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Archive for Lily Rushing

Remembering humbug hunter Dan Sullivan. ‘Search’ slackens. ‘Simone’ simmers.

Dan Sullivan at his desk. Photo provided by Ben Sullivan.

Dan Sullivan at his desk. Photo provided by Ben Sullivan.

Don Shirley – Angeles Stage

Plus ‘Desert Stories for Lost Girls” at LATC, ‘Babe’ and ‘To the Bone’ in Atwater.

Dan Sullivan, the former LA Times theater critic who ushered LA readers into the modern theatrical world, died last week at the age of 86. It’s time to remember him, before moving on to current fare such as “The Search for Signs of Intelligent Life in the Universe” at the Mark Taper Forum and “Nina Simone: Four Women’ at South Coast Repertory.

During the ‘70s and ‘80s — two decades when theater in Greater LA was rapidly proliferating — Sullivan was its most important chronicler. And he helped expand public awareness of the region’s theater not only by bearing witness but by bringing a winning wit to that task. The often playful quality of his prose probably drew readers who weren’t all that interested in theater, as well as the fervent fans. Read more…

DESERT STORIES FOR LOST GIRLS by Native Voices at the Autry and Latino Theater Company

Katie Anvil Rich and Carolyn Dunn. Photo by Grettel Cortes Photography.

Katie Anvil Rich and Carolyn Dunn. Photo by Grettel Cortes Photography.

Terry Morgan – Stage Raw

When I was reading the press material for Lily Rushing’s Desert Stories for Lost Girls, I encountered the term genízaro for the first time. One definition of the word I discovered online defines it as: “…detribalized Native Americans, through war or payment of ransom, [who] were taken into Hispano and Puebloan villages as indentured servants in New Mexico, southern Colorado and other parts of the southwestern United States.” I was unaware of this history, and so was intrigued to see a play about the subject. Unfortunately, this world premiere production by Native Voices at the Autry and Latino Theater Company suffers from Rushing’s unclear writing, which works neither as education nor effective drama. Read more…

Tracey Paleo – BroadwayWorld

There is an essential account that needs to be told in DESERT STORIES FOR LOST GIRLS. That’s clear. What’s not quite working in this Native Voices/Latino Theater Company co-production and world premiere, however, is the narrative framework, staging, and direction. But the importance of this largely untold and untaught chronicle is nevertheless undiminished. Read more…

Through October 16