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Archive for Deborah Klugman – Page 2

A MISUNDERSTANDING at the Ruby Theatre at the Complex

Ed Krieger

Ed Krieger

Deborah Klugman – Stage Raw

Just what does it mean to be human? Are men and women merely the sum of our neurons and biological processes, or is there a spiritual force that drives our actions, one that empirical science needs to acknowledge? That question has preoccupied playwright Matt Chait for some time, and in A Misunderstanding, directed by Elina de Santos, he strives to create a platform for airing differing opinions on the matter.
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Now running through February 3

SISTERS THREE at VS. Theatre

Rachel Rambaldi

Rachel Rambaldi

Deborah Klugman – Stage Raw

The Brontë sisters were part of a talented, tightknit family whose contributions to the canon of English literature included Jane Eyre and Wuthering Heights, by Charlotte and Emily respectively. Tragically, none of the siblings lived long; Charlotte died at 38, surviving her brother and four sisters, none of whom made it past 30.
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Now running through January 20

 

 

A MILE IN MY SHOES at the Hudson Backstage Theatre

Rich Clark

Rich Clark

Deborah Klugman – Stage Raw

In A Mile in My Shoes, writer and solo performer Kathryn Taylor Smith dramatizes the crisis in homelessness by portraying various homeless people and some of the community figures who interact with them. The production has heart and a message that needs to be heard, but its staging requires some finessing for it to play to its potential.
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Now running through December 9

CLEO THEO AND WU at Theatre of NOTE

Karianne Flaathen

Karianne Flaathen

Deborah Klugman – Stage Raw

Commendable for its support of female empowerment and its flashes of wit, Cleo, Theo and Wu can be a frustrating experience if you’re a theatergoer who prefers a coherent story to a chaotic one.
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Now running through December 6

HUGHIE and KRAPP’S LAST TAPE at the Geffen Playhouse

Jeff Lorch

Jeff Lorch

Jonas Schwartz -  TheaterMania

Brian Dennehy, who won one of his two Tony Awards as iconic Eugene O’Neill protagonist James Tyrone in a 2003 production of Long Day’s Journey Into Night, returns to the author’s milieu with the one-act Hughie, another tale of addiction and emotional ghosts.
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Deborah Klugman – Stage Raw

In Hughie & Krapp’s Last Tape, by Eugene O’Neill and Samuel Beckett respectively, Brian Dennehy portrays solitary men struggling to come to terms with the desolation in their lives. Both plays are directed by Steven Robman at the Geffen Playhouse.
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Now running through December 16

FINKS at Rogue Machine

John Perrrin Flynn

John Perrrin Flynn

Terry Morgan  -  Talkin’ Broadway

The cost of integrity is never cheap, but it varies. Sometimes one can lose relationships with family or friends, lose a job or, in the direst circumstance, lose one’s life. In the early 1950s, the House Un-American Activities Committee wielded Cold War communist paranoia to attack people whose views they didn’t like, stripping them of their careers and reputations, or getting them to testify against their friends and colleagues.
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Rob Stevens – Haines His Way

The dictionary defines “fink” when used as a noun as “an unpleasant or contemptible person” while when used as a verb it can mean “inform on to the authorities”. Both definitions fit the characters who fink their friends to HUAC, the House Un-American Activities Committee in Joe Gildord’s play Finks…….Read more…

Deborah Klugman – Stage Raw

Plays that explore the abuse of power or the unjust scapegoating of the powerless nearly always reel me in, and Finks, written by Joe Gilford and set against the backdrop of the HUAC hearings in 1950-53, unequivocally fits that description. Leavened with humor, with a strong intuitive performer in the pivotal role, it’s a harsh reminder of what can happen when unscrupulous people acquire control of the workings of government and words become instrumental in destroying innocent lives.
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Now running through December 30

 

 

CHARLES DICKENS’ A CHRISTMAS CAROL at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Jonas Schwartz -  TheaterMania

The world premiere of this new adaptation of Charles Dickens’s A Christmas Carol draws out the chills and thrills of this ghostly tale while still conveying the joy inherent in the famous parable about goodwill toward all men.
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Deborah Klugman – Stage Raw

Suppose you’re a veteran theater goer, one without children to entertain on the holidays. Why might you attend yet another staged production of A Christmas Carol, that inveterate seasonal favorite playing at countless venues throughout the country year in and year out. Adapted from Charles Dickens’ 1843 novella, it’s stuffy and bathetic and you’ve doubtless seen it one too many times already. Bah, humbug, take a pass.
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Now running through December 16

BAYOU BLUES at the Bootleg Theatre

Lily Kravetz

Lily Kravetz

Deborah Klugman – Stage Raw

In Bayou Blues, part of the 2018 Solo Queens Fest at Bootleg Theatre, writer/performer Shaina Lynn mixes storytelling and spoken word to relay her experience as a woman of color from New Orleans.
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Now running through November 18

BLISS – Moving Arts at Atwater Village Theatre

Mae Koo Photography

Mae Koo Photography

Deborah Klugman – Stage Raw

Although Bliss (Or Emily Post is Dead!), is set in North Orange, New Jersey in the 1960s, a rudimentary knowledge of Greek mythology is helpful in fathoming the themes of Jami Brandli’s ambitious but muddled satire, directed by Darin Anthony.
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Now running through December 2

ROPE at Actors Co-op

Larry Sandez

Larry Sandez

Deborah Klugman – Stage Raw

Rope, Patrick Hamilton’s 1929 suspense thriller at Actors Co-op, commences with an electrifying moment — the sort of cleverly crafted theatrics one might expect from director Ken Sawyer. In a pitch-black theater, the soft strains of a popular love ballad (“Smoke Gets in Your Eyes”) can be heard.
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Rob Stevens – Haines His Way

Leopold and Loeb killed Robert Franks in 1924 in what at the time was labeled “the crime of the century”. They committed the crime as a demonstration of their perceived intellectual superiority, citing the philosopher Nietzsche’s concept of Ubermenschen or supermen.
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Now running through October 28

 

EVERYTHING THAT NEVER HAPPENED at Boston Court Pasadena

Jenny Graham

Jenny Graham

Frances Baum Nicholson –The Stage Struck Review

Boston Court Pasadena’s Co-Artistic Director Jessica Kubzansky loves Shakespeare. That I know. She has directed insightful productions of the Bard’s work at several venues, and in her “RII” at BC she  pared one play down to great effect, allowing more focus on essential and timeless themes in a comparatively obscure history play. Read more…

Deborah Klugman – Stage Raw

Sarah B. Mantell’s poignant play begins with a young couple capering playfully across the spare, unembellished set. Their first words are tentative; they’re the sort uttered, pretty much ubiquitously, between would-be lovers who do not know each other well. For a couple of minutes, you wonder if you’re in for a fancified rom-com about the rocky shoals coursed over by true love.
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Now running through November 4

RAG HEAD at The Complex

Toky Photography

Toky Photography

Deborah Klugman – Stage Raw

In August 2012, white supremacist named Wade Michael Page entered a Gurdwara, or Sikh temple, in Oak Creek, Wisconsin and shot and killed six people —another of the all too frequent hate crimes that continually debase our nation. Here in Los Angeles, Sikh writer/performer Sundeep Morrison became alarmed….
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Now running through October 14