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DO YOU FEEL ANGER? by Circle X Theatre Company

Napoleon Tavale, Paula Rebelo, and Rich Liccardo, Photo by Jeff Lorch.

Napoleon Tavale, Paula Rebelo, and Rich Liccardo, Photo by Jeff Lorch.

Patrick Chavis – LA Theatre Bites

Circle X Theatre Company’s West Coast premiere production of Do You Feel Anger? @ Atwater Village Theatre – 10 out of 10 – Masterpiece! LA THEATRE BITES RECOMMENDED. More…

Terry Morgan – Stage Raw

There’s a Cowboy Junkies song from 1993 called “Hunted,” which is about the ever-present threat of male violence in women’s lives, the refrain of which is: “Do you know what it’s like to be hunted?” It’s a terrifying song, and unfortunately is no less resonant today than it was 30 years ago. Mara Nelson-Greenberg’s play, Do You Feel Anger?, explores the dark side of the war between the sexes with great humor and a bit of surrealism but clearly gets across outrage that women still have to deal with this situation. The new production by Circle X at the Atwater Village Theatre is superb, bolstered greatly by vivid performances. Read more…


‘Mean Girls’. Mean men. Mean times.

Jasmine Rogers, Nadina Hassan, Morgan Ashley Bryant and English Bernhardt. Photo by Jenny Anderson.

Jasmine Rogers, Nadina Hassan, Morgan Ashley Bryant and English Bernhardt. Photo by Jenny Anderson.

Don Shirley – Angeles Stage

The ‘Mean’ musical. Mean men in ‘Angry’ and ‘Brothers’. The missing mean in ‘Home Front’. Theater community rallies ’round CA arts funding and massacre survivors.

The word “mean” means so many different things.

It’s a verb, as in the above sentence, but it also can be an adjective and a noun. “Mean streets” aren’t inviting, but being “lean, mean” sounds enviable. The noun “mean,” expanded beyond its literal mathematical significance, refers to something in the middle, between two extremes.

The title “Mean Girls” — whether it’s attached to the 2004 movie or the 2017 stage musical adaptation — takes advantage of several meanings of the word.

If you’ve seen either version, the title guides you to think first of the Plastics. They’re the girls at the center of the social scene at North Shore High in the Chicago area, led by the fearsome “Regina George” — as in “Queen George,” who is played by Nadina Hassan in the terrific touring cast at the Pantages Theatre in Hollywood, in the show’s LA debut. Read more…

Los Angeles Drama Critics Circle Announces 2020-2021 Award Recipients

LADCC LogoThe Los Angeles Drama Critics Circle is proud to announce the award recipients for 2020 and 2021. Poor Clare (The Echo Theater Company) and The Father (Pasadena Playhouse) received the prestigious Production award, with additional honorees named in 18 other categories.

In total, 13 different productions were honored, celebrating a wide range of Los Angeles theater. Pasadena Playhouse’s The Father received the most awards for a single production and the most awards overall, with nine.

This year, out of an abundance of caution, the LADCC will once again forgo its annual event ceremony and will instead send the plaques to the honorees. Congratulations to all of the award recipients!

The complete list of award recipients for 2020 and 2021 is as follows:


  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse

McCulloh Award for Revival

  • My Fair Lady, Dolby Theatre

Lead Performance

  • Jordan Hull, Poor Clare, The Echo Theater Company
  • Alfred Molina, The Father, Pasadena Playhouse

Featured Performance

  • Sue Cremin, The Father, Pasadena Playhouse
  • Ann Noble, Poor Clare, The Echo Theater Company
  • Michael Sturgis, Poor Clare, The Echo Theater Company

Ensemble Performance

  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse

Solo Performance

  • Jim Ortlieb, Stand Up If You’re Here Tonight, VS. Theatre Company & Circle X Theatre Co.


  • Chiara Atik, Poor Clare, The Echo Theater Company
  • Florian Zeller (translation by Christopher Hampton), The Father, Pasadena Playhouse

Writing Adaptation

  • Branden Jacobs-Jenkins, An Octoroon, The Fountain Theatre

Musical Score

  • Kristen Anderson-Lopez and Robert Lopez, Frozen, Hollywood Pantages Theatre
  • David Yazbek, The Band’s Visit, Dolby Theatre

Music Direction

  • John Bell, My Fair Lady, Dolby Theatre
  • Andre Cerullo, Hamilton, Hollywood Pantages Theatre
  • Adrian Ries, The Band’s Visit, Dolby Theatre
  • Ryan Whyman, Lizastrata, Troubadour Theater Company


  • Jess Coffman, Suzanne Jolie, L.T. Martinez, Matt Walker, Lizastrata, Troubadour Theater Company
  • Christopher Gatelli, My Fair Lady, Dolby Theatre


  • Alana Dietze, Poor Clare, The Echo Theater Company
  • Jessica Kubzansky, The Father, Pasadena Playhouse

Set Design

  • David Meyer, The Father, Pasadena Playhouse
  • Frederica Nascimento, An Octoroon, The Fountain Theatre

Lighting Design

  • Elizabeth Harper, The Father, Pasadena Playhouse
  • Natasha Katz, Frozen, Hollywood Pantages Theatre
  • Azra King-Abadi, Poor Clare, The Echo Theater Company

Costume Design

  • Christopher Oram, Frozen, Hollywood Pantages Theatre
  • Halei Parker, Lizastrata, Troubadour Theater Company
  • Catherine Zuber, My Fair Lady, Dolby Theatre

Sound Design

  • John Zalewski, The Father, Pasadena Playhouse


  • Kaitlyn Pietras, Jason H. Thompson, Revenge Song, Geffen Playhouse
  • Finn Ross, Frozen, Hollywood Pantages Theatre

Streaming Design

  • Corwin Evans, Bree Pavey, UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • Andrew Schmedake, The Ballad of Emmett Till, The Fountain Theatre


  • Lily Bartenstein, Prop Design, Lizastrata, Troubadour Theater Company
  • Jeremy Chernick, Visual Effects, Frozen, Hollywood Pantages Theatre
  • Joe Seely, Puppet Design, The ODDyssey, Troubadour Theater Company

Every effort has been made to ascertain proper credits for our award recipients. We regret any errors or omissions. Any that come to our attention will be corrected on our LADCC website and (when applicable) on a recipient’s award plaque.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2020-2021 membership consisted of:
Lara J. Altunian, Stage Raw, L.A. Dance Chronicle
Katie Buenneke, Stage Raw, Theater Digest
Erin Conley, On Stage & Screen
Peter DeBruge, Variety
Ellen Dostal, BroadwayWorld, Musicals in LA
Lovell Estell III, Stage Raw,
Margaret Gray, Los Angeles Times
Hoyt Hilsman, Cultural Daily, Pasadena Now, Riot Material
Harker Jones, BroadwayWorld,
Deborah Klugman, Stage Raw, Capital and Main, Gia On The Move
Dany Margolies,, Southern California News Group
Dana Martin, Stage Raw
Myron Meisel, Stage Raw
Terry Morgan,, Stage Raw
Steven Leigh Morris, Stage Raw
Melinda Schupmann,,
Jonas Schwartz-Owen,, BroadwayWorld,
Don Shirley, Angeles Stage
Rob Stevens,

Bad Apples, Circle X Theatre Co

Photo by Jeff Galfer.


Bad Apples by Jim Leonard.


Terry Morgan –

Circle X Theatre Co. has been one of the best theatre companies in Los Angeles for fifteen years now. One thing the company has never lacked for is ambition, and this admirable quality is on display in their current world premiere, Bad Apples. It’s a musical concerning the Abu Ghraib prison scandal in 2003 and the people involved in it. Although a musical may not sound like the proper format to deal with this serious issue, playwright Jim Leonard and director John Langs use humor, irony and the directness of music to capture the emotional terrain and intellectual sweep of the history in a way that a straight drama might not encompass. It’s not a perfect show–it’s a bit long and has focus issues–but the vast majority of the play that does work is nervy, top-notch theatre.   Read more…


David C. Nichols – LA Times

Noteworthy intent permeates Bad Apples in its Circle X Theatre Company premiere. Jim Leonard, Rob Cairns and Beth Thornley’s surreal take on Baghdad’s infamous military prison is nothing if not original.  Read more…