Layout Image

Archive for Jonas Schwartz – Page 2

SKELETON CREW at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Jonas Schwartz -  TheaterMania

The mockery of the American dream lies at the heart of Skeleton Crew, where trade workers invest their lives in a company that easily turns its back on them. Part of Dominique Morisseau’s Detroit Project trilogy, Skeleton Crew reflects a distant past……Read more…

Deborah Klugman – Capital & Main

Working-class men and women of color are rarely front and center in today’s media and, likewise, are presented all too occasionally on the American stage. So it’s buoying to see that trend bucked in playwright Dominique Morisseau’s percipient and well-crafted drama, Skeleton Crew. Read more…

Now running through July 8

HENRY IV at the Japanese Gardens on the West L.A. VA campus

Craig Schwartz

Craig Schwartz

Deborah Klugman – LA Weekly

Tom Hanks as Falstaff, Joe Morton as King Henry IV and a solid supporting ensemble add up to half a dozen good reasons to see director Dan Sullivan’s staging of Henry IV,….Read more…

Ellen Dostal – Broadway World

Director Daniel Sullivan‘s adaptation of HENRY IV, Parts 1 & 2 may only be playing in the Japanese Garden on the VA campus for another three weeks but it is bound to rank as one of the summer’s most talked-about events. Read more…

Jonas Schwartz -  TheaterMania

William Shakespeare’s Henry IV focus on growth and having history thrust upon oneself whether wanted or not. For The Shakespeare Center of Los Angeles, director Daniel Sullivan has culled and combined both plays into an evening of ribaldry, song, and pageantry. Read more…

Terry Morgan  -  Talkin’ Broadway

Shakespeare’s duo of Henry IV plays are mainly about two subjects: the relationship between fathers and sons and the conflict between duty and selfishness. That these topics are placed in one of his “history plays” means little—audiences haven’t cared primarily about the history on display here for centuries. The appeal of these plays has ever been in its characters and humor and beautiful language….
Read more…

Now running through June 24

BORDERTOWN at the Pasadena Playhouse

 Philicia Endelman

Philicia Endelman

Jonas Schwartz -  TheaterMania

Twenty years ago, Culture Clash presented Bordertown Now, which took a look at the percolating tension between the US government and undocumented Mexican immigrants crossing the border. Read more…

Now running through June 24

SOFT POWER at the Ahmanson Theatre

Craig Schwartz Photography

Craig Schwartz Photography

Ellen Dostal – Musicals in L.A.

Playwright David Henry Hwang and composer Jeanine Tesori are pushing buttons and challenging conventions with their new work, Soft Power, now in its world premiere at Center Theatre Group’s Ahmanson Theatre.
Read more…

Rob Stevens – Haines His Way

American musical theatre and politics would seem to make strange bedfellows. However, since Of Thee I Sing won the Pulitzer Prize for Drama in 1932. there have been many other successful and not-so-successful musicals mingling politics with song and dance.
Read more…

Erin Conley – On Stage and Screen

Soft Power, currently in its world premiere at Center Theatre Group’s Ahmanson Theatre, is billed as “a play with a musical.” This is a unique description fitting for a unique show, both in structure and in content. With play and lyrics by David Henry Hwang and music and additional lyrics by Jeanine Tesori, Soft Power taps into timely political subject matter—some may say too timely—and adds a refreshing twist, creating a show with a perspective rarely seen.
Read more…

Jonas Schwartz -  TheaterMania

What was the last musical to feature Hillary Clinton twerking at a McDonald’s or White House cabinet members bloodthirstily carrying tommy guns? Soft Power, the new political-satire musical by two Tony winners, composer Jeanine Tesori and writer David Henry Hwang, ambushes the 2016 US election through the eyes of a foreigner.
Read more…

Frances Baum Nicholson – The Daily Breeze

There is a moment in “Soft Power,” the new “play with a musical” at the Ahmanson, when the disquiet hits you. The show has a lovely time acknowledging musical theater tropes, discussing the power of the musical to slowly convince people of an idea (this is what “soft power” is — gradual bending of minds), and expressing the outrage and increasing xenophobia which accompanied the 2016 election. Read more…

Now running through June 10

 

NOISES OFF at A Noise Within

Craig Schwartz

Craig Schwartz

Jonas Schwartz -  TheaterMania

Farce is a science, a series of actions and reactions. People slam and swing open doors, they race up and down stairs, they misplace their clothing. If farce is a science, Noises Off deserves a Nobel Prize for physics.
Read more…

Rob Stevens – Haines His Way

What has eight doors and revolves? Answer: Fred Kinney’s double-sided set for A Noise Within’s revival of Noises Off. This marks the company’s third revival of Michael Frayn’s farce in the past decade or so.
Read more…

Deborah Klugman – Stage Raw

Arguably one of the funniest farces in the contemporary British canon, Michael Frayn’s 1982 play revolves around a touring company of actors attempting to stage a frolicsome sex comedy called “Nothing On.”
Read more…

Now running through May 26

SOUTH PACIFIC at La Mirada Theatre

Michael Lamont

Michael Lamont

Jonas Schwartz -  TheaterMania

The overture fades in with the woodwinds as the strings wistfully play the motif of “Bali Ha’i,” the lush music that transports audiences to the magical islands of South Pacific. Just beyond the breeze and the luster of the sand, the entire world has clashed violently, and fascism has drawn most of mankind into the Second World War.
Read more…

Ellen Dostal – Musicals in L.A.

Glenn Casale directs this Rodgers & Hammerstein gem dealing with romance and racism in the South Pacific during World War II.
Read more…

Now running through May 13

BELLEVILLE at the Pasadena Playhouse

 

(Photo by Philicia Endelman

(Photo by Philicia Endelman

Terry Morgan  -  Talkin’ Broadway

Labeling a work of art as being one particular thing can often be problematic, creating expectations that the piece doesn’t fulfill. Amy Herzog’s play Belleville is being promoted as a Hitchcockian thriller, which it is not. It’s only a thriller in the sense that Who’s Afraid of Virginia Woolf? is a thriller, in that it depicts the emotional combat between a married couple.
Read more…

Frances Baum Nicholson – The Daily Breeze

There is no doubt that Amy Herzog’s “Belleville,” now at the Pasadena Playhouse, has dramatic power, and some extraordinary characters which must be an actor’s dream to perform. In many ways, this is enough to recommend the show.
Read more…

Jonas Schwartz -  TheaterMania

Amy Herzog’s thriller Belleville benefits from solid direction by Jenna Worsham and stellar performances by its leads, Anna Camp and Thomas Sadoski.
Read more…

Now running through May 13

SIGNIFICANT OTHER at the Geffen Playhouse

Chris Whitaker

Chris Whitaker

Jonas Schwartz -  TheaterMania

Joshua Harmon’s Significant Other, now playing at the Geffen Playhouse, explores friendship as a buffer, a support system, and a crutch when navigating the precarious world of love. Often funny, the comedy will remind audiences of their own singlehood, past or present. Unfortunately….
Read more…

Dany Margolies – The Daily Breeze

What a lovely protagonist Jordan Berman is. Sure, he’s a little too chatty and perhaps a touch too insecure, but he’s honest, caring, bright and perceptive. And he has a delightful sense of humor.
Read more…

Rob Stevens – Haines His Way

“Always the bridesmaid, never the bride.” That seems to be the fate of nebbish-y Jordan Berman (Will Von Vogt) in Joshua Harmon’s very funny and intuitive play, Significant Other, being given a first-rate production at the Geffen Playhouse. Read more…

Katie Buenneke – Stage Raw

Watching Significant Other is something of a sadomasochistic experience for single people. I mean that in the best possible way. Joshua Harmon’s play achieves a singular sense of catharsis, which is no small feat.
Read more…

 

Now running through May 6

A RAISIN IN THE SUN at A Noise Within

Craig Schwartz

Craig Schwartz

Jonas Schwartz -  TheaterMania

Progress treads so slowly it almost feels backwards. Lorraine Hansberry’s award-winning play A Raisin in the Sun premiered almost six decades ago, but American culture still grapples heavily with racism and other prejudices. The Younger family of the play grabs at the American dream, but society keeps moving the brass ring just out of reach.
Read more…

Now running through April 8

SELL/BUY/DATE at the Geffen Playhouse

a sell buy

Chris Whitaker

Margaret Gray – LA Times

The writer and actress Sarah Jones is gorgeous, about 8 feet tall (at least it seems that way) and rail thin, with a wide mane of hair. When she walks onstage at the Geffen Playhouse, where she is performing her one-woman show “Sell/Buy/Date” through April 15, it’s impossible to imagine her hiding in plain sight.
Read more…

Jonas Schwartz -  TheaterMania

In her solo play, Sell/Buy/Date, Sarah Jones exposes the exploitation of women with 20/20 vision. By setting the play in the far future, where a professor looks back at the dystopian reality that our modern planet could be journeying toward, she allows the audience to see every perspective.
Read more…

Now running through April 15

WATER BY THE SPOONFUL at the Mark Taper Forum

Craig Schwartz

Craig Schwartz

Katie Buenneke – Stage Raw

Though Quiara Alegría Hudes’ trio of plays is called the “Elliot trilogy,” Water by the Spoonful, isn’t really about Elliot.

The middle work in the triad, it’s a stark change from its predecessor, Elliot, A Soldier’s Fugue, currently playing at the Kirk Douglas in Culver City. Here, Elliot (Sean Caravajal) is no longer pivotal; instead, he’s a supporting character who takes a backseat to the members of a Narcotics Anonymous online support group.
Read more…

Deborah Klugman – Capital & Main

A 2012 Pulitzer Prize winner, Water by the Spoonful is the second in Quiara Alegría Hudes’ trilogy revolving around Elliot, a young war veteran from a Puerto Rican family living in Philadelphia.
Read more…

Frances Baum Nicholson – The Daily Breeze

Quiara Alegria Hudes’ Pulitzer Prize-winning play “Water by the Spoonful,” which just opened at the Mark Taper Forum, continues the legacy of her “Elliott: A Soldier’s Fugue,” now at the Kirk Douglas Theatre in Culver City.
Read more…

Jonas Schwartz -  TheaterMania

Quiara Alegría Hudes’s Elliot Trilogy, which focuses on a Puerto Rican family in Philadelphia and one son’s post-military trauma, has been mounted at three theaters concurrently in Los Angeles.
Read more…

Now running through March 11

IRONBOUND at the Geffen Playhouse

Christ Whitaker

Chris Whitaker

Erin Conley – On Stage & Screen

At what point in life must you be willing to sacrifice happiness for survival? Ironbound, a play by Martyna Majok currently in its west coast premiere at the Geffen Playhouse in Los Angeles, tells the story of Darja (Marin Ireland), a Polish immigrant struggling to build a life for herself in New Jersey.
Read more…

Terry Morgan  -  Stage Raw

In my experience, when a production is of mixed or bad quality, the acting is rarely to blame. Occasionally an ill-judged performance will mar a fine piece of writing, but it is much more common to watch a talented ensemble struggle with an undercooked play. So it is with Martyna Majok’s Ironbound….
Read more…

Dany Margolies – The Daily Breeze

We should empathize with Darja. She’s an immigrant struggling to wrap her mouth around English, both its syntax and pronunciation. She works two jobs, when they’re available. She constantly worries about her son, who needs a stay in rehab that she can’t afford, even if she could find him these days. Indeed, she can’t find any good man who will stay around and treasure her.
Read more…

Deborah Klugman – Capital & Main

In American theater, as in life, not all voices receive equal airtime — one reason why Martyna Majok’s pitch-black dramedy about a Polish-born factory worker-slash-cleaning lady is so poignant and arresting.
Read more…

Jonas Schwartz -  TheaterMania

Darja, the lonely, unfulfilled antihero of Ironbound, at the Geffen Playhouse, grants actor Marin Ireland a showcase for her vast talents. In lesser hands, Darja, a woman who seems to live only to survive, is a character that could turn off audiences, but Ireland finds Darja’s unsinkable core and hooks us along with it.
Read more…

Now running through March 4