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Archive for Deborah Klugman

OUR VERY OWN CARLIN MCCULLOUGH at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Deborah Klugman – LA Weekly

Our Very Own Carlin McCullough is about a mother and a daughter and the tennis coach who comes into their lives and transforms them.
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Jonas Schwartz -  TheaterMania

Parenting is a daunting task, one that comes with no rule book. Even when a parent, particularly a single one, desires the absolute best for a child, it’s possible to steer a kid off course. Cyn (Mamie Gummer), the harried mom raising a tennis prodigy daughter, finds herself at a crossroads in Amanda Peet’s provocative play…..
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Dany Margolies – The Daily News

“Keep your heart open,” says Carlin McCullough’s tennis coach. “Be yourself.” That’s big advice for any coach to any student. But somehow this child internalizes those concepts, let alone plays like an adult.
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Now running through July 29

 

100 APRILS – Rogue Machine at The MET Theatre

Michelle Hanzelova

Michelle Hanzelova

Deborah Klugman – Stage Raw

Leslie Ayvazian’s play about a dying man haunted by dreams of the Armenian genocide coalesces around an exemplary performance by John Perrin Flynn as the ebbing invalid. Read more…

Now running through July 16

SKELETON CREW at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Jonas Schwartz -  TheaterMania

The mockery of the American dream lies at the heart of Skeleton Crew, where trade workers invest their lives in a company that easily turns its back on them. Part of Dominique Morisseau’s Detroit Project trilogy, Skeleton Crew reflects a distant past……Read more…

Deborah Klugman – Capital & Main

Working-class men and women of color are rarely front and center in today’s media and, likewise, are presented all too occasionally on the American stage. So it’s buoying to see that trend bucked in playwright Dominique Morisseau’s percipient and well-crafted drama, Skeleton Crew. Read more…

Now running through July 8

LYSISTRATA UNBOUND at the Odyssey Theatre

Enci Box

Enci Box

Ellen Dostal – Broadway World

John Farmanesh-Bocca directs the world premiere of a bracing new version of Eduardo Machado‘s LYSISTRATA UNBOUND, starring Brenda Strong (Supergirl, 13 Reasons Why) as Lysistrata, in a collaboration between Odyssey Theatre Ensemble and Not Man Apart – Physical Theatre Ensemble.
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Deborah Klugman – Stage Raw

Sinewy dance and visceral themes are among the hallmarks of Not Man Apart – Physical Theatre Ensemble, a company of performers that aims to bring dance and theater together and frequently succeeds in a brilliant way.
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Now running through August 4

HENRY IV at the Japanese Gardens on the West L.A. VA campus

Craig Schwartz

Craig Schwartz

Deborah Klugman – LA Weekly

Tom Hanks as Falstaff, Joe Morton as King Henry IV and a solid supporting ensemble add up to half a dozen good reasons to see director Dan Sullivan’s staging of Henry IV,….Read more…

Ellen Dostal – Broadway World

Director Daniel Sullivan‘s adaptation of HENRY IV, Parts 1 & 2 may only be playing in the Japanese Garden on the VA campus for another three weeks but it is bound to rank as one of the summer’s most talked-about events. Read more…

Jonas Schwartz -  TheaterMania

William Shakespeare’s Henry IV focus on growth and having history thrust upon oneself whether wanted or not. For The Shakespeare Center of Los Angeles, director Daniel Sullivan has culled and combined both plays into an evening of ribaldry, song, and pageantry. Read more…

Terry Morgan  -  Talkin’ Broadway

Shakespeare’s duo of Henry IV plays are mainly about two subjects: the relationship between fathers and sons and the conflict between duty and selfishness. That these topics are placed in one of his “history plays” means little—audiences haven’t cared primarily about the history on display here for centuries. The appeal of these plays has ever been in its characters and humor and beautiful language….
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Now running through June 24

HOSTAGE at the Skylight Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Capital and Main

On November 4, 1979, several hundred Iranians, mostly students, stormed the American embassy in Tehran and took 60-odd hostages — 52 of whom were held captive for 444 days. It was a humiliating event for the U.S. government and, in general, a wake-up call for Americans…..

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Now running through June 24

MEANWHILE, BACK AT THE SUPER LAIR at The New American Theatre

Jeannine Wisnosky Stehlin

Jeannine Wisnosky Stehlin

Deborah Klugman – Stage Raw

The world of super heroes can be fun to satirize, and Greg Kalleres’ Meanwhile, Back at the Super Lair, directed by Jack Stehlin, is a potentially entertaining spoof, with enough irony and character-driven humor for an adept actor to play with. Read more…

Now running through June 23

RIPE FRENZY at Greenway Court Theatre

Michael Lamont

Michael Lamont

Deborah Klugman – Stage Raw

It’s hard to think of a timelier play than Jennifer Barclay’s Ripe Frenzy, about a shooting and mass murder that takes place in a high school in a small town in upstate New York. A rolling premiere from the National New Play Network, it opened here in Los Angeles the day after newspapers across the country reported the latest mind-blowing tragedy in Santa Fe, Texas……Read more…

Now running through June 17

FOREVER BOUND at Atwater Village Theatre

Kathy Flynn

Kathy Flynn

Terry Morgan – Stage Raw

Steve Apostolina’s Forever Bound is an uncommon play that begins in one genre and ends in another. It’s always difficult to market something that doesn’t fit neatly into one category, so writers are often encouraged not to create anything like that. However, the results of such experiments are usually intriguing artistically. Such is the case with Forever Bound….     Read more…

Deborah Klugman – LA Weekly

Steve Apostolina’s dark and thoughtful dramedy, Forever Bound, starts out as two disparate narratives that come together in an intense, disquieting way. Commencing as a wry comedy about a nebbish whose life is on the downturn, it culminates as a riveting face-off between good and evil, and highlights just how hard it can be to sever the formidable bonds that bind us to our past.
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Erin Conley – On Stage & Screen

If you watched only the opening scenes of Forever Bound, a play written by Steve Apostolina now in its world premiere at the Atwater Village Theatre in Los Angeles, you would likely never guess the turns the story eventually takes. Read more…

Now running through June 16

SCHOOL OF ROCK at the Pantages Theatre

Matthew Murphy

Matthew Murphy

Margaret Gray – LA Times

In one of the most entertaining numbers in the musical “School of Rock,” which opened Thursday at the Hollywood Pantages theater, a substitute teacher rallies his 10-year-old students to “stick it to the man” by ignoring their stuffy prep-school curriculum and forming a rock band.    Read more…

Ellen Dostal –Broadway World

As kid musicals go, SCHOOL OF ROCK isn’t half bad. It falls somewhere between ANNIE and MATILDA on the Richter scale of stories about downtrodden kids overcoming obstacles to win in the end.
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Deborah Klugman – LA Weekly

School of Rock, directed by Laurence Connor at the Pantages Theatre, doesn’t bowl you over with its mostly forgettable music. What it does do is deliver well-staged and well-executed family entertainment, showcasing an impressive ensemble of preteen actors who sing, dance and act up a storm.     Read more…

Rob Stevens – Haines His Way

Composer Andrew Lloyd Webber wrote the music for one of musical theatre’s first rock operas, Jesus Christ Superstar, in 1970. Nearly 50 years later the show is still popular…Read more…

Dany Margolies – The Daily Breeze

It doesn’t have the cerebral and emotional heft of Stephen Sondheim’s “Into the Woods.” It doesn’t have the freshness and electricity of Lin-Manuel Miranda’s “Hamilton.” It certainly doesn’t showcase a lush score on par with those of Rodgers and Hammerstein. Yet “School of Rock” engenders every bit of the theatergoing joy these theatrical pillars provide….Read more…

Now running through May 27

ICE at 24th Street Theatre

Cooper Bates

Cooper Bates

Deborah Klugman – Capital & Main

ICE, Leon Martell’s family friendly play, takes place in 1988 and follows the misadventures of two undocumented immigrants: Chepe (Jesús Castaños-Chima), an avid baseball fan who dreams of making a fortune selling gourmet tacos; and his cousin Nacho (Tony Dúran), whom the beleaguered Chepe summons from Mexico to assist him in setting up his business.

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Ellen Dostal – Broadway World

Seduced by the notion that, in America, winning is everything, an immigrant loses sight of what is really important in Leon Martell’s world premiere play, ICE. Commissioned by 24th STreet Theatre to commemorate its 20th anniversary, the 65-minute one act highlights the plight of every hopeful soul diligently trying to attain the life, liberty, and pursuit of happiness promised by our founding fathers.
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Dany Margolies – The Daily Breeze

The simple but extraordinarily effective stage designs for 24th Street Theatre’s latest offering, “ICE,” immediately inform us of time and place.

A dilapidated truck, a cathedral’s stained-glass window, a quintessentially local street lamp — all these say Los Angeles. A Dodgers announcer excitedly narrating Fernando Valenzuela’s every move via two large television sets with display dials proclaims the 1980s.
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Now running through June 10

BLUES IN THE NIGHT at the Wallis Annenberg Center for the Performing Arts

Lawrence K. Ho

Lawrence K. Ho

Ellen Dostal – Broadway World

Somewhere in a cheap hotel in Chicago, circa late 1930s, three women are singing the blues. Two have been around the block and seen it all. One is woefully wise beyond her years. All have been burned by the flames of desire and lovers who have done them wrong.
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Deborah Klugman – Stage Raw

Blues in the Night was first produced in 1982 and has since been staged several times in New York and Southern California. Initially conceived and directed by Sheldon Epps, who also directs here, this latest production in the Lovelace Studio Theater at the Wallis Annenberg Center is a lush and lovely show.
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Now running through May 27