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Archive for Erin Conley

THE WOLVES – ECHO THEATER COMPANY at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Erin Conley – On Stage & Screen

“We are the Wolves. We are the Wolves,” a group of teenage girls chants, each repetition of the phrase growing in both volume and urgency. The Wolves are a high school indoor soccer team, and the subject of Sarah DeLappe’s play of the same name currently in its west coast premiere at the Echo Theater Company.     Read more…

Katie Buenneke – Stage Raw

It’s both remarkable and unnerving when a writer, director, and cast work in tandem so effectively that you leave the theater feeling like you know the characters personally. It’s a rare magic, currently happening in Atwater Village, where Echo Theater Company is staging Sarah DeLappe’s The Wolves.       Read more…

Now running through April 22

LACKAWANNA BLUES at the Mark Taper Forum

Craig Schwartz

Erin Conley – On Stage & Screen

Lackawanna Blues, Ruben Santiago-Hudson’s autobiographical solo show, has been on quite a journey since it first premiered at the Public Theater in New York in 2001. After that first production, which won a special citation Obie Award, it played at multiple regional theaters across the United States before being adapted into an HBO movie in 2005.
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Now running through April 21

HOW WE’RE DIFFERENT FROM ANIMALS at Atwater Village Theatre

Meredith  Adelaide

Erin Conley – On Stage & Screen

In How We’re Different From Animals, a world premiere play based on short stories by Miranda July, there is one common theme—romance. Romance is, after all, how July argues we are different from animals.
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Now running through March 24

RAGTIME at the Pasadena Playhouse

Nick Agro

Nick Agro

Katie Buenneke – Stage Raw

Ragtime has got to be up there with Oklahoma! as one of the most undeniably American musicals of all time, and it has finally come home to Southern California. Lynn Ahrens and Stephen Flaherty’s musical made its U.S. premiere at the now-demolished Shubert Theatre in Century City in 1997, before opening on Broadway the following year.
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Ellen Dostal – Broadway World

How do you scale down an epic musical like RAGTIME for a smaller stage and a different time? When it opened at the Shubert Theatre in Century City in 1997, the cast numbered nearly fifty, the same as it would for its Broadway debut later that year. The stage was enormous and the production filled every inch of it.

For the revival at Pasadena Playhouse, director David Lee has a different spin.
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Erin Conley – On Stage & Screen

“Make them hear you” is one of the most well-known refrains in Ragtime, and the current production at the Pasadena Playhouse is in fact demanding to be heard—and it is well worth listening to.
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Rob Stevens – Haines His Way

In 1975, E.L. Doctorow published Ragtime, his work of historical fiction set in and around New York City during the early years of the 20th Century. He intermingled the stories of three distinct groups of people–upper Middle Class white Americans in New Rochelle, African Americans in Harlem and Eastern European immigrants in the slums of the lower East Side.
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Now running through March 3

MATTHEW BOURNE’S CINDERELLA at the Ahmanson Theatre

Johan Persson

Dany Margolies – The Daily Breeze

“Admit passersby!” urged Britain’s wartime instructions. In Matthew Bourne’s dance-theater production of “Cinderella,” we find a reminder to open up our hearts and let the sunshine in.

But the story Bourne tells, at the Ahmanson through March 10, is far from the sunny fairytale we might expect. Using Sergei Prokofiev’s brooding, elegantly dissonant, subtly disturbing score, and setting the story in 1940 during the Blitz, Bourne makes his version fully accessible yet requires the audience to put puzzle pieces together.
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Erin Conley – On Stage & Screen

There are no carriages turning into pumpkins to be seen in Matthew Bourne’s Cinderella, an enchanting, contemporary ballet currently being presented by New Adventures at Center Theatre Group’s Ahmanson Theatre in Los Angeles. Instead, this interpretation of the classic fairy tale takes place over a backdrop of a city in turmoil at the height of World War II, crafting a new story of lovers torn apart until they are reunited, thanks, of course, to a very special shoe. Read more…

Now running through March 10

HELLO, DOLLY! at the Pantages Theatre

Julieta Cervantes

Julieta Cervantes

Erin Conley – On Stage & Screen

Put on your Sunday clothes and get down to the Hollywood Pantages Theatre because there’s a new matchmaker in town, and her antics are bound to warm even the coldest of hearts. The Tony Award-winning Best Musical Revival of Hello Dolly! is currently making its Los Angeles debut as part of a national tour, and it has arrived bursting at the seams with style and joy.
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Ellen Dostal – Musicals in LA

In the lexicon of American Musical Theatre, Hello, Dolly! is one of the best star vehicles ever written. And, because of the title role’s iconic nature, almost everyone can name the leading ladies who have played her.
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Margaret Gray – LA Times

The national tour of director Jerry Zaks’ exuberantly received revival of “Hello, Dolly!” has finally reached the Hollywood Pantages Theatre. And though it brings us neither Bette Midler, who won a Tony Award for the title role in 2017, nor Bernadette Peters, who replaced Midler on Broadway to equally warm praise, this show cannot be accused of shortchanging us on star power.
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Jonas Schwartz – Arts In LA

Betty Buckley is a Broadway legend. Besides her Tony-winning turn in Cats, she originated Martha Jefferson in 1776, tortured her daughter in the notorious flop Carrie, and replaced Glenn Close in Sunset Boulevard.
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Now running through February 17

 

HIR at the Odyssey Theatre

Enci Box

Enci Box

Terry Morgan  -  Stage Raw

The word “hir” is a gender-neutral, third-person pronoun that replaces “him” or “her.” It’s an appropriate title for Taylor Mac’s play, which examines gender definitions in the context of an American family drama. Read more…

Erin Conley – On Stage & Screen

What happens when you return home after time away only to find the home you remember has been rendered virtually unrecognizable? In Hir, a play by Taylor Mac currently in its Los Angeles premiere at Odyssey Theatre Ensemble, the concept of a dysfunctional family is taken to another level.
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Now running through March 17

LINDA VISTA at the Mark Taper Forum

Craig Schwartz

Craig Schwartz

Erin Conley – On Stage & Screen

What does ‘starting over’ really mean if you’re stuck in the same self-destructive behavior patterns? In Steppenwolf Theatre’s production of Linda Vista, a new play by Tracy Letts that opened this week at Center Theatre Group’s Mark Taper Forum in Los Angeles, a middle-aged man attempts to figure out what options remain for him in life when his marriage blows up. Read more…

Deborah Klugman – Stage Raw

Linda Vista is perhaps not a play to see if you’re someone who squirms intensely when naked people on stage engage in realistically simulated copulation and other intimate sex acts. This smart, thorny dramedy by award-winning playwright Tracy Letts, imported from Chicago’s Steppenwolf Theatre to the Mark Taper Forum with the original cast, features a couple of such scenes that are as awkwardly explicit and comical as they can be in real life.
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Dany Margolies – The Daily News

Dick Wheeler has moved to Linda Vista, a section of San Diego whose name is translatable from the Spanish as “pretty view.” He needs one. He has a grim picture of where he’s been and where he’s headed. Read more…

Now running through February 17

SCISSORHANDS at Rockwell Table and Stage

siz

Harker Jones – Arts In LA

After showcasing cheeky musical adaptations of films as diverse as Bridesmaids, Jurassic Park, and Hocus Pocus, Rockwell Table & Stage is back with a seasonal story that has enchanted audiences for 28 years. Tim Burton’s 1990 film Edward Scissorhands is an enduring classic that all misfits identify with—and we’ve all felt like misfits.
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Erin Conley – On Stage & Screen

Sometimes, a story originally told nearly thirty years ago manages to feel more timely than ever. Read more…

Now running through January 27

 

A CHRISTMAS CAROL at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Erin Conley – On Stage & Screen

Around this time of year, productions of the Charles Dickens classic A Christmas Carol are a dime a dozen, but none is quite like the moody, spooky version currently running at the Geffen Playhouse in Los Angeles.
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Now running through December 16

COME FROM AWAY at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Erin Conley – On Stage & Screen

On paper, it feels a bit wrong to call a musical about September 11th, 2001 “uplifting.” It is easy to wonder how that could possibly be true…until seeing Come From Away, a true marvel of a show that manages to take a large story everyone knows about one of the most devastating days in modern times and find inside of it a much smaller story few people know that shines a light on the very best aspects of humanity.      Read more…

Rob Stevens – Haines His Way

On September 11, 2001, the world stopped. A horrific and unforgettable event took place that a generation will always remember where they were, what they were doing when they first heard news of it.    Read more…

Dany Margolies – The Daily News

On Sept. 11, 2001, 38 airliners were diverted to Gander, Newfoundland. There they remained grounded for five days.

The story of the Canadians and the world travelers they fed and housed makes up this 2013 musical — with book, music and lyrics by Irene Sankoff and David Hein. You won’t hum any of the songs when you’re leaving the theater. You will instead hum the human spirit.
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Ellen Dostal – Musicals in LA

My one big recommendation this holiday season is an easy one – go see Come From Away at the Ahmanson. That’s it. The world’s a tough place right now and this musical will restore your faith in humanity in every way possible.    Read more…

Frances Baum Nicholson –The Stage Struck Review

No argument. Anyone who was alive and over 5 or 6 on September 11, 2001 remembers with aching accuracy all that they did, heard, and reacted to that day.
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Now running through January 6

A BRONX TALE at the Pantages Theatre

Joan Marcus

Joan Marcus

Erin Conley – On Stage & Screen

“The saddest thing in life is wasted talent, and the choices you make will shape your life forever.” A Bronx Tale, a musical based on the play of the same name, opened at the Pantages Theatre in Los Angeles this week after a nearly two year run on Broadway.
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Now running through November 25