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Archive for Harker Jones

CABARET at the Celebration Theatre

Matthew Brian Denman

Matthew Brian Denman

Katie Buenneke – Stage Raw

By now, Kander and Ebb’s 1966 musical Cabaret is as much a part of the American musical theater canon as Oklahoma. While it’s much darker than most of its Rodgers and Hammerstein counterparts (save, perhaps, for Carousel), it now feels like an old standby, performed by regional theaters and colleges nationwide. Read more…

Rob Stevens – Haines His Way

Christopher Isherwood’s 1945 novel Berlin Stories was turned into a Broadway play called I Am A Camera in 1951 and later filmed, both starring a young Julie Harris as the desperate to be decadent cabaret performer Sally Bowles in 1930s Berlin. Read more…

Ellen Dostal – Musicals in L.A.

Kander & Ebb’s political musical Cabaret captures a horrific period in history. Set in 1929-1930 as the Nazis were coming into power, it is an unsparingly direct window into the deterioration of a country systematically brainwashed by the lunacy of a madman. It could never happen here, right? Read more…

Erin Conley – On Stage & Screen

“There was a cabaret, and there was a master of ceremonies, and there was a city called Berlin, in a country called Germany, and it was the end of the world.” Read more…

Harker Jones – Arts In LA

Based on the play I Am a Camera by John Van Druten (itself based on Christopher Isherwood’s novel The Berlin Stories/Goodbye to Berlin), Cabaret is a legendary musical: both the eight-time Tony-winning 1966 Broadway production and the eight-time Oscar-winning 1972 film adaptation.
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Now running through August 17

 

WHAT HAPPENED WHEN at Atwater Village Theatre

 

Darrett Sanders

Darrett Sanders

Ellen Dostal – Broadway World

The air between the words is so thick you could cut it with a knife in Daniel Talbott‘s shadowy play about three siblings attempting to survive their dysfunctional family. Each is broken in his or her own way and, as the hairball unravels, the audience must piece together their fragmented story over a period of six years.
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Terry Morgan  -  Stage Raw

There are generally two types of ghost stories: those with haunted characters, and those in which it is the audience that becomes haunted — that is, where the tale lingers after the show like an unquiet memory.
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Harker Jones – Arts In LA

Daniel Talbott’s What Happened When is a claustrophobic, intense, and harrowing familial drama in the guise of a horror story. Set in a bedroom with red-paint (or blood-) spattered walls, three siblings huddle on a bed in an old farmhouse.
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Now running through April 26

 

THE MADRES at the Skylight Theatre

Ed Krieger

Ed Krieger

Neal Weaver  – Stage Raw

Stephanie Alison Walker’s stirring drama is set in Buenos Aires in the 1980s, when Argentina was ruled by a ruthless military junta. Anyone who spoke out against the regime could be taken into custody and “disappeared,” and even those who privately disagreed with the government and its policies were in danger and subject to constant scrutiny by an extensive network of spies and informers.
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Deborah Klugman – LA Weekly

Among the 20th century’s catalog of atrocities is the chilling fate of Los Desaparecidos of Argentina — unknown thousands of that country’s citizens who were kidnapped, tortured and murdered by right-wing death squads between 1976 and 1983.
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Harker Jones – Arts In LA

Stephanie Alison Walker’s The Madres is a searing, devastating look at a movement that swept Argentina in the 1970s. Set in 1978, the play focuses on Josefina (Margarita Lamas, who trades off with Denise Blasor), a housewife who buries her head in the sand at the political upheaval surrounding her….
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Now running through April 29

THE UNAUTHORIZED MUSICAL PARODY OF JURASSIC PARK at Rockwell Table and Stage

a jurassic

Harker Jones – Edge on the Net

The “Unauthorized Musical Parody Of…” series has a recipe that always works: take a beloved film, break it down to its most basic parts, find ways to lovingly exploit them and then loop in pop songs that help propel the story. And it works every time.
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Now running through April 28

EDWARD ALBEE’S OCCUPANT at the Garry Marshall Theatre

Chelsea Sutton

Chelsea Sutton

Harker Jones – Edge on the Net

By all accounts, sculptor Louise Nevelson was a real character with a larger-than-life persona and an existence to match. She was ahead of her time in terms of feminism, sexual liberation and her take on art. Unfortunately, Edward Albee’s play chronicling her trajectory arrives in its West Coast premiere lifeless and passive.
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Now running through March 4

THE CHINESE WALL at the Group Rep

Doug Engalla

Doug Engalla

Harker Jones – Edge on the Net

Kicking off the 44th season of the Group Rep, “The Chinese Wall” (originally “Die Chinesische Mauer”) was written as a satire (and warning) about world politics and the advent of the atomic bomb way back in 1946. Scarily, our current tumultuous and ridiculous political arena makes it even more relevant today.
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Now running through March 11

MOON OVER BUFFALO at the Morgan-Wixson Theatre

MOON

Harker Jones -  Edge on the Net

When Ken Ludwig’s over-the-top farce “Moon Over Buffalo” hit Broadway back in 1995, it lured none other than show biz legend Carol Burnett to the Great White Way after 30 years. Despite earning two Tony noms (including one for Burnett), the show never quite caught on.

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Now running through February 11