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Archive for LA Times – Page 2

SPACE at the Stella Adler Mainstage

Photo by Bryan Wiggle

Photo by Bryan Wiggle

David C. Nichols – LA Times

You are all amazing. You all have vast untapped potential. You all have a future.”

With that mantra, so begins “Space” at Hollywood’s Stella Adler Theatre. Stefan Marks’ promising look at a man returning home from 30 years in a mental institution is still forming, but then, so is its fascinating protagonist. Read more…

Now running through August 20

 

IN TRUMP WE TRUST at the Second City Hollywood Studio Theatre

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(Second City Hollywood)

Margaret Gray – LA Times

The line between political reporting and parody is blurrier than ever these days, especially since Donald Trump launched his presidential run. It’s not always obvious whether a headline comes from the Los Angeles Times or the Onion. Read more…

Now running through August 13

 

ECCENTRICITIES OF A NIGHTINGALE at Pacific Resident Theatre

Photo by Vitor Martins

Photo by Vitor Martins

Terry Morgan  -  Stage Raw

Eccentricities of a Nightingale was Tennessee Williams’ 1951 rewrite of his earlier Summer and Smoke. It was supposedly his preferred version of the story, and one can see why. The main character of Alma is more clearly delineated, and the drama springs more from her choices than from fate. The current production at Pacific Resident Theater benefits from Dana Jackson’s sensitive direction and a knockout lead performance. Read more…

David C. Nichols – LA Times

With “The Eccentricities of a Nightingale,” Tennessee Williams’ 1951 revision of his earlier play “Summer and Smoke,” Pacific Resident Theatre in Venice ends its 30th anniversary season on a quietly remarkable note. Read more…

Dany Margolies – The Daily Breeze

Tennessee Williams’ play, “The Eccentricities of a Nightingale,” has been said to be about good and evil, illusion and reality.    Read more…

Now running through August 14

THE TOXIC AVENGER at Sacred Fools Theatre

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Photo by Rich Clark

David C. Nichols – LA Times

Radioactive laughter courses through Good People Theater Company’s “The Toxic Avenger,” wreaking sublimely silly havoc at the Hollywood Fringe Festival.    Read more…

Now running through June 26

THE LITTLE MERMAID at La Mirada Theatre for the Performing Arts

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Melinda Schupmann – Arts In LA

Walt Disney’s legacy is more than just a mouse or an amusement park. He set in motion a juggernaut that includes films, both live, animated, or a combination of both; award-winning music; television programming; radio programs; and theatrical productions, mostly based on his animated films. McCoy Rigby Entertainment’s newest offering is The Little Mermaid, directed by Glenn Casale, who was charged with enriching and enlivening the original Broadway production with special effects. Read more…

Margaret Gray – LA Times

It shouldn’t shock anybody to hear that McCoy Rigby Entertainment’s new production of “The Little Mermaid” at La Mirada Theatre is a treat for the eyes and ears. Read more…

Now running through June 26

LA CAGES AU FOLLES at East West Players

Photo by Michael Lamont

Photo by Michael Lamont

David C. Nichols – LA Times

The best of times are now at the David Henry Hwang Theatre, where East West Players concludes its 50th anniversary season with an idiosyncratically endearing revival of “La Cage aux Folles.” Read more…

Now running through June 26

I ONLY HAVE EYES FOR YOU at the Ricardo Montalban Theatre

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Margaret Gray – LA Times

Al Dubin wrote lyrics for enduring songs of the stage and screen, won an Academy Award in 1936 for “Lullaby of Broadway” and may be best known for his five-year partnership with Harry Warren at Warner Bros., which produced a string of hits — “42nd Street,” “We’re in the Money,” “I Only Have Eyes for You” and “The Boulevard of Broken Dreams,” among others. Read more…

Now running through June 12

IN & OF ITSELF at the Geffen Playhouse

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Photo by Jeff Lorch

Margaret Gray – LA Times

The first time Derek DelGaudio performed at the Geffen Playhouse — in the 2012 show “Nothing to Hide,” which he created with co-star Helder Guimarães and director Neil Patrick Harris — DelGaudio ended up staying longer than expected: The magic act, originally slotted for a one-month run, packed the house for 18 weeks. Read more…

Dany Margolies – Arts in LA

Derek DelGaudio’s world premiere In & of Itself proves him to be a captivating performer and a mesmerizing illusionist. He is not quite yet the philosopher he purports to be, but kernels of interesting ideas weave through the piece—such as making personal pain disappear like a house of cards. Read more…

Jenny Lower – LA Weekly

Derek DelGaudio’s new solo show at the Geffen Playhouse’s black-box theater is a lot different from other one-man ventures. For one thing, there’s magic. And unlike the impulse to overshare that weighs down so many other autobiographical efforts, DelGaudio cloaks his personal storytelling in mythological allusions….. Read more…

Pauline Adamek  – ArtsBeatLA

The illusion and prestidigitation show, In & Of Itself, presently playing at the Geffen Playhouse, feels somewhat underwhelming. Ostensibly a very short evening with a solo performer (one hour and five minutes) the show unfolds at a languid pace. Read more…

Now running through June 26

THE PAVILION at the Malibu Playhouse

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Margaret Gray – LA Times

Craig Wright’s often-produced play “The Pavilion,” now in a lovely revival at Malibu Playhouse, takes place in the early 2000s, in the fictional town of Pine City, Minn. (That’s where Wright, who also has a long list of TV writing credits including “Six Feet Under,” “Lost” and “Dirty Sexy Money,” has set a number of plays.)   Read more…

Now running through May 22

MY MAÑANA COMES at the Fountain Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Deborah Klugman – Stage Raw

Immigration issues are bandied about in political discourse in the media every day, but the lives of kitchen workers and janitors and fruit pickers are rarely brought to the stage. Kudos to New York-based playwright Elizabeth Irwin for doing just that. Read more…

Margaret Gray – LA Times

The workplace, where so many of us spend so much time, offers a rich trove of subjects for playwrights eager to move away from the dysfunctional family. As “The Office” suggested on TV, even the most pedestrian employee breakroom can roil with enough intrigue and folly to make the House of Borgia look tame. Read more…

Now running through June 26

BORROWED TIME at a Secret Location

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Margaret Gray – LA Times

Borrowed Time,” a new magic act by Helder Guimarães, doesn’t quite defy description. Rather, it reminds its audience, with a conspiratorial wink, that description might spoil the fun for future audiences.     Read more…

Now running through May 29

RED VELVET at the Glendale Playhouse

Photo by Ed Krieger

Photo by Ed Krieger

Deborah Klugman – Stage Raw

In 1833, African-American actor Ira Aldridge became the first man of color ever to play Othello on the London stage, replacing the acclaimed English tragedian Edmund Kean after Kean became ill. This was, not-coincidentally, the same year that a momentous bill abolishing slavery was being debated in British Parliament; it would go into force the following year. Read more…

David C. Nichols – LA Times

In its West Coast premiere at Atwater Playhouse, “Red Velvet,” Lolita Chakrabarti’s 2012 study of legendary actor Ira Aldridge, conveys the power of the stage and its lingering impact. Read more…

Now running through April 30