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Archive for Echo Theatre Company

BABE, Echo Theatre Company at Atwater Village Theatre

Sal Viscuso, Wylie Anderson and Julie Dretzin in Babe. Photo by Cooper Bates.

Sal Viscuso, Wylie Anderson and Julie Dretzin in Babe. Photo by Cooper Bates.

Deborah Klugman – Stage Raw

Babe, Jessica Goldberg’s incisive, skillfully wrought play about sexual harassment (and what should or should not be deemed politically correct), is so titled because, in the course of the narrative, it’s applied, rather casually, to Abigail (Julie Dretzin), one of the playwright’s four exceedingly well-drawn characters. Read more…

Katie Buenneke – Theatre Digest

This is a strange play, because I feel like it has a lot of potential, but this world premiere staging feels unfinished. The performances felt more like rehearsal than opening night, the transitions were sluggish, and the script clocked in at a slow 70 minutes, ending in a way that could be interpreted as intermission if the cast hadn’t come out for bows. But there’s a lot of interesting, exciting groundwork laid out in the interplay between an old-school record exec (played by Sal Viscuso), who’s pretty much a walking microaggression (you know the type), his colleague Abigail (Julie Dretzin), who’s done more work than she’ll ever get credit for, and Kaitlyn (Wylie Anderson), a millennial who thinks her workplace should be less toxic. Read more…

Through October 24

CRY IT OUT at Atwater Village Theatre

 

Darrett Sanders

Darrett Sanders

Terry Morgan  -  Stage Raw

Caring for an infant is an important part of life, yet its difficulties are rarely depicted in the arts. While there is no lack of stories about pregnancy and birth, once the child is born, the drama seems to be considered less interesting. Playwright Molly Smith Metzler begs to differ…….Read more…

Frances Baum Nicholson –The Stage Struck Review

There is nothing quite so visceral, quite so individualistic in response, or quite so romanticized as becoming a new mother. Read more…

Erin Conley – On Stage & Screen

What exactly does it mean to be the “perfect mother?” This is a question many non-mothers think they know the answer to that also haunts new mothers, terrified of making the wrong decision in terms of what is best for their child.
Read more…

Now running through August 19

THE CAKE – Echo Theatre Company at Atwater Village Theatre

(Photo by Darrett Sanders)

(Photo by Darrett Sanders)

Deborah Klugman – Stage Raw

Americans in the U.S. have struggled with a cultural divide for decades — right from the beginning, it can be argued. The Founding Fathers, deists and 18th century rationalists, made separation of Church and State a fundamental principle of our government and their lives, while more traditional classes of people, especially in the South and Midwest, built theirs around their Christian faith.

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Erin Conley – On Stage & Screen

What happens when someone or something suddenly throws the belief system you have held your entire life into question? The Cake, a play by Bekah Brunstetter currently in its world premiere at the Echo Theater Company in Los Angeles, is a thoughtful and heartfelt examination of conservative values in increasingly liberal times, all hinging around one wedding cake.

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Melinda Schupmann – Arts In LA

North Carolina bakery owner Della (Debra Jo Rupp) announces at Cake’s beginning that nothing is as gratifying as baking a perfect cake. It is the ultimate satisfaction. Frostings, fillings, she loves them all, and her enthusiasm for her craft has landed her a gig on one of those reality television bake-off shows.
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Rob Stevens – Haines His Way

In one of its last acts before adjourning for summer, in late June the U.S. Supreme Court agreed to hear the case of a Colorado baker who refused to bake a cake for a same-sex marriage even though the state had an anti-discrimination law in effect at the time. It was just days later that Atwater’s Echo Theater Company opened their World Premiere of playwright Bekah Brunstetter’s The Cake. Read more…

Now running through August 6

BLUEBERRY TOAST – Echo Theatre Company at Atwater Village Theatre

Photo by Darrett Sanders

Photo by Darrett Sanders

Deborah Klugman – Stage Raw

Blueberry Toast may not feature a knockout script, but it sure packs a punch when inimitable performer Jacqueline Wright, at her manic and brilliant best, takes on one of the lead roles.     Read more…

Now running through October 23

ONE OF THE NICE ONES – Echo Theatre Company at Atwater Village Theatre

Photo by Darrett Sanders

Photo by Darrett Sanders

Deborah Klugman – Stage Raw

Not all sociopaths reach for a gun.

Some people appear normal until one day an event triggers their rage and they go off the deep end. A few of these individuals turn violent, but others, like Tracy (Rebecca Gray), the loose-lipped but (deceptively) harmless-looking woman at the core of Erik Patterson’s scabrously funny One of the Nice Ones, wreak their anger in less blatant but nonetheless devastating ways. Read more…

Now running through August 21

 

DRY LAND – Echo Theatre Company at Atwater Village Theatre

Photo by Darrett Sanders)

Photo by Darrett Sanders)

Terry Morgan  -  Stage Raw

Ruby Rae Spiegel’s Dry Land succeeds on multiple levels: first, as a dark comedy, second, as a graphic portrayal of the process of a self-administered abortion, and last and most particularly, as a sharp and illuminating character study. This West Coast premiere by the Echo Theatre Company is entertaining and assured and a lot funnier than the subject matter might suggest. Read more…

Dry-Land_11NC

Deborah Klugman – LA Weekly

With the right to choose under fire nationwide, a play featuring a 17-year-old grappling with an unwanted pregnancy couldn’t be timelier. Ruby Rae Spiegel’s Dry Land, directed by Alana Dietz for the Echo Theater Company, fits that description.    Read more…

 

Now running through May 15

BED at the Atwater Village Theatre

Photo by Darrett Sanders

Photo by Darrett Sanders

Deborah Klugman – Stage Raw

Kate Morgan Chadwick makes an arresting entrance as she slithers alluringly across the floor at Atwater Village Theatre, climbing onto the large white bed (Se Oh’s scenic design) that serves as the focus for Sheila Callaghan’s fiercely feminist one-act. Read more…

Pauline Adamek – ArtsBeatLA

The central focus of Bed — Sheila Callaghan’s crazy, funny, sexually-explicit, dark new drama about relationships — is Holly, played brilliantly by Kate Morgan Chadwick. Holly is an wildly talented post-punk rocker musician who is also an emotional trainwreck — think Courtney Love or Patti Smith. Over the course of roughly ten years, we watch Holly grow as an artist and mature in her relationship with Cliff (TW Leshner). It’s a riveting journey with a surprising payoff.     Read more…

Now running through March 13

PAUL BIRCHALL’S GOT IT COVERED – Teapot Tempest

 

Ghost-Light_4Paul Birchall  – Stage Raw

In a dramatic about-face, playwright Tommy Smith on Wednesday abruptly retracted allegations that Echo Theater Company had “stolen” his short play Ghost Light, which had starred Deborah Puette and opened August 5 to rave notices. The production was the playwright’s third collaboration with Echo artistic director Chris Fields, whose stagings of Smith’s Firemen in 2014 and last spring’s Fugue were likewise met with critical acclaim. Read more…

 

AMERICAN FALLS at Atwater Village Theatre

Photo by Darrett Sanders

Photo by Darrett Sanders

Deborah Klugman – Stage Raw

Playwright Miki Johnson’s discerning but uneven one act takes place in small-town America and calls to mind Thoreau’s phrase “lives of quiet desperation.”  Read more…

Now running through Oct. 11.

BETTER at the Atwater Village Theatre

Better_4-700x400

Photo by Darrett Sanders

Steven Leigh Morris  – Stage Raw

Jessica Goldberg told The Jewish Journal that her new play Better is quasi-autobiographical, written in the wake of her father’s death from brain cancer in conjunction with her own crumbling marriage to actor Hamish Linklater. Read more…

Now running through Nov. 16.