different From Animals, a world premiere play based on short stories by Miranda July, there is one common theme—romance. Romance is, after all, how July argues we are different from animals.
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Now running through March 24

BLISS – Moving Arts at Atwater Village Theatre

Mae Koo Photography

Mae Koo Photography

Deborah Klugman – Stage Raw

Although Bliss (Or Emily Post is Dead!), is set in North Orange, New Jersey in the 1960s, a rudimentary knowledge of Greek mythology is helpful in fathoming the themes of Jami Brandli’s ambitious but muddled satire, directed by Darin Anthony.
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Now running through December 2

GLORIA – Echo Theater Company at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Deborah Klugman – Stage Raw

Although the publishing world serves as the framework for Branden Jacobs-Jenkins’ scathing dramedy, his story is less about the decimation of a once flourishing profession as it is about the impoverishment of our lives and our relationships with others, or lack thereof.
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Erin Conley – On Stage & Screen

When Gloria, a Pulitzer Prize-finalist play by Branden Jacobs-Jenkins currently in its west coast premiere at The Echo Theater Company, begins, it seems like a modern workplace comedy.
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Now running through October 21

 

ALL NIGHT LONG at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Terry Morgan  -  Stage Raw

Not every work of art is designed with the mass audience in mind. Some are experiments or explorations, or maybe just a diverting goof. All these terms might apply to John O’Keefe’s All Night Long, a kaleidoscopic fever dream of a play that revels in erudition and silly humor but doesn’t hew to a traditional dramatic structure or feature a standard resolution.
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Now running through October 7

UNDER MILK WOOD – Open Fist Theatre Company at the Atwater Village Theatre

(Photo by Darrett Sanders)

(Photo by Darrett Sanders)

Terry Morgan  -  Stage Raw

If one were to attempt to find a work comparable to Dylan Thomas’s Under Milk Wood, it would likely be Thornton Wilder’s Our Town. Both plays deal with the mundane and the sacred, and both delve into the complexities of small communities.
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Now running through August 25

CRY IT OUT at Atwater Village Theatre

 

Darrett Sanders

Darrett Sanders

Terry Morgan  -  Stage Raw

Caring for an infant is an important part of life, yet its difficulties are rarely depicted in the arts. While there is no lack of stories about pregnancy and birth, once the child is born, the drama seems to be considered less interesting. Playwright Molly Smith Metzler begs to differ…….Read more…

Frances Baum Nicholson –The Stage Struck Review

There is nothing quite so visceral, quite so individualistic in response, or quite so romanticized as becoming a new mother. Read more…

Erin Conley – On Stage & Screen

What exactly does it mean to be the “perfect mother?” This is a question many non-mothers think they know the answer to that also haunts new mothers, terrified of making the wrong decision in terms of what is best for their child.
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Now running through August 19

TAR at Atwater Village Theatre

Photo courtesy of Playwrights’ Arena)

Photo courtesy of Playwrights’ Arena)

Neal Weaver  – Stage Raw

It’s Los Angeles in 1939. Count Basie and his band are scheduled to play at the Palomar Ballroom — one of the first African-American groups to perform there. Next door, at Bimini Baths, two employees, African-American Amen (Noel Arthur) and Mexican-American Zenobio (Adrian Gonzalez) have been given the onerous job of cleaning up the tar-covered body of a drunken white man…….Read more…

Now running through

FOREVER BOUND at Atwater Village Theatre

Kathy Flynn

Kathy Flynn

Terry Morgan – Stage Raw

Steve Apostolina’s Forever Bound is an uncommon play that begins in one genre and ends in another. It’s always difficult to market something that doesn’t fit neatly into one category, so writers are often encouraged not to create anything like that. However, the results of such experiments are usually intriguing artistically. Such is the case with Forever Bound….     Read more…

Deborah Klugman – LA Weekly

Steve Apostolina’s dark and thoughtful dramedy, Forever Bound, starts out as two disparate narratives that come together in an intense, disquieting way. Commencing as a wry comedy about a nebbish whose life is on the downturn, it culminates as a riveting face-off between good and evil, and highlights just how hard it can be to sever the formidable bonds that bind us to our past.
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Erin Conley – On Stage & Screen

If you watched only the opening scenes of Forever Bound, a play written by Steve Apostolina now in its world premiere at the Atwater Village Theatre in Los Angeles, you would likely never guess the turns the story eventually takes. Read more…

Now running through June 16

WHAT HAPPENED WHEN at Atwater Village Theatre

 

Darrett Sanders

Darrett Sanders

Ellen Dostal – Broadway World

The air between the words is so thick you could cut it with a knife in Daniel Talbott‘s shadowy play about three siblings attempting to survive their dysfunctional family. Each is broken in his or her own way and, as the hairball unravels, the audience must piece together their fragmented story over a period of six years.
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Terry Morgan  -  Stage Raw

There are generally two types of ghost stories: those with haunted characters, and those in which it is the audience that becomes haunted — that is, where the tale lingers after the show like an unquiet memory.
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Harker Jones – Arts In LA

Daniel Talbott’s What Happened When is a claustrophobic, intense, and harrowing familial drama in the guise of a horror story. Set in a bedroom with red-paint (or blood-) spattered walls, three siblings huddle on a bed in an old farmhouse.
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Now running through April 26