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Archive for Jonas Schwartz – Page 2

AN AMERICAN IN PARIS at the Pantages Theatre

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Erin Conley – On Stage & Screen

“When you think of Paris, what comes to mind?” This question, posed somewhat oddly to the audience, sets the tone for An American in Paris, the musical adaptation of the 1951 film of the same name now playing at the Pantages Theatre in Hollywood.   Read more…

Jonas Schwartz -  Arts In LA

Most musicals either grab the audience or do not. It’s a risk to leave the audience a bit unsettled by intermission since there’s the chance people may walk out. An American in Paris takes that gamble, never giving audiences the assurance that the dangling story lines will ever gel, but by Act Two, it’s clear that the adaptation of the Oscar-winning 1951 musical is in very assured hands and quite a marvel. Read more…

Now running through April

AH WILDERNESS at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Frances Baum Nicholson – The Daily Breeze

When one thinks of Eugene O’Neill, one thinks of wrenchingly serious plays, but “Ah, Wilderness” gives him a chance to explore the comparative innocence of a life he wished he could have lived.  Read more…

Jonas Schwartz -  TheaterMania

Ah, Wilderness! is a tender memory piece about a family rejoicing and struggling through the July Fourth holiday. Led by Nicholas Hormann and Deborah Strang as the patriarch and matriarch of the Miller Clan, the talented cast has the dynamics of a true family. Read more…

Melinda Schupmann – Arts In LA

In his nearly 30 years of playwriting, Eugene O’Neill experimented with myriad stage conventions, winning Pulitzer and Nobel prizes. Though most of his dramas were melancholy or tragic, in 1932 he penned a comedy that portrays the Miller family of Connecticut on the Fourth of July, 1906. Its protagonist is almost-17-year-old Richard (Matt Gall), certainly O’Neill’s alter ego, who is flush with first love and bursting with ideas culled from classic literature his mother finds improper for a boy his age. Read more…

Now running through May 20

 

LONG DAY’S JOURNEY INTO NIGHT at the Geffen Playhouse

Photo by Chris Whitaker

Photo by Chris Whitaker

Jonas Schwartz -  Arts In LA

Mary Tyrone is the female Hamlet. She’s a role that measures an actress’ stamina, talent, and resourcefulness. No wonder many top-echelon actresses such as Jessica Lange, Katharine Hepburn, and Vanessa Redgrave jump at the role. This time, it’s Jane Kaczmarek who takes on the challenge….Read more…

Pauline Adamek – ArtsBeatLA

With a running time of three hours and 20 minutes, including an intermission, this theatrical experience really is a long haul. Eugene O’Neill’s semi-autobiographical four-act drama charts the dysfunction that permeates the Tyrone family— James and Mary and their sons Edmund and Jamie.  Read more…

Dany Margolies – The Daily Breeze

“I was so healthy before Edmund was born,” says matriarch Mary Tyrone in playwright Eugene O’Neill’s epic “Long Day’s Journey Into Night,” considered a masterpiece of American theater of any era.   Read more…

Now running through March 18

13 THINGS ABOUT ED CARPOLOTTI at the Broad Stage

 

Meghan Moore

Meghan Moore

Jonas Schwartz -  TheaterMania

finds Virginia (Penny Fuller) alone in her home for the first time after her husband, Ed (they were childhood sweethearts), passes away. Worse, she discovers that Ed’s business has been failing for years. As president of the company now, Virginia finds herself on the hook for almost $2 million...Read more…

Now running through January 29

THE KING AND I at the Pantages Theatre

Photo by Matthhew Murphy

Photo by Matthew Murphy

Erin Conley – On Stage and Screen

The production of the Rodgers & Hammerstein classic The King & I that won four Tony Awards, including Best Revival, in 2015 has made its way to Los Angeles just in time for the holidays.    Read more…

Rob Stevens – Haines His Way

The King and I was the fifth collaboration between composer Richard Rodgers and lyricist/dramatist Oscar Hammerstein II, following their classics Oklahoma, Carousel, South Pacific and their flop Allegro.   Read more…

Jonas Schwartz -  TheaterMania

The national tour of director Bartlett Sher’s revival of The King and I, now making a stop at the Hollywood Pantages Theatre, is scrumptiously produced, a visual feast worthy of the exotic musical. Read more…

F. Kathleen Foley – LA Times

Twentieth-century French literary maven François Mauriac once observed, “If you would tell me the heart of a man, tell me not what he reads, but what he rereads.” Read more…

Deborah Klugman – LA Weekly

Anna and the King of Siam first emerged in popular culture in 1944 as a novel by Margaret Langdon, which she based on the memoirs (now considered suspect) of Anna Harriette Leonowens, a British widow who taught English in the court of the King of Siam between 1862 and 1867. Read more…

Dany Margolies  -  Arts In LA

In mid-Victorian days, a Siamese king and an English activist-educator came together in a clash of cultures. That pairing inspired memoirs, then a novel, then films and stage musicals. Read more…

Now running through January 21

A CINDERELLA CHRISTMAS at the Pasadena Playhouse

Photo by Philicia Endelman

Photo by Philicia Endelman

Jonas Schwartz -  TheaterMania

A Cinderella Christmas, the latest pantomime show at the Pasadena Playhouse, has an age limit. The children at the theater delighted in the sophomoric jokes, sing-alongs, and fourth-wall-breaking conversations with the audience. Read more…

Now running through January 8

LITTLE WOMEN at Chance Theatre

(Chance Theatre)

(Chance Theatre)

Jonas Schwartz – TheaterMania

With only a piano and a small cast, Chance Theater‘s production of Little Women is a pleasurable surprise — a warm and inviting musical, filled with spirited characters and melodic songs. It feels like being home for the holidays with family. Read more…

Now running through December 23

The LADCC/Wallis Student Reporter Event enjoys a successful third outing

Photo by Kevin Parry for The Wallis.

Photo by Kevin Parry for The Wallis.

This past weekend several critics from the Los Angeles Drama Critics Circle collaborated the Wallis Annenberg Center for the Performing Arts for our third joint LADCC/Wallis Student Reporter Event. 

Approximately 12 students, ranging in age between 12-18, came to the Wallis this past weekend to participate in this special event.  Critics Dany Margolies, Katie Buenneke and Jonas Schwartz spent the afternoon with the students, working with them on developing their theater critique techniques.

The event began with a primer on the history of the flop musical Merrily We Roll Along, which is now playing at the Wallis until December 18, 2016.

The dozen students joined the critics for the weekend matinee performance of Merrily at the Wallis. Then everyone returned to the classroom to spent 90 minutes forming a review.

Observed Jonas Schwartz, “As with last time, when we took them to For The Record, the students were very insightful and had a clear understanding of what they saw and how to interpret.”

The critics and students discussed and compiled everyone’s critical input. The students are now tasked with composing and submitting their own critical reviews that will be published on the Wallis website in the coming week.

Everyone was pleased with another successful event.

Wallis ext

The Wallis and Cody Lassen production of

MERRILY WE ROLL ALONG

Runs through December 18, 2016

Wallis Annenberg Center for the Performing Arts

Beverly Hills

More information and tickets can be found here and here.

music and lyrics by Stephen Sondheim
book by George Furth
directed by Michael Arden
starring:
Whitney Bashor, Wayne Brady, Aaron Lazar, Saycon Sengbloh, Amir Talai, Donna Vivino
with Eric B. Anthony, Sandy Bainum, Melody Butiu, Doran Butler, Max Chucker, Sarah Daniels, Kevin Patrick Doherty,
Laura Dickinson, Rachael Ferrera, Jennifer Foster, Travis Leland, Lyle Colby Mackston, Brent Schindele, Maximus Brandon Verso.

 

 

 

THE BEAUTY QUEEN OF LEENANE at the Mark Taper Forum

(© Stephen Cummiskey)

(© Stephen Cummiskey)

Jonas Schwartz – TheaterMania

Marie Mullen won the best actress Tony for the original Broadway production of  The Beauty Queen of Leenane as a tortured daughter. Now she has returned almost 20 years later to play the tormentor — her cruel, selfish mother.Read more…

Deborah Klugman – Stage Raw

In 1998, The Druid Theatre Company’s production of Martin McDonagh’s The Beauty Queen of Leenane won four Tonys, including the award for Best Direction to Garry Hynes (a first for a woman) and one for Best Featured Actress to Marie Mullen. As co-founders of Druid, Hynes and Mullen were the first to secure the rights to the play, premiering it in 1996 in County Galway, West Ireland, where the company is based, and where the story takes place. Read more…

Pauline Adamek  – ArtsBeatLA

The Beauty Queen of Leenane launched British-born (of Irish descent) playwright Martin McDonagh onto the theater scene in 1996. His first play is a black comedy is about a tempestuous mother-daughter relationship and is set in rural Ireland during the early 90s…….Read more…

Now running through December 18

THE IMAGINARY INVALID at A Noise Within

Photo by Craig Schwartz

Photo by Craig Schwartz

Jonas Schwartz -  TheaterMania

During its 25th anniversary season, A Noise Within revives Molière’s madcap play The Imaginary Invalid after first performing it in 2001, but this time with Constance Congdon’s 2007 adaptation. Zany as a Marx Brothers movie, the farce delves into hypochondria and the perversity of the patriarchy. Though some of the modern speech in Congdon’s text is too clever by half, this production captures Molière’s irreverent flavor. Read more…

 

THE FANTASTICKS at the Pasadena Playhouse

© Jim Cox Photography)

© Jim Cox Photography)

 Jonas Schwartz -  TheaterMania

The title says it all. The Fantasticks is always is a delight. This production at the Pasadena Playhouse is no exception. Led by Philip Anthony-Rodriguez as the mysterious El Gallo, the musical comedy features a talented cast, including Tony winner Hal Linden, all of whom add to the enchantment of the text. Read more…

Now running through October 2

MA RAINEY’S BLACK BOTTOM at the Mark Taper Forum

L-R: Jason Dirden, Glynn Turman, Damon Gupton, Keith David and Lillias White in August Wilson?s ?Ma Rainey?s Black Bottom,? directed by Phylicia Rashad, playing through October 16, 2016, at Center Theatre Group/Mark Taper Forum at the Los Angeles Music Center. For tickets and information, please visit CenterTheatreGroup.org or call (213) 628-2772. Contact: CTGMedia@ctgla.org/ (213) 972-7376. Photo by Craig Schwartz.

Photo by Craig Schwartz.

Paul Birchall  – Stage Raw

At the Opening Night performance of director Phylicia Rashad’s powerful staging of playwright August Wilson’s modern classic Ma Rainey’s Black Bottom, I found myself seated next to a gentleman who claimed to be one of the agents for one of the performers in the show. He promptly loosened his tie and shrugged off his blazer. “Better make myself comfortable,” he noted. “It’s kind of warm in here and Wilson doesn’t write short.” Read more…

Dany Margolies – The Daily Breeze

The late, greatly missed August Wilson wrote 10 plays for the 10 decades of the last century. Some of them come through Los Angeles often enough that we can compare productions, particularly because Mark Taper Forum and Fountain Theatre have a penchant for, and a talent for, Wilson’s works. Read more…

Jonas Schwartz -  TheaterMania

Center Theatre Group’s vibrant production of August Wilson’s Ma Rainey’s Black Bottom fills the Mark Taper Forum stage with powerhouse performances. Lillias White brings down the house with her rendition of the title song, but it is the four band members, played by Keith David, Glynn Turman, Damon Gupton, and Jason Dirden, who take center stage with electricity and chemistry. Read more…

Now running through October 16