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Archive for Deborah Klugman

BLACK SUPER HERO MAGIC MAMA at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Deborah Klugman – Stage Raw

It’s hard to imagine a more painful life event than the death of a child — especially when that child is shot by police and the perpetrator goes free. That almost unbearable grief that a mother must feel is creatively addressed in Black Super Hero Magic Mama, Inda Craig-Galván’s latest play….
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Now running through April 14

NO PLACE TO BE SOMEBODY at Waco Theater Center

LeReef Photography

LeReef Photography

Deborah Klugman – Stage Raw

Charles Gordone’s smoldering drama aptly encapsulates the protest, violence and tumultuous change seen in America’s urban cities in the 1960s. The play debuted off-Broadway in 1969, garnering Gordone a Pulitzer in 1970, the first win by an African-American playwright.
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Rob Stevens – Haines His Way

Charles Gordone’s 1969 No Place To Be Somebody has the distinction of being the first play written by an African-American playwright to win the Pulitzer Prize for Drama.
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Now running through March 9

HYPE MAN at the Fountain Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Capital & Main

Playwright Idris Goodwin delves into the thorny issue of race in America with this incisive three-character play about two longtime friends whose artistic partnership is shattered after they fall out over the police shooting of a black teen. Touching on white privilege and the co-opting of hip-hop by commercial interests, it’s an imperfect but potentially compelling work, sabotaged by directorial missteps that render this production a disappointment.
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Now running through April 14

THE JOY WHEEL at Ruskin Group Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Stage Raw

The Joy Wheel is an amiable situation comedy that deals with a crisis in the lives of an older married couple. Written by Ian McRae and directed by Jason Alexander, it’s one of those entertainment-minded vehicles that can come off as either a shallow on-stage sitcom, where garnering laughs is the performers’ main goal, or, if aptly directed, as an insightful comic portrayal of human fallibility.
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Now running through March 24

 

 

AMERICA ADJACENT at the Skylight Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Capital & Main

Birth tourism in the United States is a flourishing business. Each year thousands of women from foreign nations pay big bucks to birth their babies on U.S. soil, insuring that their child (courtesy of our Fourteenth Amendment) will become a U.S. citizen.
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Now running through March 24

ACCIDENTAL DEATH OF AN ANARCHIST at the Actors Gang

Ashley Randall

Ashley Randall

Deborah Klugman – Stage Raw

Dario Fo’s Accidental Death of an Anarchist premiered in Milan on December 5, 1970. Fo wrote this incendiary farce in response to the suspicious death a year earlier of an Italian railway worker in police custody — an anarchist named Pinelli under interrogation for his role in a bombing that he did not commit, nor have anything to do with.
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Now running through March 9

PARADISE at the Odyssey Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Capital & Main

Paradise, by Laura Maria Censabella, has a lot going for it. Drawn from the playwright’s experience as an artist-in-residence in the New York City school system, it builds around the relationship between Yasmeen (Medalion Rahimi), a 17-year-old Yemeni-American student, and her biology instructor, Dr. Royston (Jeff Marlow), who supports and encourages her new-found passion for learning and experiment.
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Now running through February 17

 

LINDA VISTA at the Mark Taper Forum

Craig Schwartz

Craig Schwartz

Erin Conley – On Stage & Screen

What does ‘starting over’ really mean if you’re stuck in the same self-destructive behavior patterns? In Steppenwolf Theatre’s production of Linda Vista, a new play by Tracy Letts that opened this week at Center Theatre Group’s Mark Taper Forum in Los Angeles, a middle-aged man attempts to figure out what options remain for him in life when his marriage blows up. Read more…

Deborah Klugman – Stage Raw

Linda Vista is perhaps not a play to see if you’re someone who squirms intensely when naked people on stage engage in realistically simulated copulation and other intimate sex acts. This smart, thorny dramedy by award-winning playwright Tracy Letts, imported from Chicago’s Steppenwolf Theatre to the Mark Taper Forum with the original cast, features a couple of such scenes that are as awkwardly explicit and comical as they can be in real life.
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Dany Margolies – The Daily News

Dick Wheeler has moved to Linda Vista, a section of San Diego whose name is translatable from the Spanish as “pretty view.” He needs one. He has a grim picture of where he’s been and where he’s headed. Read more…

Now running through February 17

A MISUNDERSTANDING at the Ruby Theatre at the Complex

Ed Krieger

Ed Krieger

Deborah Klugman – Stage Raw

Just what does it mean to be human? Are men and women merely the sum of our neurons and biological processes, or is there a spiritual force that drives our actions, one that empirical science needs to acknowledge? That question has preoccupied playwright Matt Chait for some time, and in A Misunderstanding, directed by Elina de Santos, he strives to create a platform for airing differing opinions on the matter.
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Now running through February 3

SISTERS THREE at VS. Theatre

Rachel Rambaldi

Rachel Rambaldi

Deborah Klugman – Stage Raw

The Brontë sisters were part of a talented, tightknit family whose contributions to the canon of English literature included Jane Eyre and Wuthering Heights, by Charlotte and Emily respectively. Tragically, none of the siblings lived long; Charlotte died at 38, surviving her brother and four sisters, none of whom made it past 30.
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Now running through January 20

 

 

A MILE IN MY SHOES at the Hudson Backstage Theatre

Rich Clark

Rich Clark

Deborah Klugman – Stage Raw

In A Mile in My Shoes, writer and solo performer Kathryn Taylor Smith dramatizes the crisis in homelessness by portraying various homeless people and some of the community figures who interact with them. The production has heart and a message that needs to be heard, but its staging requires some finessing for it to play to its potential.
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Now running through December 9

CLEO THEO AND WU at Theatre of NOTE

Karianne Flaathen

Karianne Flaathen

Deborah Klugman – Stage Raw

Commendable for its support of female empowerment and its flashes of wit, Cleo, Theo and Wu can be a frustrating experience if you’re a theatergoer who prefers a coherent story to a chaotic one.
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Now running through December 6