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Archive for Gia On The Move

THE BEAUTIFUL PEOPLE, Rogue Machine at the Matrix Theatre

Photo by John Perrin Flynn

Photo by John Perrin Flynn

Tracey Paleo – Gia On The Move

It’s the late 90’s…and you’re hanging out in a boy’s basement bedroom, somewhere in suburban America with two teenagers as they stay up on a school night; chugging soda, watching MTV, and preparing for the future. As the morning approaches, their seemingly innocent sleepover reveals another purpose. Read more…

Terry Morgan – ArtsBeat LA

Mere days after the abomination of the Supreme Court overturning Roe vs. Wade, discussing a play about toxic masculinity seems almost too topical. Cisgender white men are running amok waging wars, attempting coups and reversing civil rights, so what better time to examine the root of all this madness? Except that none of this is new. There has never been a time where men acting badly wasn’t the prime source of evil in the world. This subject has been explored in countless books, films and plays. Unfortunately Tim Venable’s The Beautiful People has little original insight to offer, although the world premiere production by Rogue Machine is otherwise first-rate. Read more…

Now through July 25

TRY NOT TO THINK ABOUT IT, ALICE CHILDRESS at LOFT Ensemble

Try Not to Think About It, Loft Ensemble

Tracey Paleo – Gia On The Move

There is plenty of onstage masturbating, politics, ranting, screaming, dissing, spousal browbeating, murder, misogyny, borderline sexual violence, scumbag behavior, and all-around mayhem – not counting the weather. Apparently, Los Angeles is so flooded that half of the Hollywood sign is underwater. (Well, that’s neat…). Oh, and let’s not forget, children’s poetry – about Hitler. Read more…

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KING OF THE YEES at Sierra Madre Playhouse

Photo by Robert Velasco

Photo by Robert Velasco

Tracey Paleo – Gia On The Move

Sierra Madre Playhouse’s rendition of KING OF THE YEES directed by Tim Dang, so often plods along at such a ponderous pace, including occasionally awkward staging at the tip of the wings, that the sprightly comedy of this adventure is a bit dwindled. And that’s a shame. Because Lauren Yee’s play is not just a lighthearted journey of self-discovery through the back doors of San Francisco’s Chinatown. Her semi-autobiographical work is a far more spirited and vital commentary on Chinese culture in America and its evolution. Read more…

Now through June 12

DOG at The Broadwater – Hollywood Fringe Festival

Photo by Paul Holmes

Photo by Paul Holmes

Deborah Klugman – Stage Raw

Ben Moroski won a Best of Fringe award in 2012 for The Vicious Minute and a Top of the Fringe award in 2014 for his solo performance of The Wake. This year he’s back at The Fringe with his latest solo piece, Dog— a downer of a tale nonetheless presented with the same singular, mesmerizing intensity he brought to his earlier ones.

This time his character —we never learn this character’s given name but his yesteryear buddies call him Dog — is a 30-something alcoholic, prone to blackout bouts of drinking and other diverse forms of destructive behavior.  “Dog” has recently been given the heave-ho by his girlfriend Diane after their small pet dog somehow fell — or leapt! — from their balcony to his death. Read more…

Tracey Paleo – Gia On The Move

It’s been quite the decade for playwright and performer, Ben Moroski. Since his 2012 debut of his autobiographical one-man show, “This Vicious Minute”, Moroski has been a notable solo story creator in Los Angeles theater.

Delivering one deliciously bizarre narrative after another, his award-winning Hollywood Fringe hits like, “The Wake” (HFF14) and “TILT” (HFF16), and now a new solo play have all but proclaimed a rising trajectory that doesn’t seem to be letting up anytime soon. DOG, written and performed by himself and directed by Jordan Lane Shappell, confirms that Moroski’s inspiring genius has further evolved. His skills, edge, enthusiasm for storytelling, and intensity in the work have not wavered.
Read more…

Now through July 30

KING LEAR at The Wallis

Photo by Jason Williams

Photo by Jason Williams

Steven Leigh Morris – Stage Raw

Shakespeare’s play gets a Wooster Group-ish makeover in John Gould Rubin’s modern dress staging for the Wallis. Tech is omnipresent, almost omniscient. Narrow, vertical panels on both sides of the stage provide screens for Keith Skretch’s projection design, featuring striking images of fires and floods now generally associated with climate change. Read more…

Tracey Paleo – Gia On The Move

After three years of preparation, The Wallis somehow made the decision to greenlight a befuddling presentation of one of Shakespeare’s most powerful plays and its chief character in the process.  The result is detritus. Read more…

Now through June 3

TEA – Hero Theatre at the Rosenthal Theater at Inner-City Arts

Photo by Jenny Graham

Photo by Jenny Graham

Deborah Klugman – Stage Raw

Tea, the final installment in Velina Hasu Houston’s trilogy of plays about Japanese war brides, takes place, geographically speaking, in Junction City, a small town in the northeast stretch of Kansas. That’s close to where Houston, the daughter of a Japanese woman and an American GI of African American and Native American descent, spent part of her childhood. Read more…

Tracey Paleo – Gia On The Move

Where there’s tea, there’s hope in playwright Velina Hasu Houston’s story about five Japanese war brides living in Kansas with their GI husbands in the 1960s.  A group of like women with no real “community”, Himiko Hamilton, Teruko MacKenzie, Atsuko Yamamoto, Setsuko Banks, and Chizuye Juarez are disconnected from each other and also from themselves. Read more…

Rob Stevens – Haines His Way

It has been over 30 years since Velina Hasu Houston’s play Tea first premiered. The recent production by Hero Theatre on the stage of the Rosenthal Theater at Inner City Arts proved her writing and characters are as fresh and relevant today as they originally were. Read more…

Now running through May 15

BRIGHT HALF LIFE at the Road Theatre on Magnolia

Photo by Elizabeth Kimball

Photo by Elizabeth Kimball

Terry Morgan  -  ArtsBeat LA

Plays that chart the course of a romantic relationship have long been a staple of theater. Stories told in a nonlinear way are less common but not unheard of. When you take the previous two structures and apply them to the topic of a lesbian interracial marriage, the result is a work that one doesn’t often see in American theater, which is refreshing. What’s better is that Tanya Barfield’s Bright Half Life is more than the sum of its diverse parts…. Read more…

Harker Jones – BroadwayWorld

Pulitzer Prize nominee Tanya Barfield‘s brilliant BRIGHT HALF LIFE is smartly and artfully realized by director Amy K. Harmon at the Road Theatre on Magnolia. With just two actors, the energy never flags, but it does fluctuate, veering as it does from high comedy to pathos to heart-rending drama… Read more…

Tracey Paleo – Gia On The Move

BRIGHT HALF LIFE at The Road Theatre in North Hollywood is nothing less than exhilarating; genuine theater baddassery in your face – empathetic and very personal.  Sit up front… Read more…

Now running through May 8

 

IN THE NEXT ROOM, OR THE VIBRATOR PLAY at Atwater Village Theatre

Photo by Frank Ishman

Photo by Frank Ishman

Terry Morgan  -  Artsbeat LA

When I told people I was going to see a new production of Sarah’s Ruhl’s play, In the Next Room, I received a series of blank stares, but when I included its subtitle, or the vibrator play, I saw instant comprehension. Sex gets people’s attention. Read more…

Tracey Paleo – Gia on the Move

Vibrating objects shoved up women’s vaginas to release their private floodgates in full view on a table.  Does that give you pause?  Shock you to the core?  An embarrassing giggle perhaps?  Or a secret desire (that you’d never admit out loud) to be a voyeur in the room?   Wait…what?!  (…momentary pause in convo resulting in head cocked to the side). Read more…

Now running through April 23

THE RAGE FAIRY at the Sherry Theatre

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Tracey Paleo – Gia On The Move

When they said nothing could stop the Rage Fairy from finding love even if her man du jour is a literal murderer, they weren’t kidding.  The absurdist comedy written by playwright Antonia Czinger is a tornado of chaos that deals with love, codependence, and plain bad judgment through the loneliness of a put-together fairy working as a shop girl slave. Read more…

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ON THE OTHER HAND, WE’RE HAPPY -Rogue Machine Theatre at the Matrix

Photo by John Perrin Flynn

Photo by John Perrin Flynn

Deborah Klugman – Stage Raw

Welsh playwright Daf James’s On the Other Hand, We’re Happy tells the story of a couple’s efforts to adopt a child and the subsequent doubts and fears that plague both the prospective parents and the birth mother. Read more…

Terry Morgan  -  Artsbeat LA

Some theater locations seem to be blessed, and in Los Angeles, one of those lucky places is The Matrix Theatre on Melrose. It’s been producing and presenting high-quality shows for more than forty years, either under the auspices of Joe Stern and The Matrix Theatre Company or as a rental space. Read more…

Tracey Paleo – Gia on the Move

Impeccably directed by Cameron Watson, James has written a refreshing, un-hyperbolized story about a young couple in the process of adoption.  The presentation is exceptionally beautiful, rendering Rogue Machine’s first officially mounted production at its new location on Melrose, an absolute coup. Read more…

Now running through April 17

THIS WONDERFUL LIFE at the Matrix Theatre

Photo by John Perrin Flynn

Photo by John Perrin Flynn

Terry Morgan  -  Artsbeat LA

It’s a Wonderful Life is now an undisputed holiday classic, but its road to perennial status was as long and difficult as its hero’s journey to happiness. Read more…

Tracey Paleo – Gia on the Move

“It is a terrifying, asphyxiating story about growing up and relinquishing your dreams, of seeing your father driven to the grave before his time, of living among bitter, small-minded people…..” Read more…

Now running through January 3