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Archive for Broadway World – Page 2

UNEMPLOYED ELEPHANTS at the Little Victory Theatre

Tim Sullens

Tim Sullens

Ellen Dostal – BroadwayWorld

Playwright Wendy Graf is best known for her uniquely dramatic works such as PLEASE DON’T ASK ABOUT BECKET, ALL AMERICAN GIRL, and NO WORD IN GUYANESE FOR ME. But, in her latest world premiere, UNEMPLOYED ELEPHANTS – A LOVE STORY, she takes a lighter – and more formulaic – approach to her subject.
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Erin Conley – On Stage & Screen

A man and a woman meet at the airport. She is on her honeymoon, solo, after being dumped just before her wedding. He says he is on assignment for Animal Planet, researching the unemployed logging elephants of Myanmar.
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Now running through April 15

JACKIE UNVEILED at the Wallis Annenberg Center for the Performing Arts

Kevin Parry

Kevin Parry

Ellen Dostal – Broadway World

In Act 1 of JACKIE UNVEILED, Tom Dugan‘s new solo play about Jacqueline Kennedy Onassis, she repeats a single phrase over and over. “I’m no good alone.” The chain smoking, alcohol indulging former first lady has just learned that her brother-in-law (and secret lover) Bobby Kennedy has been assassinated. Now, in the wee hours of the morning, she is distraught.
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Dany Margolies – The Daily Breeze

In the 1960s, only realists and Republicans could possibly think first lady Jacqueline Bouvier Kennedy was not perfect. She was willowy, whispery, well-spoken. She had chic taste, financial comfort, a handsome husband. And he and she occupied the White House.
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Now running through March 18

DADDY LONG LEGS at International City Theatre

 

Tracey Roman

Tracey Roman

Ellen Dostal – Broadway World

It can be a wonderful adventure to watch two people falling in love, particularly when they themselves don’t realize it’s happening. When the adventure takes place on stage – as in John Caird and Paul Gordon’s musical two-hander DADDY LONG LEGS – the audience has an advantage because they get to see the relationship develop from both points of view.
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Now running through March 11

HENRY V at A Noise Within

Craig Schwartz

Craig Schwartz

Ellen Dostal – Broadway World

By the time Shakespeare gets to the last of his history plays concerning the Wars of the Roses*, HENRY V, the party boy who would be king has become a man. Gone are the indiscretions of youth seen in the earlier HENRY IV plays, which follow young Prince Hal on his escapades with Falstaff and the Eastcheap gang.
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Frances Baum Nicholson – The Daily Breeze

Of all Shakespeare’s history plays, the one which has always fascinated me most is “Henry V.”

From its prologue, which defines the very essence of live theater and the suspension of disbelief, through the humanity of its central figure wrestling with the understood demands of the crown and the lasting echoes of a misspent youth, it has an articulation of language and emotion which have always caught my imagination.
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Rob Stevens – Haines His Way

The idle, degenerate, boozing and whoring Prince Hal from Shakespeare’s Henry IV plays grows up quickly when he ascends the throne and chooses to go to war with France in Henry V.
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Jonas Schwartz -  TheaterMania

A war pageant, Shakespeare’s Henry V portrays a king evolving into a formidable force. Codirectors Julia Rodriguez-Elliott and Geoff Elliott incorporate music, pomp, and studied performances to elevate the text and keep audiences engaged. Some directorial choices in this A Noise Within production, though, wound Act 1′s momentum. However, a triumphant Act 2 leaves audiences rousing for the English crown.
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Now running through April 6

 

THE BRICK: A ONE MAN MUSICAL at the Whitefire Theatre

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Ellen Dostal – Broadway World

In Bill Berry’s solo show THE BRICK: A ONE MAN MUSICAL, Berry isn’t addressing the audience in a theater. He’s on a beach having a two-way conversation with his dead mother and we are the accidental eavesdroppers who witness their complicated relationship unfold piecemeal.
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SHAKESPEARE HIS WIFE AND THE DOG at the Broad Stage

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Ellen Dostal – Broadway World

It takes an awfully long time to get to the point in Philip Whitchurch’s original one act play directed by Julia St. John. Set during a fictional night in the lives of William Shakespeare (played by Whitchurch) and his wife Anne (Sally Edwards) at their home in Stratford-upon-Avon, the story reveals a couple in their later years, bickering but still clearly in love…
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Dany Margolies – The Daily Breeze

“You cannot talk without it being puns or snatches of your plays,” William Shakespeare’s wife complains in “Shakespeare his wife and the dog.” The audience might feel likewise.

But in this 65-minute work by Philip Whitchurch, ending Sunday at the Broad Stage, when these two get down to the troubles ordinary humans face — illness, lovelessness — we feel every bit of their pain.
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Now running through January 28