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Archive for Erin Conley

ROTTERDAM at the Skylight Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Erin Conley – On Stage & Screen

It’s New Year’s Eve in Rotterdam, and Alice (Miranda Wynne) is agonizing over a drafted email she has been meaning to send for a long time—an email in which she finally tells her parents she’s a lesbian.
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Deborah Klugman – LA Weekly

Human relationships are problematic, whoever you are.

Imagine you’re a gay woman happily partnered with another, and after some years together your beloved informs you that she’s always felt she’s a man and plans, maybe, to undergo a change. How would you feel about that?
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Now running through December 11

 

LES LIAISONS DANGEREUSES at Antaeus Theatre Company

(Photo by Geoffrey Wade Photography)

(Photo by Geoffrey Wade Photography)

Jenny Lower – Stage Raw

Antaeus announced Christopher Hampton’s 1987 adaptation of Les Liaisons Dangereuses as the debut of its current season all the way back in June. The director’s note in the program discusses how this pre-revolutionary tale of French aristocratic depravity speaks to our era of the one percent.
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Erin Conley – On Stage & Screen

Les Liaisons Dangereuses is a story that would be best served with popcorn and red wine. Written by Christopher Hampton and based on Pierre Choderlos de Laclos’s 1782 novel of the same name, Liaisons opened at the Antaeus Theatre Company in Los Angeles this weekend in a sexy, provocative production that explores the despicable behavior of what we would now refer to as “the one percent” in a modern, stylized fashion.
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Margaret Gray – LA Times

Are Americans today better off than the aristocrats of pre-revolutionary France? Spandex has simplified couture, wigs no longer require powder and, thanks to social media and smartphones, epistolary romances can be conducted in real time.
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Now running through December 10 

BRIGHT STAR at the Ahmanson theatre

Photo by Craig Schwartz

Photo by Craig Schwartz

Dany Margolies – The Daily Breeze

“Bright Star” is a fairly new musical by Steve Martin and Edie Brickell. It had a life on Broadway last year and has arrived at L.A.’s Ahmanson Theatre.
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Jonas Schwartz -  TheaterMania

Bright Star has so many winning attributes that one can easily forget its shortcomings and simply enjoy the experience. The music by Steve Martin and Edie Brickell employs a lilting bluegrass sound, Walter Bobbie’s direction is stellar, and Carmen Cusack gives a performance you will remember for years to come.
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Erin Conley – On Stage and Screen

Trouble and happiness often go hand in hand, and there is plenty of both to be found in Bright Star, the charming bluegrass musical that just launched its national tour at Center Theatre Group’s Ahmanson Theatre in Los Angeles after a Broadway run last year.

Rob Stevens – Haines His Way

The opening lyrics of the opening song of Steve Martin and Edie Brickell’s bluegrass/country western infused musical Bright Star, currently starting its National Tour at the Ahmanson Theatre, tell you what to expect.
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Now running through November 19

WITH LOVE AND A MAJOR ORGAN at Boston Court Performing Arts Center

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Erin Conley – On Stage & Screen

Some people go through life with their heart on their sleeve, while others are much more guarded, desperate to protect their hearts from being broken. In With Love and a Major Organ, a whimsical, poignant play by Julia Lederer currently in its west coast premiere at Boston Court Performing Arts Center, this concept is taken a step further. Read more…

Paul Birchall – Stage and Cinema

Midway through playwright Julia Lederer’s feather-light, yet rather droning romantic comedy, a character literally reaches into her own chest and pulls out her heart, which thumps and pumps and leaks blood into the padded envelope she shoves it into. The lovesick woman then leaves it in a New York City subway station for the man she hopes to catch. Read more…

Deborah Klugman – LA Weekly

In playwright Julia Lederer’s With Love and A Major Organ, a West Coast premiere directed by Jessica Kubzansky at Boston Court, a warm spontaneous woman falls ardently in love with a stranger she meets on the subway.  The main idea — a quest for love requited —may be as old as the hills, but Lederer’s wit and poetical language, along with Kubzansky’s directorial finesse and state-of the-art staging, makes for a beguiling evening of theater. Read more…

Frances Baum Nicholson –The Stage Struck Review

Recently, as part of an assignment at a nearby public high school, students experimented at a local mall to see what people their age would do if a stranger (also their age) came up to try to engage them in conversation. Over and over, the subjects of their experiment would look down at their phones – use their electronic social network to avoid talking to a real person. Interestingly, that was the expected result, according to the teens.
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Now running through November 5

A TALE OF TWO CITIES at A Noise Within

Craig Schwartz

Craig Schwartz

Erin Conley – On Stage & Screen

“It was the best of times, it was the worst of times.” A Tale of Two Cities by Charles Dickens has been a staple of western literature since its publication in 1859, and has been adapted many times over—as movies, television mini-series, radio shows, a short-lived Broadway musical, and plays.
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Jonas Schwartz -  TheaterMania

A solid cast enlivens Charles Dickens’s epic A Tale of Two Cities at A Noise Within, which is tautly directed by Geoff Elliott and Julia Rodriguez-Elliott, who drive home comparisons between the bedlam in 18th-century Europe and the current political climate.

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Now running through November 19

HAMILTON at the Pantages Theatre

Photo by Joan Marcus

Photo by Joan Marcus

Erin Conley – On Stage & Screen

So much has been written about Hamilton since its debut two and a half years ago. This musical, which has won just about every award it was eligible for including the Best Musical Tony Award and the Pulitzer Prize for Drama, has embedded itself in the pop culture zeitgeist more than any musical ever has. Read more…

Deborah Klugman – LA Weekly

When Hamilton was performed for the Obamas in 2016, Michelle Obama is said to have called it “the best piece of art in any form that I have ever seen in my life.” Did she overstate things? Now that I’ve seen the show (for the first time), I don’t think she did. Read more…

Jonas Schwartz - TheaterMania

So often, expectations can overwhelm an actual experience, but the gripping Hamilton at the Pantages lives up to the hype.   Read more…

Dany Margolies  -  Arts In LA

How.” That’s the first word of Hamilton. The word, as a question, repeats throughout.    Pretty much everyone who has seen or heard this musical agrees it is genius. The question remains, how did Lin-Manuel Miranda come up with this miracle? Read more…

Pauline Adamek  -  ArtsBeatLA

When a touring Broadway show finally comes to town, coasting on a tidal wave of hype and critical acclaim, it’s difficult to make a clear-headed assessment of its value. Following its fêted move from the East Village to Broadway, composer and performer Lin-Manuel Miranda’s Hamilton has taken up residence at the glamorous Pantages Theater in Hollywood. There will performances through December 30, 2017.  Read more…

Now running through December 30

AS YOU LIKE IT at Antaeus Theatre Company

(Photo by Daniel G. Lam Photography)

(Photo by Daniel G. Lam Photography)

Terry Morgan  -  Stage Raw

One of the reasons for the continued popularity of Shakespeare’s work over the centuries is how unusually open it is to reinterpretation — directors or actors can use it as a lens with which to focus anew on some aspect of the world.
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Erin Conley – On Stage & Screen

“All the world’s a stage…” William Shakespeare’s classic comedy As You Like It features some of his most famous monologues and a great deal of whimsy.
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Now running through September 10

NOCTURNE at VS. Theatre

(Photo by Kate Danson Photography)

(Photo by Kate Danson Photography)

Erin Conley – On Stage & Screen

“Fifteen years ago I killed my sister.” This shocking line opens Nocturne by Adam Rapp, an acclaimed play that first debuted in New York in 2001.

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Now running through August 13

THE CAKE – Echo Theatre Company at Atwater Village Theatre

(Photo by Darrett Sanders)

(Photo by Darrett Sanders)

Deborah Klugman – Stage Raw

Americans in the U.S. have struggled with a cultural divide for decades — right from the beginning, it can be argued. The Founding Fathers, deists and 18th century rationalists, made separation of Church and State a fundamental principle of our government and their lives, while more traditional classes of people, especially in the South and Midwest, built theirs around their Christian faith.

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Erin Conley – On Stage & Screen

What happens when someone or something suddenly throws the belief system you have held your entire life into question? The Cake, a play by Bekah Brunstetter currently in its world premiere at the Echo Theater Company in Los Angeles, is a thoughtful and heartfelt examination of conservative values in increasingly liberal times, all hinging around one wedding cake.

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Melinda Schupmann – Arts In LA

North Carolina bakery owner Della (Debra Jo Rupp) announces at Cake’s beginning that nothing is as gratifying as baking a perfect cake. It is the ultimate satisfaction. Frostings, fillings, she loves them all, and her enthusiasm for her craft has landed her a gig on one of those reality television bake-off shows.
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Rob Stevens – Haines His Way

In one of its last acts before adjourning for summer, in late June the U.S. Supreme Court agreed to hear the case of a Colorado baker who refused to bake a cake for a same-sex marriage even though the state had an anti-discrimination law in effect at the time. It was just days later that Atwater’s Echo Theater Company opened their World Premiere of playwright Bekah Brunstetter’s The Cake. Read more…

Now running through August 6

CONSTELLATIONS at the Geffen Playhouse

Photo by Chris Whitaker

Photo by Chris Whitaker

Jonas Schwartz -  TheaterMania

Constellations, the character piece by Nick Payne that is now playing in a new production at the Geffen Playhouse, requires a talented cast to succeed. The expansive themes of love in an ever-expanding cosmos, the jarring sequencing of the moments, and their repetition could turn audiences off quickly.    Read more…

Erin Conley – On Stage & Screen

She’s a quantum physicist, he’s a beekeeper. They meet at a barbecue. It’s a tale as old as time…but, what exactly is the meaning of time?
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Margaret Gray – LA Times

He was in “Downton Abbey,” she was on “Big Love” and “Once Upon a Time.” Now Ginnifer Goodwin and Allen Leech have taken to the stage, starring in English playwright Nick Payne’s “Constellations” at the Geffen Playhouse.Read more…

Neal Weaver  – Stage Raw

This intriguing play by British playwright Nick Payne centers on an unlikely love affair between beekeeper Roland (Allen Leech) and quantum physicist Marianne (Gennifer Goodwin), but it doesn’t proceed in the expected ways.
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Now running through July 23

DOGFIGHT at the Hudson Mainstage Theatre

DOGFIGHT - 6

Rob Stevens – Haines His Way

The composing team of Benji Pasek and Justin Paul are very hot right now having just won an Academy Award for their song in the film La La Land. Read more…

Neal Weaver  – Stage Raw

This new musical, with book by Peter Duchan and music and lyrics by the team that produced La La Land, Benj Pasek and Justin Paul, is based on the movie Dogfight, from a script by Bob Comfort. Superficially, it resembles the 1944 musical On the Town…. Read more…

Erin Conley – On Stage & Screen

These days, it seems like nearly every musical was adapted from a movie. Some of my favorite stage musicals began their lives as films—OnceLegally Blonde, and Thoroughly Modern Millie come to mind. Sometimes, however, you can’t help but wonder—why that movie? Read more…

Deborah Klugman – LA Weekly

Dogfight the musical (music and lyrics by La La Land creators Benj Pasek and Justin Paul, book by Peter Duchan) is one of those period pieces that make the good old days appear not so good after all — kind of like the musical itself. Read more…

Now running through June 25

THE BOOK OF MORMON at the Pantages Theatre

Photo by Joan Marcus

Photo by Joan Marcus

Erin Conley – On Stage & Screen

Before Hamilton came along, there was another modern musical that took the world by storm, achieving rare crossover appeal with both theater and mainstream audiences and earning a place in the pop culture zeitgeist.   Read more…

Rob Stevens – Haines His Way

Joseph Smith. Angel Moroni. Nephites. Lamanites. Brigham Young. Golden Plates. You don’t have to know anything about any of the above arcane items in the history of The Church of Jesus Christ of Latter-day Saints, commonly known as the Mormon church, to enjoy the outrageous musical The Book of Mormon which is in its third visit to the Hollywood Pantages Theatre.  Read more…

Jonas Schwartz -  Arts In LA

The Book of Mormon is a phenomenon. It was geared to offend everyone and yet is so inoffensive that there have been no boycotts or controversy.    Read more…

Dany Margolies – The Daily Breeze

It’s vulgar, it’s blasphemous, it’s relentless. But it’s so skillfully, purposefully and humorously crafted, one might be hard-pressed to argue against it.   Read more…

 

 Now running through July 9