Layout Image

Archive for Jonas Schwartz

THE PLAY THAT GOES WRONG at the Ahmanson Theatre

Jeremy Daniel

Jeremy Daniel

Erin Conley – On Stage & Screen

The tone for the farce that is The Play That Goes Wrong is set long before the curtain rises. Frazzled cast members wander the audience, asking questions such as if anyone has a dog they can borrow for the second act, as others attempt to fix the constantly malfunctioning set.
Read more…

Katie Buenneke – Stage Raw

The Play That Goes Wrong, a British production at the Ahmanson by way of Broadway and, as the title would indicate, nearly everything goes wrong, as planned. The show is quite funny at times, with moments so hilarious you’ll laugh until you cry, but it’s too long, and loses the comedic momentum it builds for itself.
Read more…

Jonas Schwartz – Theatermania

The Play That Goes Wrong stabs you in the funny bone over and over. A mastery of pratfalls and a love letter to bad acting (cowritten by Mischief Theatre company members Henry Lewis, Jonathan Sayer, and Henry Shields), the comedy is such an adrenalin rush, audiences at the Ahmanson Theatre will be panting heavier than the actors forced to contend with a collapsing set.
Read more…

Now running through August 11

GOOD BOYS at the Pasadena Playhouse

Jenny Graham

Jenny Graham

Terry Morgan  -  Stage Raw

When, in 2008,  premiered Good Men and True, his tale of privileged young prep school students acting badly, it certainly wasn’t new or surprising — this sort of pernicious behavior has gone on for generations. But the obnoxious, beer-relishing example of Brett Kavanaugh brought entitled, smug white men back into the spotlight again, so Aguirre-Sacasa revised his play, under the new title of Good Boys.
Read more…

Jonas Schwartz – Broadway World

The great Frederick Douglass wrote, “It is easier to build strong children than to repair broken men.” Roberto Aguirre-Sacasa (RIVERDALE) must have been thinking of something similar when he wrote GOOD BOYS, the new piercing drama at The Pasadena Playhouse. Though Aguirre-Sacasa’s play debuted in 2008, it focuses on issues that have risen to the top of the country’s consciousness with the #metoo movement.
Read more…

Now running through July 21

 

DEATH OF A SALESMAN at the Ruskin Group Theatre

Ed Krieger

Ed Krieger

Jonas Schwartz – Broadway World

DEATH OF A SALESMAN, the Pulitzer Prize-winning play by Arthur Miller, is the American Hamlet for actors of a certain age. Its protagonist is a complex, frighteningly bare role, that provides an acting challenge relished by the greats. Rob Morrow, best known for Robert Redford’s QUIZ SHOW and the quirky TV dramedy NORTHERN EXPOSURE, pulls off the tricky role by adding an impish quality to the crumbling man, bringing a fresh light to the production at Ruskin Group Theatre.
Read more…

Now running through August 4

MYSTERIOUS CIRCUMSTANCES at Geffen Playhouse

Jeff Lorch

Jeff Lorch

Terry Morgan  – Talkin’ Broadway

The old maxim states that truth is stranger than fiction, but sometimes truth isn’t quite that bold and merely approaches the outlandishness of prose. Such is the case of Richard Lancelyn Green, the subject of a New Yorker article, a Sherlock Holmes expert who was found dead in his apartment in 2004….
Read more…

Margaret Gray – LA Times

Sherlock Holmes is a fictional private detective dreamed up by the turn-of-the-century British doctor and writer Arthur Conan Doyle — or so history would have it. Certain scholars, collectors and fans prefer to believe that Holmes was an actual person. Holmes himself would probably agree with them….
Read more…

Jonas Schwartz -  TheaterMania

The leading expert on Arthur Conan Doyle’s famous detective Sherlock Holmes becomes the key element in a real-life mystery when he is found dead alone in his apartment. It appears to be murder, but could it be suicide?
Read more…

Deborah Klugman – Stage Raw

In December 2004, The New Yorker magazine published an article by journalist David Grann titled: “Mysterious Circumstances: The Strange Death of a Sherlock Holmes Fanatic.”
Read more…

Now running through July 14

FALSETTOS at the Ahmanson Theatre

Joan Marcus

Joan Marcus

Erin Conley – On Stage & Screen

Most people hear the term “falsetto” and think of the vocal technique used by male singers to sing notes above their natural range, often resulting in a sound that is strikingly high and, in a sense, untraditional. It is not very obvious why the musical Falsettos, which opened last night at Center Theatre Group’s Ahmanson Theatre as part of a national tour, has the title it does, but it is about an untraditional family.
Read more…

Jonas Schwartz – Arts In LA

Falsettos is a master class in acting modulation. The characters are self-involved, sometimes violent, energy vampires. An actor must be true to author William Finn’s vision of Marvin and his clan, revealing warts and all, but compel the audience to accept and forgive those who need eons of therapy.
Read more…

Now running through May 19

CATCH ME IF YOU CAN – Musical Theatre West at Carpenter Performing Arts Center

 Caught in the Moment Photography

Caught in the Moment Photography

Jonas Schwartz -  Arts In LA

Catch Me If You Can, based on the hit Steven Spielberg movie, is a swingin’ ’60s musical by the composers that brought Hairspray to the stage. At Musical Theatre West, director Larry Raben captures the energy of ’60s television variety specials…….Read more…

Now running through April 14

THE CRIPPLE OF INISHMAAN at Antaeus Theatre Company

Geoffrey Wade Photography

Geoffrey Wade Photography

Jonas Schwartz – Arts In LA

Playwright Martin McDonagh has mastered the art of slamming razor-sharp dark humor into sentimentality. The humor is always fierce, but he allows the audience to connect with the characters even in his works’ most perverse moments.
Read more…

Rob Stevens – Haines His Way

Irish writer Martin McDonagh is now a well-known and well-respected screenwriter and film director after 2017’s Three Billboards Outside Ebbing, Missouri as well as his earlier films In Bruges and Seven Psychopaths.
Read more…

Now running through March 2

HELLO, DOLLY! at the Pantages Theatre

Julieta Cervantes

Julieta Cervantes

Erin Conley – On Stage & Screen

Put on your Sunday clothes and get down to the Hollywood Pantages Theatre because there’s a new matchmaker in town, and her antics are bound to warm even the coldest of hearts. The Tony Award-winning Best Musical Revival of Hello Dolly! is currently making its Los Angeles debut as part of a national tour, and it has arrived bursting at the seams with style and joy.
Read more…

Ellen Dostal – Musicals in LA

In the lexicon of American Musical Theatre, Hello, Dolly! is one of the best star vehicles ever written. And, because of the title role’s iconic nature, almost everyone can name the leading ladies who have played her.
Read more…

Margaret Gray – LA Times

The national tour of director Jerry Zaks’ exuberantly received revival of “Hello, Dolly!” has finally reached the Hollywood Pantages Theatre. And though it brings us neither Bette Midler, who won a Tony Award for the title role in 2017, nor Bernadette Peters, who replaced Midler on Broadway to equally warm praise, this show cannot be accused of shortchanging us on star power.
Read more…

Jonas Schwartz – Arts In LA

Betty Buckley is a Broadway legend. Besides her Tony-winning turn in Cats, she originated Martha Jefferson in 1776, tortured her daughter in the notorious flop Carrie, and replaced Glenn Close in Sunset Boulevard.
Read more…

Now running through February 17

 

1776 at La Mirada Theatre for the Performing Arts

Jason Niedle

Jason Niedle

Dany Margolies – The Daily Breeze

The musical “1776” is quite a piece of writing. Indeed, the story is the indisputable star in this La Mirada Theatre for the Performing Arts’ production, even while the performances engage and the staging enchants.
Read more…

Jonas Schwartz -  Arts In LA

We hold these truths to be self-evident about the musical 1776. Truth one: Even an American audience member with a D- grade point average knows how this play will end. Truth two: Due to Peter Stone’s glorious libretto, what conclusions may be inevitable to everyone will still seem for most of play to be impossible…….Read more…

Now running through February 3

HUGHIE and KRAPP’S LAST TAPE at the Geffen Playhouse

Jeff Lorch

Jeff Lorch

Jonas Schwartz -  TheaterMania

Brian Dennehy, who won one of his two Tony Awards as iconic Eugene O’Neill protagonist James Tyrone in a 2003 production of Long Day’s Journey Into Night, returns to the author’s milieu with the one-act Hughie, another tale of addiction and emotional ghosts.
Read more…

Deborah Klugman – Stage Raw

In Hughie & Krapp’s Last Tape, by Eugene O’Neill and Samuel Beckett respectively, Brian Dennehy portrays solitary men struggling to come to terms with the desolation in their lives. Both plays are directed by Steven Robman at the Geffen Playhouse.
Read more…

Now running through December 16

CHARLES DICKENS’ A CHRISTMAS CAROL at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Jonas Schwartz -  TheaterMania

The world premiere of this new adaptation of Charles Dickens’s A Christmas Carol draws out the chills and thrills of this ghostly tale while still conveying the joy inherent in the famous parable about goodwill toward all men.
Read more…

Deborah Klugman – Stage Raw

Suppose you’re a veteran theater goer, one without children to entertain on the holidays. Why might you attend yet another staged production of A Christmas Carol, that inveterate seasonal favorite playing at countless venues throughout the country year in and year out. Adapted from Charles Dickens’ 1843 novella, it’s stuffy and bathetic and you’ve doubtless seen it one too many times already. Bah, humbug, take a pass.
Read more…

Now running through December 16

VALLEY OF THE HEART at the Mark Taper Forum

Craig Schwartz

Craig Schwartz

Erin Conley – On Stage & Screen

Two immigrant families, one Mexican and one Japanese-American, have lived peacefully as neighbors on a ranch in the Santa Clara Valley for years, working together in the fields. The oldest children from each family have even fallen in love with each other—and then Pearl Harbor happens, and soon World War II, and their lives will never be the same.
Read more…

Dany Margolies – The Daily News

Sweet, timely and picturesque, “Valley of the Heart” tells of an earlier chapter in in American history when our nation behaved badly. From writer-director Luis Valdez comes this tale of two immigrant families — one Japanese and one Mexican — living in the then-agricultural town of Cupertino during World War II.
Read more…

Frances Baum Nicholson –The Stage Struck Review

As someone who has taught history for a few decades, there is no doubt that the ugliness of the Japanese Internment is one of the several inexcusable black marks on our American story.
Read more…

Jonas Schwartz -  TheaterMania

The image of innocents trapped behind the barbed-wire fences of American internment camps still burns in the minds of anyone absorbed in current affairs. Luis Valdez’s Valley of the Heart reminds audiences that the latest drama taking place at our Mexican borders reflects a shameful period during World War II…….
Read more…

Now running through December 16