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Archive for Cabaret

CABARET at the Celebration Theatre

Matthew Brian Denman

Matthew Brian Denman

Katie Buenneke – Stage Raw

By now, Kander and Ebb’s 1966 musical Cabaret is as much a part of the American musical theater canon as Oklahoma. While it’s much darker than most of its Rodgers and Hammerstein counterparts (save, perhaps, for Carousel), it now feels like an old standby, performed by regional theaters and colleges nationwide. Read more…

Rob Stevens – Haines His Way

Christopher Isherwood’s 1945 novel Berlin Stories was turned into a Broadway play called I Am A Camera in 1951 and later filmed, both starring a young Julie Harris as the desperate to be decadent cabaret performer Sally Bowles in 1930s Berlin. Read more…

Ellen Dostal – Musicals in L.A.

Kander & Ebb’s political musical Cabaret captures a horrific period in history. Set in 1929-1930 as the Nazis were coming into power, it is an unsparingly direct window into the deterioration of a country systematically brainwashed by the lunacy of a madman. It could never happen here, right? Read more…

Erin Conley – On Stage & Screen

“There was a cabaret, and there was a master of ceremonies, and there was a city called Berlin, in a country called Germany, and it was the end of the world.” Read more…

Harker Jones – Arts In LA

Based on the play I Am a Camera by John Van Druten (itself based on Christopher Isherwood’s novel The Berlin Stories/Goodbye to Berlin), Cabaret is a legendary musical: both the eight-time Tony-winning 1966 Broadway production and the eight-time Oscar-winning 1972 film adaptation.
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Now running through August 17

 

CABARET at La Mirada Theatre

Photo by Jason Niedle

Photo by Jason Niedle

Jonas Schwartz -  TheaterMania

Cabaret has undergone much alteration from Harold Prince’s original 1966 Broadway production. In 1972, wunderkind Bob Fosse revamped the story line for the film version, commissioning the composer John Kander and lyricist Fred Ebb to write new songs, such as “Mein Herr,” “Money,” and the pair’s trunk song “Maybe This Time.”

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Rob Stevens – Haines His Way

John Kander/Fred Ebb/Joe Masteroff’s Cabaret premiered in 1966 at the height of America’s civil rights struggle and producer/director Hal Prince shaped the musical “to show how racism can happen here” even though the action of the script was set in early 1930s as the Nazi Party rose to power in Germany and began the racial cleansing of its Jewish population.
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Ellen Dostal – Musicals in L.A.

Even if all they do is take the expected route, most productions of Kander & Ebb’s Cabaret are effective. Emphasize the sex and decadence rampant in Berlin during the end of the Weimar era as Hitler was coming into power and the show predictably succeeds in driving home its point – that distractions like the Kit Kat Klub helped people ignore what was happening politically until it was too late.
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Now running through February 11

CABARET at the Pantages Theatre

Cabaret

Dany Margolies – The Daily Breeze

What a fun, frolicsome summer musical “Cabaret” is! Get your tickets now to this cheery confection!

Do you see how easy it is to act based on a few words of what you want to hear? To not read further, to fail to ask for supporting facts, to act on simple-minded catchphrases without thinking two steps ahead? Read more…

Now running through August 7