Layout Image

Archive for Frances Baum Nicholson

AH WILDERNESS at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Frances Baum Nicholson – The Daily Breeze

When one thinks of Eugene O’Neill, one thinks of wrenchingly serious plays, but “Ah, Wilderness” gives him a chance to explore the comparative innocence of a life he wished he could have lived.  Read more…

Jonas Schwartz -  TheaterMania

Ah, Wilderness! is a tender memory piece about a family rejoicing and struggling through the July Fourth holiday. Led by Nicholas Hormann and Deborah Strang as the patriarch and matriarch of the Miller Clan, the talented cast has the dynamics of a true family. Read more…

Melinda Schupmann – Arts In LA

In his nearly 30 years of playwriting, Eugene O’Neill experimented with myriad stage conventions, winning Pulitzer and Nobel prizes. Though most of his dramas were melancholy or tragic, in 1932 he penned a comedy that portrays the Miller family of Connecticut on the Fourth of July, 1906. Its protagonist is almost-17-year-old Richard (Matt Gall), certainly O’Neill’s alter ego, who is flush with first love and bursting with ideas culled from classic literature his mother finds improper for a boy his age. Read more…

Now running through May 20

 

42ND STREET at the Candlelight Pavillion

Photo by Demetrios Katsantonis

Photo by Demetrios Katsantonis

Frances Baum Nicholson – The Daily Breeze

Sometimes one goes to the theater for something profound. Sometimes one goes for something that will leave behind an underlying message to be chewed over a bit for its power or its emotional impact. Read more…

Now running through March 25

 

COLLECTIVE RAGE at The Theatre at Boston Court

CR1

Photo by Ed Kreiger

Deborah Klugman – Stage Raw

Collective Rage, whose poster features a gal with soft eyes, a flexed bicep and a clenched fist, is subtitled “a play in 5 boops” because all five characters are named Betty Boop, after the cartoon figure conceived by Max Fleischer in 1930. Read more…

Frances Baum Nicholson – The Daily Breeze

If a play intends to use cultural references in the course of its work, it probably makes sense to be sure that the audience will catch a clue as to what those references are. Read more…

Now running through March 19

ZOOT SUIT at the Mark Taper Forum

zoot

Photo by Craig Schwartz

Erin Conley – OnStage

It is not every day that a hat receives entrance applause at the theater. However, it is also not every day that Zoot Suit returns to Center Theatre Group’s Mark Taper Forum, the very theater that commissioned and hosted its world premiere in 1978. Read more…

Rob Stevens – Haines His Way

Luis Valdez, founder of El Teatro Campesino and writer/director of the 1978 play with music Zoot Suit, says in his program notes for the current revival at the Mark Taper Forum, “On opening night, when the character of El Pachuco, memorably played by Edward James Olmos, swaggered onto the Taper stage, Chicano theatre became American theatre.” Read more…

Frances Baum Nicholson – The Daily Breeze

The return of Luis Valdez’s groundbreaking musical “Zoot Suit” to the Mark Taper Forum is less of a theatrical milestone than it is a major cultural event.   Read more…

Pauline Adamek – ArtsBeatLA

Swinging social commentary abounds with the lively, if overlong Zoot Suit, a mostly upbeat revival now playing at the Mark Taper Forum. With swagger and flair, Demian Bichir haunts the stage as ‘El Pachuco’ – the play’s Zoot-suited narrator – singing and growling in a (sometimes) unintelligible yet authentic Pachuco idiom. Ann Closs-Farley’s costume creations deserve special mention for their vibrancy, as does Maria Torres for her superb choreography. Read more…

Now running through March 26