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Archive for Dany Margolies

SIDE BY SIDE BY SONDHEIM at the Odyssey Theatre

Enci Box

Enci Box

Dany Margolies – The Daily Breeze

Apparently the songs of composer-lyricist Stephen Sondheim are not failsafe.

He’s the genius behind some of the last century’s and some of this one’s best musicals. Some of his early songs are showcased in the revue titled “Side by Side by Sondheim,” currently at the Odyssey in West Los Angeles.

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Now running through September 2

WAITRESS at the Pantages Theatre

Joan Marcus

Joan Marcus

Erin Conley – On Stage and Screen

You cannot walk five feet in the Pantages Theatre without encountering a bunch of mini pies for sale, perfectly setting the scene for Waitress, the hit Broadway musical that opened in Los Angeles for the first time last night.
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Rob Stevens – Haines His Way

In 2007 writer/director/actress Adrienne Shelly created a little gem of an independent film entitled Waitress. Unfortunately Shelly was murdered before the film’s debut. In 2015 playwright Jesse Nelson and songwriter Sara Bareilles turned the story of three waitresses and their love lives in a small Southern town into a Broadway musical.
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Ellen Dostal – Broadway World

Can eating a pie be a religious experience? It can if it was made by Jenna, the diner waitress in the Broadway musical WAITRESS, who turns ordinary ingredients like butter, sugar, and flour into mouthwatering slices of life in a pie tin.
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Katie Buenneke – Stage Raw

Easy as it is to bemoan the current trend of turning movies into Broadway musicals, Waitress, now playing at the Pantages in Hollywood, is proof that Broadway shows can still tell beautiful stories, even when they’re based on movies that came out over a decade ago.
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Dany Margolies – The Daily Breeze

Though a few of its ingredients are so right, so much is so wrong with “Waitress,” the musical now at the Pantages.
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Now running through August 26

 

 

THE FOREIGNER at the Little Fish Theatre

Mickey Elliot

Mickey Elliot

Dany Margolies – The Daily News

Currently playing at San Pedro’s Little Fish Theatre, Larry Shue’s 1983 comedy “The Foreigner” bobs gently along, a tale about how the shyest and most self-effacing among us can still bring out the best in others.
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Now running through July 15

OUR VERY OWN CARLIN MCCULLOUGH at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Deborah Klugman – LA Weekly

Our Very Own Carlin McCullough is about a mother and a daughter and the tennis coach who comes into their lives and transforms them.
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Jonas Schwartz -  TheaterMania

Parenting is a daunting task, one that comes with no rule book. Even when a parent, particularly a single one, desires the absolute best for a child, it’s possible to steer a kid off course. Cyn (Mamie Gummer), the harried mom raising a tennis prodigy daughter, finds herself at a crossroads in Amanda Peet’s provocative play…..
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Dany Margolies – The Daily News

“Keep your heart open,” says Carlin McCullough’s tennis coach. “Be yourself.” That’s big advice for any coach to any student. But somehow this child internalizes those concepts, let alone plays like an adult.
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Now running through July 29

 

PARADE at the Cerritos Center for the Performing Arts

Caught in the Moment Photography

Caught in the Moment Photography

Dany Margolies – The Daily Breeze

People apparently must hate another group they barely know, no matter the race, religion or financial bracket.

The Judeo-Christian Bible reflects back to us myriad examples of this untethered hatred. Eastern and Western history serializes it. And it fills today’s media.
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Now running through June 10

 

PROVENANCE at the Little Fish Theatre

Mickey Elliot

Mickey Elliot

Dany Margolies – The Daily Breeze

On the surface, Elyzabeth Gregory Wilder’s “Provenance” will seem an unlikely story, even by theatrical standards — it’s too convenient, too cute. In its production at Little Fish in San Pedro through May 24, it could seem overacted. Give it awhile.    Read more…

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THE LOVE POTION, Long Beach Opera at the Warner Grand Theatre

Keith Ian Polakoff

Keith Ian Polakoff

Dany Margolies – The Daily Breeze

If so far you’ve enjoyed about a dozen versions of “The Marriage of Figaro,” or decided you’ve sat through your last “Ring” cycle, or even seen a production or two of Richard Wagner’s “Tristan und Isolde,” then the West Coast premiere of “ (Le Vin Herbé)” may pique your opera-going interest.
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THE THEATRE IS A BLANK PAGE at UCLA’s Royce Hall

 

Photo by Reed Hutchinson/CAP UCLA )

Photo by Reed Hutchinson/CAP UCLA )

Dany Margolies – The Daily Breeze

Memorable? Yes. Thought-provoking? Yes. Worthy of a production on the treasured stage of UCLA’s Royce Hall, which has over the decades housed world-class performing arts? Yes.
Groundbreaking? Not so much. Read more…

Now running through May 12

 

SCHOOL OF ROCK at the Pantages Theatre

Matthew Murphy

Matthew Murphy

Margaret Gray – LA Times

In one of the most entertaining numbers in the musical “School of Rock,” which opened Thursday at the Hollywood Pantages theater, a substitute teacher rallies his 10-year-old students to “stick it to the man” by ignoring their stuffy prep-school curriculum and forming a rock band.    Read more…

Ellen Dostal –Broadway World

As kid musicals go, SCHOOL OF ROCK isn’t half bad. It falls somewhere between ANNIE and MATILDA on the Richter scale of stories about downtrodden kids overcoming obstacles to win in the end.
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Deborah Klugman – LA Weekly

School of Rock, directed by Laurence Connor at the Pantages Theatre, doesn’t bowl you over with its mostly forgettable music. What it does do is deliver well-staged and well-executed family entertainment, showcasing an impressive ensemble of preteen actors who sing, dance and act up a storm.     Read more…

Rob Stevens – Haines His Way

Composer Andrew Lloyd Webber wrote the music for one of musical theatre’s first rock operas, Jesus Christ Superstar, in 1970. Nearly 50 years later the show is still popular…Read more…

Dany Margolies – The Daily Breeze

It doesn’t have the cerebral and emotional heft of Stephen Sondheim’s “Into the Woods.” It doesn’t have the freshness and electricity of Lin-Manuel Miranda’s “Hamilton.” It certainly doesn’t showcase a lush score on par with those of Rodgers and Hammerstein. Yet “School of Rock” engenders every bit of the theatergoing joy these theatrical pillars provide….Read more…

Now running through May 27

ICE at 24th Street Theatre

Cooper Bates

Cooper Bates

Deborah Klugman – Capital & Main

ICE, Leon Martell’s family friendly play, takes place in 1988 and follows the misadventures of two undocumented immigrants: Chepe (Jesús Castaños-Chima), an avid baseball fan who dreams of making a fortune selling gourmet tacos; and his cousin Nacho (Tony Dúran), whom the beleaguered Chepe summons from Mexico to assist him in setting up his business.

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Ellen Dostal – Broadway World

Seduced by the notion that, in America, winning is everything, an immigrant loses sight of what is really important in Leon Martell’s world premiere play, ICE. Commissioned by 24th STreet Theatre to commemorate its 20th anniversary, the 65-minute one act highlights the plight of every hopeful soul diligently trying to attain the life, liberty, and pursuit of happiness promised by our founding fathers.
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Dany Margolies – The Daily Breeze

The simple but extraordinarily effective stage designs for 24th Street Theatre’s latest offering, “ICE,” immediately inform us of time and place.

A dilapidated truck, a cathedral’s stained-glass window, a quintessentially local street lamp — all these say Los Angeles. A Dodgers announcer excitedly narrating Fernando Valenzuela’s every move via two large television sets with display dials proclaims the 1980s.
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Now running through June 10

SIGNIFICANT OTHER at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Jonas Schwartz -  TheaterMania

Joshua Harmon’s Significant Other, now playing at the Geffen Playhouse, explores friendship as a buffer, a support system, and a crutch when navigating the precarious world of love. Often funny, the comedy will remind audiences of their own singlehood, past or present. Unfortunately….
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Dany Margolies – The Daily Breeze

What a lovely protagonist Jordan Berman is. Sure, he’s a little too chatty and perhaps a touch too insecure, but he’s honest, caring, bright and perceptive. And he has a delightful sense of humor.
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Rob Stevens – Haines His Way

“Always the bridesmaid, never the bride.” That seems to be the fate of nebbish-y Jordan Berman (Will Von Vogt) in Joshua Harmon’s very funny and intuitive play, Significant Other, being given a first-rate production at the Geffen Playhouse. Read more…

Katie Buenneke – Stage Raw

Watching Significant Other is something of a sadomasochistic experience for single people. I mean that in the best possible way. Joshua Harmon’s play achieves a singular sense of catharsis, which is no small feat.
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Now running through May 6

ALMOST, MAINE at the Torrance Theatre Company

Miguel Elliot

Miguel Elliot

Dany Margolies – The Daily Breeze

It can be done. A director can take relatively ordinary material and, with the help of adept designers and a committed cast, turn it into extraordinary theater.
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Now running through April 15