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Archive for Boston Court Pasadena

HOW THE LIGHT GETS IN at Boston Court Pasadena

Craig Schwartz

Craig Schwartz

Deborah Klugman – Stage Raw

Americans live in a culture which values the new, the shiny, the unimpaired. If a plate or cup chips, most of us throw it away.

In Japan, it’s a different story. A Japanese philosophy, wabi-sab, teaches that worn or imperfect objects may have great value.Kintsugi, the repairing of broken pottery, is a kindred art form that views imperfections in an object as part of their history and integral to their worth. Rather than discard the object, kintsugi instructs that it be cared for and treasured.
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Now running through October 27

 

LADIES at Boston Court Pasadena

Jenny Graham

Jenny Graham

Rob Stevens – Haines His Way

Four young women in their underwear take the stage at Boston Court. While bopping along to a lively mixtape/Itunes playlist, they don the corsets and panniers of the 18th century women they will be portraying in the World Premiere of Kit Steinkellner’s Ladies.
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Deborah Klugman – Stage Raw

Even in the darkest, most unenlightened era, there have been women prepared, often driven, to buck the strictures placed upon their gender. Ladies, Kit Steinkellner’s illuminating world premiere play directed by Jessica Kubzansky at Boston Court Pasadena, imagines what it must be like to be this kind of person, ready to risk pariahdom for the sake of personal freedom.
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Margaret Gray – LA Times

Kit Steinkellner’s new play “Ladies” presents itself initially as a stylized period piece about women’s empowerment.

At Boston Court Pasadena, four actresses walk onstage in beige bras and panties, then proceed to dress themselves in elaborate 18th century undergarments: black stockings, white corsets and hoop skirts. High-heeled lace-up white booties complete the look, which could be described as Laura Ashley bondage.
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Now running through June 30

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THE JUDAS KISS at Boston Court Pasadena

Jenny Graham

Jenny Graham

Terry Morgan  -  Stage Raw

The human desire for love is one of the main glues that holds the world together — along, of course, with greed, the lust for power and chocolate. Without love, there would be no rom-coms, no Valentine’s Day industry, and significantly less adorable tots bopping about.
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Frances Baum Nicholson –The Stage Struck Review

One of the tragic tales to come from the criminalization of homosexuality in Britain has always been the story of Oscar Wilde, the celebrated, flamboyant author and playwright whose great fame turned into great scandal, imprisonment, and self-imposed exile.

Now running through March 24

EVERYTHING THAT NEVER HAPPENED at Boston Court Pasadena

Jenny Graham

Jenny Graham

Frances Baum Nicholson –The Stage Struck Review

Boston Court Pasadena’s Co-Artistic Director Jessica Kubzansky loves Shakespeare. That I know. She has directed insightful productions of the Bard’s work at several venues, and in her “RII” at BC she  pared one play down to great effect, allowing more focus on essential and timeless themes in a comparatively obscure history play.

Deborah Klugman – Stage Raw

Sarah B. Mantell’s poignant play begins with a young couple capering playfully across the spare, unembellished set. Their first words are tentative; they’re the sort uttered, pretty much ubiquitously, between would-be lovers who do not know each other well. For a couple of minutes, you wonder if you’re in for a fancified rom-com about the rocky shoals coursed over by true love.
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Now running through November 4

HER PORTMANTEAU at Boston Court Pasadena

Craig Schwartz

Craig Schwartz

Neal Weaver  – Stage Raw

This play by Nigerian-American playwright Mfoniso Udofia is part of a projected cycle of nine plays about the lives of the Ufot family in Nigeria and America.
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Now running through June 30