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Los Angeles Drama Critics Circle Announces 2020-2021 Award Recipients

LADCC LogoThe Los Angeles Drama Critics Circle is proud to announce the award recipients for 2020 and 2021. Poor Clare (The Echo Theater Company) and The Father (Pasadena Playhouse) received the prestigious Production award, with additional honorees named in 18 other categories.

In total, 13 different productions were honored, celebrating a wide range of Los Angeles theater. Pasadena Playhouse’s The Father received the most awards for a single production and the most awards overall, with nine.

This year, out of an abundance of caution, the LADCC will once again forgo its annual event ceremony and will instead send the plaques to the honorees. Congratulations to all of the award recipients!

The complete list of award recipients for 2020 and 2021 is as follows:

Production:

  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse

McCulloh Award for Revival

  • My Fair Lady, Dolby Theatre

Lead Performance

  • Jordan Hull, Poor Clare, The Echo Theater Company
  • Alfred Molina, The Father, Pasadena Playhouse

Featured Performance

  • Sue Cremin, The Father, Pasadena Playhouse
  • Ann Noble, Poor Clare, The Echo Theater Company
  • Michael Sturgis, Poor Clare, The Echo Theater Company

Ensemble Performance

  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse

Solo Performance

  • Jim Ortlieb, Stand Up If You’re Here Tonight, VS. Theatre Company & Circle X Theatre Co.

Writing

  • Chiara Atik, Poor Clare, The Echo Theater Company
  • Florian Zeller (translation by Christopher Hampton), The Father, Pasadena Playhouse

Writing Adaptation

  • Branden Jacobs-Jenkins, An Octoroon, The Fountain Theatre

Musical Score

  • Kristen Anderson-Lopez and Robert Lopez, Frozen, Hollywood Pantages Theatre
  • David Yazbek, The Band’s Visit, Dolby Theatre

Music Direction

  • John Bell, My Fair Lady, Dolby Theatre
  • Andre Cerullo, Hamilton, Hollywood Pantages Theatre
  • Adrian Ries, The Band’s Visit, Dolby Theatre
  • Ryan Whyman, Lizastrata, Troubadour Theater Company

Choreography

  • Jess Coffman, Suzanne Jolie, L.T. Martinez, Matt Walker, Lizastrata, Troubadour Theater Company
  • Christopher Gatelli, My Fair Lady, Dolby Theatre

Direction

  • Alana Dietze, Poor Clare, The Echo Theater Company
  • Jessica Kubzansky, The Father, Pasadena Playhouse

Set Design

  • David Meyer, The Father, Pasadena Playhouse
  • Frederica Nascimento, An Octoroon, The Fountain Theatre

Lighting Design

  • Elizabeth Harper, The Father, Pasadena Playhouse
  • Natasha Katz, Frozen, Hollywood Pantages Theatre
  • Azra King-Abadi, Poor Clare, The Echo Theater Company

Costume Design

  • Christopher Oram, Frozen, Hollywood Pantages Theatre
  • Halei Parker, Lizastrata, Troubadour Theater Company
  • Catherine Zuber, My Fair Lady, Dolby Theatre

Sound Design

  • John Zalewski, The Father, Pasadena Playhouse

CGI/Video

  • Kaitlyn Pietras, Jason H. Thompson, Revenge Song, Geffen Playhouse
  • Finn Ross, Frozen, Hollywood Pantages Theatre

Streaming Design

  • Corwin Evans, Bree Pavey, UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • Andrew Schmedake, The Ballad of Emmett Till, The Fountain Theatre

Specialty

  • Lily Bartenstein, Prop Design, Lizastrata, Troubadour Theater Company
  • Jeremy Chernick, Visual Effects, Frozen, Hollywood Pantages Theatre
  • Joe Seely, Puppet Design, The ODDyssey, Troubadour Theater Company

Every effort has been made to ascertain proper credits for our award recipients. We regret any errors or omissions. Any that come to our attention will be corrected on our LADCC website and (when applicable) on a recipient’s award plaque.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2020-2021 membership consisted of:
Lara J. Altunian, Stage Raw, L.A. Dance Chronicle
Katie Buenneke, Stage Raw, Theater Digest
Erin Conley, On Stage & Screen
Peter DeBruge, Variety
Ellen Dostal, BroadwayWorld, Musicals in LA
Lovell Estell III, Stage Raw, ArtsInLA.com
Margaret Gray, Los Angeles Times
Hoyt Hilsman, Cultural Daily, Pasadena Now, Riot Material
Harker Jones, BroadwayWorld, ArtsInLA.com
Deborah Klugman, Stage Raw, Capital and Main, Gia On The Move
Dany Margolies, ArtsInLA.com, Southern California News Group
Dana Martin, Stage Raw
Myron Meisel, Stage Raw
Terry Morgan, ArtsBeatLA.com, Stage Raw
Steven Leigh Morris, Stage Raw
Melinda Schupmann, Showmag.com, ArtsInLA.com
Jonas Schwartz-Owen, Theatermania.com, BroadwayWorld, ArtsInLA.com
Don Shirley, Angeles Stage
Rob Stevens, haineshisway.com

LADCC Announces Nominations for Theatrical Excellence in 2020 & 2021

LADCC

The Los Angeles Drama Critics Circle is proud to announce the nominees for theatrical excellence for the years 2020 and 2021. We are combining the past two years as we didn’t give awards in those years due to the pandemic. This year, out of an abundance of caution, we are forgoing our annual event ceremony and will instead post the award recipients online in a future press release in the upcoming weeks.

Congratulations to all of the nominees!

In the meantime, the worthy nominees for 2020 and 2021 are as follows:

Production:

  • Lizastrata, Troubadour Theater Company and Getty Public Programs
  • Poor Clare, The Echo Theater Company
  • The Father, Pasadena Playhouse
  • UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • What the Constitution Means to Me, Center Theatre Group

McCulloh Award for Revival

  • My Fair Lady, Dolby Theatre
  • She Loves Me, South Coast Repertory
  • The Serpent, Odyssey Theatre Ensemble

Lead Performance

  • Shereen Ahmed, My Fair Lady, Dolby Theatre
  • Lucy Davenport, UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • Maria Dizzia, What the Constitution Means to Me, Center Theatre Group
  • Matthew Hancock, An Octoroon, The Fountain Theatre
  • Jordan Hull, Poor Clare, The Echo Theater Company
  • Alfred Molina, The Father, Pasadena Playhouse
  • Cloie Wyatt Taylor, Lizastrata, Troubadour Theater Company
  • Treva Tegtmeier, A Body of Water, Actors Co-op Theatre Company

Featured Performance

  • Alaska 5000, Head Over Heels, Pasadena Playhouse
  • Ivy Beech, A Body of Water, Actors Co-op Theatre Company
  • Sue Cremin, The Father, Pasadena Playhouse
  • Rob Nagle, An Octoroon, The Fountain Theatre
  • Ann Noble, Poor Clare, The Echo Theater Company
  • Michael Sturgis, Poor Clare, The Echo Theater Company

Ensemble Performance

  • Earthquakes in London, Rogue Machine Theatre
  • Lizastrata, Troubadour Theater Company
  • Poor Clare, The Echo Theater Company
  • Reykjavík, The Road Theatre Company
  • The Band’s Visit, Dolby Theatre
  • The Children, The Fountain Theatre
  • The Father, Pasadena Playhouse
  • UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland

Solo Performance

  • Javon Johnson, Still, Pasadena Playhouse
  • Dael Orlandersmith, Until the Flood, Center Theatre Group
  • Jim Ortlieb, Stand Up If You’re Here Tonight, VS. Theatre Company & Circle X Theatre Co.

Writing

  • Chiara Atik, Poor Clare, The Echo Theater Company
  • Jake Broder, UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • Javon Johnson, Still, Pasadena Playhouse
  • John Kolvenbach, Stand Up If You’re Here Tonight, VS. Theatre Company & Circle X Theatre Co.
  • Florian Zeller (translation by Christopher Hampton), The Father, Pasadena Playhouse

Writing Adaptation

  • Rick Batalla and Matt Walker, The ODDyssey, Troubadour Theater Company
  • Branden Jacobs-Jenkins, An Octoroon, The Fountain Theatre
  • Matt Walker, Lizastrata, Troubadour Theater Company

Musical Score

  • Kristen Anderson-Lopez and Robert Lopez, Frozen, Hollywood Pantages Theatre
  • Eli Bolin, Found, IAMA Theatre Company
  • David Yazbek, The Band’s Visit, Dolby Theatre

Music Direction

  • John Bell, My Fair Lady, Dolby Theatre
  • Benet Braun, Kinky Boots, 3-D Theatricals
  • Andre Cerullo, Hamilton, Hollywood Pantages Theatre
  • Adrian Ries, The Band’s Visit, Dolby Theatre
  • Faith Seetoo, Frozen, Hollywood Pantages Theatre
  • Matt Walker, The ODDyssey, Troubadour Theater Company
  • Ryan Whyman, Lizastrata, Troubadour Theatre Company

Choreography

  • Jess Coffman, Suzanne Jolie, L.T. Martinez, Matt Walker, Lizastrata, Troubadour Theater Company
  • Kate Coleman, The Serpent, Odyssey Theatre Ensemble
  • Christopher Gatelli, My Fair Lady, Dolby Theatre
  • Linda Love Simmons, Kinky Boots, 3-D Theatricals

Direction

  • Oliver Butler, What the Constitution Means to Me, Center Theatre Group
  • Alana Dietze, Poor Clare, The Echo Theater Company
  • Jessica Kubzansky, The Father, Pasadena Playhouse
  • Nan McNamara, A Body of Water, Actors Co-op Theatre Company
  • Matt Walker, Lizastrata, Troubadour Theater Company

Set Design

  • David Meyer, The Father, Pasadena Playhouse
  • Frederica Nascimento, An Octoroon, The Fountain Theatre
  • Christopher Oram, Frozen, Hollywood Pantages Theatre
  • Michael Yeargan, My Fair Lady, Dolby Theatre

Lighting Design

  • Ken Booth, Alice in Wonderland, A Noise Within
  • Elizabeth Harper, The Father, Pasadena Playhouse
  • Natasha Katz, Frozen, Hollywood Pantages Theatre
  • Azra King-Abadi, Poor Clare, The Echo Theater Company
  • Tyler Micoleau, The Band’s Visit, Dolby Theatre
  • Matt Richter, Earthquakes in London, Rogue Machine Theatre

Costume Design

  • Naila Aladdin-Sanders, An Octoroon, The Fountain Theatre
  • Dianne K. Graebner, Poor Clare, The Echo Theater Company
  • Christopher Oram, Frozen, Hollywood Pantages Theatre
  • Halei Parker, Lizastrata, Troubadour Theater Company
  • Catherine Zuber, My Fair Lady, Dolby Theatre

Sound Design

  • Jeff Gardner, Seven Guitars, A Noise Within
  • Peter Hylenski, Frozen, Hollywood Pantages Theatre
  • Margaret Koldinger, Daniel Tator and Getty A/V (Chris Jeong, Marvin Jones), Lizastrata, Troubadour Theater Company
  • John Zalewski, The Father, Pasadena Playhouse

CGI/Video

  • Rick Batalla, Mike Faulkner, Benjamin Rapoport, The ODDyssey, Troubadour Theater Company
  • Mike Bradecich, Dave Mickey, Daisy, International City Theatre
  • Kaitlyn Pietras, Jason H. Thompson, Revenge Song, Geffen Playhouse
  • Finn Ross, Frozen, Hollywood Pantages Theatre

Streaming Design

  • Rick Batalla, Benjamin Rapoport, Matt Walker, The ODDyssey, Troubadour Theater Company
  • Mike Bradecich, Daisy, International City Theatre
  • Corwin Evans, Bree Pavey, UnRavelled, Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland
  • Isaac Katzanek, Frank Marshall, The Future, Geffen Playhouse
  • Eric Pargac, An Iliad, A Noise Within
  • Andrew Schmedake, The Ballad of Emmett Till, The Fountain Theatre

Specialty

  • Jen Albert, Fight Direction, An Octoroon, The Fountain Theatre
  • Michael Allen Angel, Prop Design, An Octoroon, The Fountain Theatre
  • Lily Bartenstein, Prop Design, Lizastrata, Troubadour Theater Company
  • Tim Brown, Maggie MacDonald, Fight Choreography, Revenge Song, Geffen Playhouse
  • Jeremy Chernick, Visual Effects, Frozen, Hollywood Pantages Theatre
  • Helder Guimarães, Illusions, The Future, Geffen Playhouse
  • Suzanne Jolie, Wig/Makeup Design, Lizastrata, Troubadour Theater Company
  • Joe Seely, Puppet Design, The ODDyssey, Troubadour Theater Company

Every effort has been made to ascertain proper credits for our nominees. We regret any errors or omissions. Any that come to our attention will be corrected on our LADCC website and (when applicable) on a recipient’s award plaque.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2020-2021 membership consisted of:

Lara J. Altunian, Stage Raw, L.A. Dance Chronicle
Katie Buenneke, Stage Raw, Theater Digest
Erin Conley, On Stage & Screen
Peter DeBruge, Variety
Ellen Dostal, BroadwayWorld, Musicals in LA
Lovell Estell III, Stage Raw, ArtsInLA.com
Margaret Gray, Los Angeles Times
Hoyt Hilsman, Cultural Daily, Pasadena Now, Riot Material
Harker Jones, BroadwayWorld, ArtsInLA.com
Deborah Klugman, Stage Raw, Capital and Main, Gia On The Move
Dany Margolies, ArtsInLA.com, Southern California News Group
Dana Martin, Stage Raw
Myron Meisel, Stage Raw
Terry Morgan, ArtsBeatLA.com, Stage Raw
Steven Leigh Morris, Stage Raw
Melinda Schupmann, Showmag.com, ArtsInLA.com
Jonas Schwartz-Owen, Theatermania.com, BroadwayWorld, ArtsInLA.com
Don Shirley, Angeles Stage
Rob Stevens, haineshisway.com

Citations by production:
Lizastrata (Troubadour Theater Company and Getty Public Programs): 11 Nominations
The Father (Pasadena Playhouse): 9 Nominations
Poor Clare (The Echo Theater Company): 9 Nominations
Frozen (Hollywood Pantages Theatre): 8 Nominations
An Octoroon (The Fountain Theatre): 7 Nominations
My Fair Lady (Dolby Theatre): 6 Nominations
The ODDyssey (Troubadour Theater Company): 5 Nominations
UnRavelled (Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland): 5 Nominations
The Band’s Visit (Dolby Theatre): 4 Nominations
A Body of Water (Actors Co-op Theatre Company): 3 Nominations
What the Constitution Means to Me (Center Theatre Group): 3 Nominations
Daisy (International City Theatre): 2 Nominations
Earthquakes in London (Rogue Machine Theatre): 2 Nominations
Kinky Boots (3-D Theatricals): 2 Nominations
Revenge Song (Geffen Playhouse): 2 Nominations
Stand Up If You’re Here Tonight (VS. Theatre Company & Circle X Theatre Co.): 2 Nominations
Still (Pasadena Playhouse): 2 Nominations
The Future (Geffen Playhouse): 2 Nominations
Alice in Wonderland (A Noise Within): 1 Nomination
An Iliad (A Noise Within): 1 Nomination
Found (IAMA Theatre Company): 1 Nomination
Hamilton (Hollywood Pantages Theatre): 1 Nomination
Head Over Heels (Pasadena Playhouse): 1 Nomination
Reykjavík (The Road Theatre Company): 1 Nomination
Seven Guitars (A Noise Within): 1 Nomination
She Loves Me (South Coast Repertory): 1 Nomination
The Ballad of Emmett Till (The Fountain Theatre): 1 Nomination
The Children (The Fountain Theatre): 1 Nomination
The Serpent (Odyssey Theatre Ensemble): 1 Nomination(Center Theatre Group): 1 Nomination

Citations by company:
Troubadour Theater Company: 16 Nominations
Pasadena Playhouse: 12 Nominations
Dolby Theatre: 10 Nominations
The Echo Theater Company: 9 Nominations
Hollywood Pantages Theatre: 9 Nominations
The Fountain Theatre: 9 Nominations
Global Brain Health Institute, based at the University of California, San Francisco; and Trinity College Dublin, the University of Dublin, Ireland: 5 Nominations
Center Theatre Group: 4 Nominations
Geffen Playhouse: 4 Nominations
Actors Co-op Theatre Company: 3 Nominations
A Noise Within: 3 Nominations
3-D Theatricals: 2 Nominations
VS. Theatre Company & Circle X Theatre Co.: 2 Nominations
International City Theatre: 2 Nominations
Rogue Machine Theatre: 2 Nominations
IAMA Theatre Company: 1 Nomination
Odyssey Theatre Ensemble: 1 Nomination

 

The LADCC/Wallis Student Reporter Event enjoys a successful third outing

Photo by Kevin Parry for The Wallis.

Photo by Kevin Parry for The Wallis.

This past weekend several critics from the Los Angeles Drama Critics Circle collaborated the Wallis Annenberg Center for the Performing Arts for our third joint LADCC/Wallis Student Reporter Event. 

Approximately 12 students, ranging in age between 12-18, came to the Wallis this past weekend to participate in this special event.  Critics Dany Margolies, Katie Buenneke and Jonas Schwartz spent the afternoon with the students, working with them on developing their theater critique techniques.

The event began with a primer on the history of the flop musical Merrily We Roll Along, which is now playing at the Wallis until December 18, 2016.

The dozen students joined the critics for the weekend matinee performance of Merrily at the Wallis. Then everyone returned to the classroom to spent 90 minutes forming a review.

Observed Jonas Schwartz, “As with last time, when we took them to For The Record, the students were very insightful and had a clear understanding of what they saw and how to interpret.”

The critics and students discussed and compiled everyone’s critical input. The students are now tasked with composing and submitting their own critical reviews that will be published on the Wallis website in the coming week.

Everyone was pleased with another successful event.

Wallis ext

The Wallis and Cody Lassen production of

MERRILY WE ROLL ALONG

Runs through December 18, 2016

Wallis Annenberg Center for the Performing Arts

Beverly Hills

More information and tickets can be found here and here.

music and lyrics by Stephen Sondheim
book by George Furth
directed by Michael Arden
starring:
Whitney Bashor, Wayne Brady, Aaron Lazar, Saycon Sengbloh, Amir Talai, Donna Vivino
with Eric B. Anthony, Sandy Bainum, Melody Butiu, Doran Butler, Max Chucker, Sarah Daniels, Kevin Patrick Doherty,
Laura Dickinson, Rachael Ferrera, Jennifer Foster, Travis Leland, Lyle Colby Mackston, Brent Schindele, Maximus Brandon Verso.

 

 

 

2016 Los Angeles Drama Critics Circle Awards

Jake Broder in performance.

Jake Broder in performance.

2016 Los Angeles Drama Critics Circle Awards

The critics of the Los Angeles Drama Critics Circle are pleased to announce the date and location of our annual awards ceremony.  The ceremony and accompanying fete celebrate excellence in theater seen in Los Angeles in 2015.

This year the event will take place on March 14, 2016. It will be held at the Ann & Jerry Moss Theater at New Roads School, in the Capshaw-Spielberg Center for Arts and Educational Justice. Doors open at 6:30 pm.  The show begins at 7:30 pm.

The Center is located in the Herb Alpert Educational Village, 3131 Olympic Blvd., Santa Monica, CA.

Tickets are $40.00, and can be purchased here (a small service fee applies) or at the door. There is some onsite parking and ample street parking.

For questions regarding the upcoming Awards show, please email here: 2016criticsawards@gmail.com

We hope to see you there.

Raymond Lee, Jon Hoche and Maureen Sebastian in South Coast Repertory's 2015 world premiere of VIETGONE by Qui Nguyen.

“Vietgone.” Photo by Jason Niedle.

Following is a list of special awards and nominees:

The Margaret Harford Award for sustained excellence in theatre — Deaf West Theater Company.

The Ted Schmitt Award for the world premiere of an outstanding new play — Qui Nguyen for Vietgone, originally produced by South Coast Repertory.

The Polly Warfield Award for an excellent season in a small to mid-size theatre — International City Theatre.

The Kinetic Lighting Award for outstanding achievement in theatrical design — projections designer Jason H. Thompson.

The Joel Hirschhorn Award for outstanding achievement in musical theatre — director-choreographer Janet Miller.

The Milton Katselas Award for career or special achievement in direction — Michael Matthews.

Hit-the-Wall-600x400

“Hit the Wall.” Photo by Ken Sawyer.

 

 Annual award categories

Production

  • André & Dorine, Kulunka Teatro at Los Angeles Theatre Center.
  • Bootycandy, Celebration Theatre at The Lex.
  • Enron, The Production Company at The Lex.
  • Fences, International City Theatre.
  • Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.
  • The Gospel at Colonus, Ebony Repertory Theatre at Nate Holden Performing Arts Center.

McCulloh Award for Revival (plays written between 1920 and 1980)

  • Anna Christie, Odyssey Theatre Ensemble at Odyssey Theatre.
5612f940bcc9a.image

“Carrie The Musical.”
Photo by Jason Niedle.

 

Lead Performance

  • Angela Bullock in Watching O.J., Ensemble Studio Theatre/LA at Atwater Village Theatre Complex.
  • Jason Dechert in Picnic, Antaeus Theatre Company.
  • Mary Beth Fisher in Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Matthew Hancock in Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Ted Heyck in God’s Man in Texas, A Guest Production at The Blank Theatre’s 2nd Stage.
  • Lily Knight in A Small Fire, The Echo Theater Company @ Atwater Village Theatre.
  • Troy Kotsur in American Buffalo, Cal State L.A. Department of Music, Theatre and Dance and Deaf West Theatre at State Playhouse.
  • Emily Lopez in Carrie the Musical, Bruce Robert Harris and Jack W. Batman, The Transfer Group, Michael T. Cohen/Robin Reinach, Kraige Block and Joe Everett Michaels, in association with La Mirada Theatre for the Performing Arts at La Mirada Theatre for the Performing Arts and The Los Angeles Theatre.
  • Zoe Perry in Anna Christie, Odyssey Theatre Ensemble at Odyssey Theatre.
  • Tiffany Royale in The Best of Enemies, The Colony Theatre.
  • Michael A. Shepperd in Fences, International City Theatre.
  • Jimmi Simpson in Trevor, Circle X Theatre Co. at Atwater Village Theatre.
  • Jeff Skowron in Into the Woods, Oregon Shakespeare Festival at Wallis Annenberg Center for the Performing Arts.
  • Sabina Zuniga Varela in Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.

Featured Performance

  • Richard Fancy in Awake and Sing!, Odyssey Theatre Ensemble at Odyssey Theatre.
  • Charlotte Gulezian in Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Charlie Hofheimer in Bent, Center Theatre Group at Mark Taper Forum.
  • Tracie Lockwood in A Permanent Image, Rogue Machine Theatre at Theatre/Theater.
  • Elyse Mirto in Figaro, A Noise Within.
  • Martin Rayner in Oedipus Machina, Odyssey Theatre Ensemble and KOAN at Odyssey Theatre.
  • Bryce Ryness in Matilda the Musical, Royal Shakespeare Company and the Dodgers, Center Theatre Group at Ahmanson Theatre.
  • Michael A. Shepperd in Bootycandy, Celebration Theatre at The Lex.

Ensemble Performance          

  • André & Dorine, Kulunka Teatro at Los Angeles Theatre Center.
  • Bootycandy, Celebration Theatre at The Lex.
  • Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.

Solo Performance

  • Orson Bean in Safe at Home: An Evening With Orson Bean, Pacific Resident Theatre.
  • Monica Piper in Not That Jewish, Jewish Women’s Theatre at The Braid.
  • John Douglas Thompson in Satchmo at the Waldorf, The Long Wharf Theatre and Shakespeare & Company Production at Wallis Annenberg Center for the Performing Arts.

Direction

  • Jessica Kubzansky, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.
  • Jaime Robledo, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre.
  • Kim Rubinstein, Anna Christie, Odyssey Theatre Ensemble at Odyssey Theatre.
  • Ken Sawyer, Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • August Viverito, Enron, The Production Company at The Lex. 

Writing

  • Rebecca Gilman, Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Nick Jones, Trevor, Circle X Theatre Co. at Atwater Village Theatre.
  • Robert O’Hara, Bootycandy, Celebration Theatre at The Lex.
  • Lucy Prebble, Enron, The Production Company at The Lex.
  • Micah Schraft, A Dog’s House, IAMA Theatre Company at Elephant Theatre.
  • Luis Alfaro, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.

Writing (Adaptation)

  • Luis Alfaro, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa. 

Musical Score

  • Stu Barker, Tristan & Yseult, Kneehigh at South Coast Repertory.
  • Jake Broder, Miravel, Sacred Fools Theater Company at Sacred Fools Theater.
  • Tim Minchin, Matilda the Musical, Royal Shakespeare Company and the Dodgers, Center Theatre Group at Ahmanson Theatre.
  • Anna Waronker and Charlotte Caffey, Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.

Music Direction

  • Stu Barker, Tristan & Yseult, Kneehigh at South Coast Repertory.
  • Brian P. Kennedy, Carrie the Musical, Bruce Robert Harris and Jack W. Batman, The Transfer Group, Michael T. Cohen/Robin Reinach, Kraige Block and Joe Everett Michaels, in association with La Mirada Theatre for the Performing Arts at La Mirada Theatre for the Performing Arts and The Los Angeles Theatre.
  • Abdul Hamid Royal, The Gospel at Colonus, Ebony Repertory Theatre at Nate Holden Performing Arts Center.
  • Julie Wolf, Girlfriend, The Actors Theatre of Louisville Production, Center Theatre Group at Kirk Douglas Theatre.

Choreography

  • Christopher Gattelli, Newsies, Disney Theatrical Productions under the direction of Thomas Schumacher at Hollywood Pantages Theatre.
  • Josh Rhodes, Rodgers + Hammerstein’s Cinderella, Robyn Goodman, Jill Furman, Stephen Koos, Edward Walson, Venetian Glass Productions, The Araca Group, Carola Productions, Roy Furman, Peter May/Sanford Robertson, James Spry, Eric Schmidt, and Blanket Fort Productions, Center Theatre Group at Ahmanson Theatre.
  • Dana Solimando, Billy Elliot, La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment at La Mirada Theatre for the Performing Arts.
  • Angela Todaro, American Idiot, DOMA Theatre Company at The MET Theatre.

Set Design

  • Tom Buderwitz, The Whipping Man, South Coast Repertory and The Pasadena Playhouse.
  • Mimi Lien, Appropriate, Center Theatre Group at Mark Taper Forum.
  • Don Llewellyn, Fences, International City Theatre.
  • Bill Mitchell, Tristan & Yseult, Kneehigh at South Coast Reperto 

 

Lighting Design

  • Martin Labrecque, Kurios—Cabinet of Curiosities, Cirque du Soleil at Dodger Stadium.
  • Tom Ontiveros, My Barking Dog, The Theatre @ Boston Court.
  • Matt Richter, Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Malcolm Rippeth, Tristan & Yseult, Kneehigh at South Coast Repertory.

Costume Design

  • Angela Balogh Calin, Figaro, A Noise Within.
  • Jessica Ford, These Paper Bullets!, Geffen Playhouse in association with Atlantic Theater Company presents the Yale Repertory Theatre Production at Geffen Playhouse.
  • Philippe Guillotel, Kurios—Cabinet of Curiosities, Cirque du Soleil at Dodger Stadium.
  • Wade Laboissonniere, Waterfall, The Pasadena Playhouse in association with The 5th Avenue Theatre at The Pasadena Playhouse.
  • William Ivey Long, Rodgers + Hammerstein’s Cinderella, Robyn Goodman, Jill Furman, Stephen Koos, Edward Walson, Venetian Glass Productions, The Araca Group, Carola Productions, Roy Furman, Peter May/Sanford Robertson, James Spry, Eric Schmidt, and Blanket Fort Productions, Center Theatre Group at Ahmanson Theatre.

Sound Design

  • Gregory Clarke, Tristan & Yseult, Kneehigh at South Coast Repertory.
  • Bruno Louchouarn, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.
  • Jaime Robledo, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre.
  • John Zalewski, My Barking Dog, The Theatre @ Boston Court.


CGI/Video

  • Anthony Backman and Jim Pierce, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre.
  • Nicholas Santiago, A Permanent Image, Rogue Machine Theatre at Theatre/Theater.

 

Specialty

  • Gieselle Blair, Figaro, A Noise Within. (Hair, wigs, and makeup)
  • Garbiñe Insausti, André & Dorine, Kulunka Teatro at The Los Angeles Theatre Center. (Masks)
  • Aviva Pressman, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre. (Live art direction)
  • Jim Steinmeyer, Carrie the Musical, Bruce Robert Harris and Jack W. Batman, The Transfer Group, Michael T. Cohen/Robin Reinach, Kraige Block and Joe Everett Michaels, in association with La Mirada Theatre for the Performing Arts at La Mirada Theatre for the Performing Arts and The Los Angeles Theatre. (Illusion design)

 

 

"Mojada: A Medea in Los Angeles." Photo by Craig Schwartz.

“Mojada: A Medea in Los Angeles.” Photo by Craig Schwartz.

Productions which have garnered nominations

Hit the Wall (Los Angeles LGBT Center) 7
Mojada: A Medea in Los Angeles (Getty Villa) 6
Tristan & Yseult (South Coast Repertory) 5
Astro Boy and the God of Comics (Sacred Fools) 4
Bootycandy (Celebration Theatre) 4
Luna Gale (Kirk Douglas Theatre) 4
André & Dorine (Los Angeles Theatre Center) 3
Anna Christie (Odyssey Theatre) 3
Carrie the Musical (La Mirada Center for the Performing Arts and Los Angeles Theatre) 3
Enron (The MET Theatre) 3
Fences (International City Theatre) 3
Figaro (A Noise Within) 3
A Permanent Image (Rogue Machine) 2
Kurios—Cabinet of Curiosities (Dodger Stadium) 2
Matilda the Musical (Ahmanson Theatre) 2
My Barking Dog (The Theatre @ Boston Court) 2
Rodgers + Hammerstein’s Cinderella (Ahmanson Theatre) 2
The Gospel at Colonus (Nate Holden Performing Arts Center) 2
Trevor (Atwater Village Theatre) 2
A Dog’s House (Elephant Theatre) 1
American Buffalo (Cal State L.A.) 1
American Idiot (MET Theatre) 1
A Small Fire (Echo Theatre) 1
Appropriate (Mark Taper Forum) 1
Awake and Sing! (Odyssey Theatre) 1
Bent (Mark Taper Forum) 1
Billy Elliot (La Mirada Center for the Performing Arts) 1
Girlfriend (Kirk Douglas Theatre) 1
God’s Man in Texas (Blank Theatre) 1
Into the Woods (Wallis Annenberg Center) 1
Miravel (Sacred Fools Theatre) 1
Newsies (Hollywood Pantages) 1
Not That Jewish (The Braid) 1
Oedipus Machina (Odyssey Theatre) 1
Picnic (Antaeus) 1
Safe at Home: An Evening With Orson Bean (Pacific Resident Theatre) 1
Satchmo at the Waldorf (Wallis Annenberg Center) 1
The Best Of Enemies (Colony Theatre) 1
These Paper Bullets! (Geffen Playhouse) 1
The Whipping Man (South Coast Repertory/Pasadena Playhouse) 1
Vietgone (South Coast Repertory)        -  The Ted Schmitt Award 1
Watching O.J. (Atwater Village Theatre) 1
Waterfall (Pasadena Playhouse) 1

 

Los Angeles Drama Critics Circle announces winners for 44th Annual Awards

“Stoneface: The Rise and Fall and Rise of Buster Keaton” – Ben Rock, director Jaime Robledo, Anthony Backman and playwright Vanessa Claire Stewart. Photo by Alyson Schultz.

The Los Angeles Drama Critics Circle has announced the winners and special awards for excellence in Los Angeles and Orange County theatre for the year 2012.  The 44th Annual Los Angeles Drama Critics Circle Awards ceremony took place Monday, March 18, 2013 at the Los Angeles Theatre Center in Downtown Los Angeles.  Home-grown productions handily held their own against touring fare at the 44th annual Los Angeles Drama Critics Circle Awards, presented at the Los Angeles Theatre Center on Monday night.

Two local world premieres were among the year’s top productions: romantic musical “Justin Love” from the Celebration Theatre, and the contemporary spin on a French classic “Cyrano,” co-produced by Deaf West Theatre and The Fountain Theatre. Both shows picked up an additional four plaques for acting, writing or both.

It was a great night for Center Theatre Group, with a total of ten competitive plaques for its various venues. Artistic director Michael Ritchie accepted a special award for an excellent season that included the Ahmanson’s “War Horse,” honored for production, lighting design and puppetry. Kirk Douglas Theatre’s “The Convert” earned a writing nod for Danai Gurira, and John Hurt in “Krapp’s Last Tape” was cited for solo performance.

CTG’s acclaimed “Waiting for Godot” at the Mark Taper Forum walked off with the McCulloh Award for Revival, triumphing in every category in which it was entered. Director Michael Arabian, set designer John Iacovelli, and lead actor Alan Mandell were all singled out.

The cast of “Godot” was also one of four cited ensembles, along with Rogue Machine’s “The New Electric Ballroom” and the Colony’s “The Savannah Disputation.” The fourth, the Fountain’s “In the Red and Brown Water,” picked up an additional plaque for Shirley Jo Finney’s direction.

Wealth was spread among numerous local playhouses in an evening themed to celebrate “Theatre Everywhere.” “Jitney,” from South Coast Rep and Pasadena Playhouse, earned acting honors for Larry Bates and Ellis E. Williams.  Celebration Theatre, now in its 30th anniversary season, was given the Margaret Harford Award for sustained excellence, and nabbed an additional plaque for Gregory Nabours’ musical direction of “The Color Purple.”

The evening’s hosts, the LATC, had produced the winner of Ted Schmitt Award for an original LA world premiere, Evelina Fernandez’s “A Mexican Trilogy.”

Pasadena Playhouse’s costumes for “Intimate Apparel” (Leah Piehl) were honored along with those from the Theatre @ Boston Court’s “The Treatment” (Ellen McCartney). “The Bungler” from A Noise Within picked up an acting plaque for Michael A. Newcomer.

Previously announced were plaques for the career achievements of musical director David O, director Elina de Santos and set designer Stephen Gifford. The Fountain Theatre won the Polly Warfield Award for an outstanding season by a small to mid-sized theatre.

Pictured – one of three Lead Performance winners, Christine Lakin, “Silence! The Musical” with her beau. The other two winners were Troy Kotsur, “Cyrano” and Alan Mandell, “Waiting for Godot.” Photo by Newton Tak.

Splashy imports were not ignored at the ceremonies hosted by theater and TV star French Stewart. “The Book of Mormon” added to its already lengthy book of kudos with plaques for production, Stephen Oremus’s musical direction and score by Trey Parker, Matt Stone and Robert Lopez. 

“Fela!” and “Silence! The Musical” won for their choreography, the latter show picking up plaques for score and lead actress Christine Lakin (pictured). “Gatz,” which toured to REDCAT, was cited for its sound design.

Entertainment was provided by musical excerpts from nominated productions. The entire nineteen-member troupe of Anaheim’s Chance Theater’s “West Side Story” recreated that show’s “The Rumble,” and the cast of “Justin Love” closed out the evening with understandable glee.

A delectable buffet was supplied by Gwen Kenneally and her partner Rafet, from “Back to the Kitchen” Catering company, that was 50% vegan fare and 100% delicious!

 

Click here for a complete list of nominees.

 

Critic Pauline Adamek (LA Weekly, ArtsBeatLA.com) and Composer David O presenting nominees for Musical Score. Photo by Jaime Robledo.

The award recipients for the 2012 Los Angeles Drama Critics Circle Awards are as follows:

 

Production:“Justin Love”; “War Horse”; “The Book of Mormon”; “Cyrano.”

McCulloh Award for Revival: “Waiting for Godot.”

Ensemble Performance: “In the Red and Brown Water”; “The New Electric Ballroom”; “The Savannah Disputation”; “Waiting for Godot.”

Lead Performance: Troy Kotsur, “Cyrano”; Christine Lakin, “Silence! The Musical”; Alan Mandell, “Waiting for Godot.”

Featured Performance: Larry Bates and Ellis E. Williams, “Jitney”; Michael A. Newcomer, “The Bungler.”

Solo Performance: John Hurt, “Krapp’s Last Tape.”

Direction: Michael Arabian, “Waiting for Godot”; Shirley Jo Finney, “In the Red and Brown Water”; Simon Levy, “Cyrano.”

Writing: Danai Gurira, “The Convert.”

Adaptation: Stephen Sachs, “Cyrano.”

Choreography: Christopher Gattelli, “Silence! The Musical”; Bill T. Jones, “Fela!”

Musical Score: Trey Parker, Matt Stone and Robert Lopez, “The Book of Mormon”; Lori Scarlett and David Manning, “Justin Love”’; Jon Kaplan & Al Kaplan, “Silence! The Musical.”

Musical Direction: Gregory Nabours, “The Color Purple”; Stephen Oremus, “The Book of Mormon.”

CGI/Video Design: Anthony Backman and Ben Rock, “Stoneface: The Rise and Fall and Rise of Buster Keaton.”

Set Design: John Iacovelli, “Waiting for Godot.”

Costume Design: Ellen McCartney, “The Treatment”; Leah Piehl, “Intimate Apparel.”

Lighting Design: Paule Constable and Karen Spahn, “War Horse.”

Sound Design: Ben Williams, “Gatz.”

 

Specialty Awards:

Adrian Kohler with Basil Jones and Handspring Puppet Company for “War Horse”; David McCormick and Kelly Todd for the fight choreography of “West Side Story.”

Margaret Harford Award for sustained excellence: Celebration Theatre.

Polly Warfield Award for an outstanding season in a small- to mid-sized theatre: The Fountain Theatre.

Joel Hirschhorn Award for outstanding achievement in musical theatre: David O.

Bob Z Award for career achievement in set design: Stephen Gifford.

The Ted Schmitt Award for the world premiere of an outstanding new play will be presented to Evelina Fernández for A Mexican Trilogy, whose world premiere took place at the awards venue, the Los Angeles Theatre Center.  The award is accompanied by an offer to publish from Samuel French, Inc.

Milton Katselas Award for career or special achievement in direction: Elina de Santos.

For an Excellent Season: Center Theatre Group.

 

 

The Los Angeles Drama Critics Circle was founded in 1969.  It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

 

 

 

 

AN APOLOGY

Beverly Hills Playhouse.

 

AN APOLOGY FROM BOB VERINI, PRODUCER OF THE LADCC AWARDS SHOW

3/19/13

Dear Friends of the LADCC:

Thank you so much for your support of our efforts at last night’s awards show. We are so pleased at the reactions to the event and the delighted reactions so many of the nominees, recipients, presenters, sponsors, and audience members have expressed to us.

I do, however, need to make a deep apology to Mr. Allen Barton and the Beverly Hills Playhouse, sponsors of the Milton Katselas Award for career achievement in direction. Mr. Barton was in attendance at the event, and was fully prepared and ready to be called on stage and present the award to this year’s recipient, Ms. Elina de Santos. Through a combination of crossed wires and missteps, all of the checks I had put in place for bringing up all of the VIPs failed, and so the presentation came and went without Mr. Barton’s participation.

We hate it when anything goes wrong, but particularly when it comes to our sponsors, whose names I read aloud in my thanks. At that time I expressed my feelings, and those of the Circle, in citing how much they do, and how far they go above and beyond, in support of the LA theatrical community. We have always sought to go above and beyond in our treatment of them at the awards event. Clearly we failed last night.

As the producer I take total responsibility for the oversight. I apologize profoundly to Mr. Barton and the Beverly Hills Playhouse, to whom no slight was intended. I also apologize to Elina de Santos, whose career and accomplishments deserved better at my hands. Finally, I apologize to my fellow LADCC members, whose commitment always to make our sponsors the highest priority I let down as well.

Bob Verini.

 

 

LADCC Annual Awards – Monday March 18th – Host and Presenters announced

French Stewart, TV star (“3rd Rock From the Sun”) and local theatre mainstay (“Stoneface”: “Voice Lessons”) will host the 44th Annual Los Angeles Drama Critics Circle (LADCC) Awards on Monday, March 18, 2013 at the Los Angeles Theatre Center, 514 S. Spring St. Downtown. Tickets for the show and opening reception, which will start at 6:30 pm, can be reserved by e-mailing crixawards2013@gmail.com. All seats are $30.00

Stewart will preside over this year’s theme “Theatre Everywhere,” focusing on the wide geographical range within which LADCC members travel in the course of a year to see and celebrate the best of live performance. Top representatives of local institutions – including Michael Ritchie of CTG; Sheldon Epps of The Pasadena Playhouse; Barbara Beckley of The Colony Theatre; and Zombie Joe of Zombie Joe’s Underground Theatre – will assist Circle members in presenting awards in 17 competitive categories as well as a host of special award plaques.

Entertainment, too, will come from all over the region. Almost two dozen performers from Orange County will reunite to perform “The Rumble” from the Chance Theatre’s acclaimed and nominated revival of “West Side Story.” The cast of “Justin Love,” the smash musical that originated at Celebration Theatre – winner of this year’s Margaret Harford Award for distinguished achievement – will appear, alongside performers from “The Color Purple” (Cesili Williams); “The New Electric Ballroom” (Tim Cummings); and “Bad Apples” (Kate Morgan Chadwick, accompanied by the show’s composer/lyricists Beth Thornley and Rob Cairns.)

Ryan Johnson, nominated for his score for “Stoneface” which starred Stewart as the legendary Buster Keaton, serves as musical director for the evening, which will be produced by Daily Variety and ArtsinLA.com critic Bob Verini. Production stage manager is Heatherlynn Gonzalez. Award-winning sound designer Cricket S. Myers lends her skills to the event, whose associate producer is Peter Finlayson of Footlights Publishing.

A cash bar with great food and a silent auction (cash and checks only, please) will occupy the 6:30-7:30 hour, until doors open and the annual celebration of great L.A. area theatre begins.

ALL INFORMATION:

The Los Angeles Drama Critics Circle (LADCC) has announced its nominations and special awards for excellence in Los Angeles and Orange County theatre in 2012.

All tickets have been reduced to $30.00. Tickets can be arranged through crixawards2013@gmail.com, and PayPal will be accepted prior to March 18. Credit cards will be accepted at the door.

Nominees are entitled to a single complimentary ticket. Nominees please click here for important information regarding ticketing etc.

Doors will open at 6:30 p.m. on March 18 for drinks, music, hors d’oeuvres (no full dinner) and conversation, while at a Silent Auction attendees can bid on theater and film-related items. Only cash or checks will be accepted at the auction, please. The show will commence at 7:30 p.m.

Scheduled host French Stewart is a 25-year mainstay of the Los Angeles theatre scene and a notable star of TV and film. Best known for his six seasons co-starring on NBC’s 3rd Rock From the Sun, he is a member of Sacred Fools and played the title role in that company’s 2012 production of Stoneface, The Rise and Fall and Rise of Buster Keaton, which has received two LADCC nominations.

In recognition of this year’s theme, “Theatre Everywhere,” representatives of theatre companies based within the geographic beat covered by members of the Circle will join Stewart and Circle members to present awards in 17 competitive categories.

# # # # #

NOMINEES:

The 2012 nominees are…

SPECIAL AWARDS:

Six special awards will be presented under the sponsorship of organizations and individuals to whom the LADCC is most grateful. Honors have been announced for local institutions Celebration Theatre (for sustained excellence); and The Fountain Theatre and Center Theatre Group (for their excellent seasons). The Circle also recognizes prominent individuals: David O; Elina de Santos; Stephen Gifford; as well as Evelina Fernandez for her A Mexican Trilogy, an outstanding L.A. world premiere play.

The 2012 special awards winners are…

ALREADY-VOTED AWARDS:

Three already-voted awards will be presented on awards night.

Plaques will be presented on March 18 to the following recipients:

Adrian Kohler with Basil Jones for Handspring Puppet Theatre, in recognition of the design, fabrication, and direction of the puppets of War Horse at the Ahmanson Theatre

David McCormick and Kelly Todd for their fight direction of West Side Story at the Chance Theatre in Anaheim.

In addition, a special plaque will be awarded to Center Theatre Group for an excellent season.

# # # # #

MEMBERSHIP:

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2012 membership consisted of:

Pauline Adamek, LA Weekly; ArtsBeatLA.com

F. Kathleen Foley, Los Angeles Times

Shirle Gottlieb, Gazette Newspapers; stagehappenings.com

Hoyt Hilsman, Back Stage, The Huffington Post

Mayank Keshaviah, LA Weekly

Amy Lyons, Back Stage, LA Weekly

Dany Margolies, ArtsinLA.com

Terry Morgan, LAist.com; Daily Variety

Steven Leigh Morris. LA Weekly

David C. Nichols, Los Angeles Times, Back Stage

Sharon Perlmutter, TalkinBroadway.com

Melinda Schupmann, Back Stage; ShowMag.com; ArtsinLA.com

Madeleine Shaner, Park La Brea News/Beverly Press; Back Stage

Les Spindle, Frontiers; Theatremania; EDGE LA

Bob Verini, Daily Variety; ArtsinLA.com

Neal Weaver, LA Weekly; Back Stage

 

The LADCC is pleased to welcome FootLights Publishing, Inc. as consultants on this year’s awards events. The mission of FootLights is to illuminate the theatre community, providing greater access to a more diverse public while at the same time offering insight into the production and process of theatre.

The LADCC expresses its gratitude to Los Angeles Theatre Center and Latino Theatre Company for their warm welcome and many courtesies.

 

 

Volunteers needed for LADCC Awards eve – Mon 3-18-13

Los Angeles Drama Critics needs Volunteers for Monday, March 18, at the LA Theatre Center, Downtown LA.

Are you friendly? Are you fun?  Do you want to meet theater professionals?

Help your theatre community – and make new friends and contacts in the process – by volunteering at the 44th Annual Awards show of the LA Drama Critics Circle.

The awards ceremony is being held on Monday, March 18, 2013 at the Los Angeles Theatre Center, 514 S. Spring St., Downtown Los Angeles.

Presenters include some of the top producers and stars working in the LA area.

The volunteer work is easy. You’ll be fed delicious food and you won’t be run ragged:

– Monday, March 18, 2013

– If you can be there during the day, you’ll run errands and help out at the talent rehearsals.
– We especially need folks from 5:30pm on to help with setup – nothing heavy – and light ushering.
– During the show (curtain at 7:30pm), we need runners to bring presenters and VIPs from the audience seating to backstage. (Quick and easy.)
– Most of the time you’ll be able to watch the show and hang out, ready to jump in as needed.

Awards chair Bob Verini (critic, Daily Variety) seeks people who are energetic with a good attitude. You can learn more, or sign on, by e-mailing Bob here.

Thanks for your consideration!

 

 

Los Angeles Drama Critics Circle announces Nominations for Achievements during 2012

 

The Los Angeles Drama Critics Circle (LADCC) has announced its nominations and special awards for excellence in Los Angeles and Orange County theatre in 2012. The 44th annual LADCC Awards ceremony will take place on Monday, March 18, 2013 at historic, heralded Los Angeles Theatre Center, 514 S. Spring Street in downtown L.A.

All tickets have been reduced to $30.00. Tickets can be arranged through crixawards2013@gmail.com, and PayPal will be accepted prior to March 18. Credit cards will be accepted at the door.

Nominees are entitled to a single complimentary ticket.  Nominees please click here for important information regarding ticketing etc.

Doors will open at 6:30 p.m. on March 18 for drinks, music, hors d’oeuvres (no full dinner) and conversation, while at a Silent Auction attendees can bid on theatre and film-related items. Only cash or checks will be accepted at the auction, please. The show will commence at 7:30 p.m.

Scheduled host French Stewart is a 25-year mainstay of the Los Angeles theatre scene and a notable star of TV and film. Best known for his six seasons co-starring on NBC’s  3rd Rock From the Sun, he is a member of Sacred Fools and played the title role in that company’s 2012 production of Stoneface, The Rise and Fall and Rise of Buster Keaton, which has received two LADCC nominations.

In recognition of this year’s theme, “Theatre Everywhere,” representatives of theatre companies based within the geographic beat covered by members of the Circle will join Stewart and Circle members to present awards in 17 competitive categories.

# # # # #

NOMINEES:

The 2012 nominees are…

SPECIAL AWARDS:

Six special awards will be presented under the sponsorship of organizations and individuals to whom the LADCC is most grateful. Honors have been announced for local institutions Celebration Theatre (for sustained excellence); and The Fountain Theatre and Center Theatre Group (for their excellent seasons). The Circle also recognizes prominent individuals: David O; Elina de Santos; Stephen Gifford; as well as Evelina Fernandez for her A Mexican Trilogy, an outstanding L.A. world premiere play.

The 2012 special awards winners are…

ALREADY-VOTED AWARDS:

Three already-voted awards will be presented on awards night.

Plaques will be presented on March 18 to the following recipients:

Adrian Kohler with Basil Jones for Handspring Puppet Theatre, in recognition of the design, fabrication, and direction of the puppets of War Horse at the Ahmanson Theatre

David McCormick and Kelly Todd for their fight direction of West Side Story at the Chance Theatre in Anaheim.

In addition, a special plaque will be awarded to Center Theatre Group for an excellent season.

#  #  #  #  #

MEMBERSHIP:

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 2012 membership consisted of:

Pauline Adamek, LA Weekly; ArtsBeatLA.com

F. Kathleen Foley, Los Angeles Times

Shirle Gottlieb, Gazette Newspapers; stagehappenings.com

Hoyt Hilsman, Back Stage, The Huffington Post

Mayank Keshaviah, LA Weekly

Amy Lyons, Back Stage, LA Weekly

Dany Margolies, ArtsinLA.com

Terry Morgan, LAist.com; Daily Variety

Steven Leigh Morris. LA Weekly

David C. Nichols, Los Angeles Times, Back Stage

Sharon Perlmutter, TalkinBroadway.com

Melinda Schupmann, Back Stage; ShowMag.com; ArtsinLA.com

Madeleine Shaner, Park La Brea News/Beverly Press; Back Stage

Les Spindle, Frontiers; Theatremania; EDGE LA

Bob Verini, Daily Variety; ArtsinLA.com

Neal Weaver, LA Weekly; Back Stage

 

The LADCC is pleased to welcome FootLights Publishing, Inc. as consultants on this year’s awards events. The mission of FootLights is to illuminate the theatre community, providing greater access to a more diverse public while at the same time offering insight into the production and process of theatre.

The LADCC expresses its gratitude to Los Angeles Theatre Center and Latino Theatre Company for their warm welcome and many courtesies.

 

 

SO YOU’VE BEEN NOMINATED!

… (or your show has been) –

 

HERE’S WHAT YOU NEED TO KNOW.

Congratulations! First thing, we of the LADCC will be hosting our fourth annual Nominees Reception two weeks prior to the Awards Show. Please watch this website (and your e-mail; and heck, watch your SPAM filter too) for more particulars really soon. If you’re a nominee, you’re invited. We hope you’ll keep this in mind: It will really help if you RSVP. We’re a small (if fierce) organization with limited resources. RSVPs help us order enough beverages and hors d’oeuvres to go around, and reduce the worry that we under-ordered. More about that anon.

What about Awards Night, Monday, March 18, 2013 you ask?

All nominations and purchases will be handled through this e-mail address: crixawards2013@gmail.com.  You may ask questions there, reserve tickets, ask for a PayPal invoice (we love those), and make changes (we hate those but we know they happen).

Here’s what you need to know, and please keep reading to the end:

One (1) complimentary ticket is allotted to each individual nominee and Special Award recipient.

In other words, if you are a person named as a nominee, or have been told that you’re getting a Special Award, you’re entitled to a single comp ticket. We need you to claim it, by e-mailing crixawards2013@gmail.com. Make the reservation; it’s easy. If you don’t reserve, we regret we cannot guarantee admission.

An individual comp is allotted to each of the 8 Production nominees and 3 McCulloh nominated revivals, but the producers of those shows will pick who is to claim them. (Probably themselves.) Anyway, please don’t call or e-mail saying “I get the comp for West Side Story” or whatever, because that’s not the way that works. You’re welcome to go to your producer and wheedle to be the person who gets it, and s/he will confirm with us.

If you wish to invite one or more guests, it helps us enormously if you book both the comp and the paid tickets at the same time, in the same e-mail.

You’ll be sent a PayPal invoice within 48 hours of your reservation; it’s quick, safe, and easy to pay that way. We will endeavor to hold reservations up until 6:00 pm on show night, but the best way to ensure a seat is to pay right away.

All tickets will be held at the door. None will be mailed.

Cash, checks, and credit cards will be accepted at the door.

All seating is general seating.
We want to emphasize that we lowered this year’s price by 25%, to $30. We listened last year when you told us that the $40 ticket price was steep, and we hope that the lowered price will enable more folks to come to the Awards Show, whether or not they have a “dog in the hunt” as it were.

The nominated Ensembles work a little differently.

According to LADCC bylaws, a limited number of tickets are to be allotted to nominees in our Ensemble Performance category. This year, the casts of Waiting for Godot, The New Electric Ballroom, and The Savannah Disputation were so small that we have been able to set aside comps for all their actors by name; feel free to book yours at the gmail address. (Remember, you have to confirm; we can’t just hold them without any word from you.)

We wish we could invite everyone in the other nominated Ensembles – those for 42nd Street, In the Red and Brown Water, The Color Purple, and The Treatment – but those total 72 and we just can’t do it. Four (4) comps will be allotted to each ensemble, and the producers and publicists will assign them. If you were one of the cast members of those shows, kindly contact the producer or publicist to be considered for these comps. We regret we cannot allot those seats directly.

All nominees receive a nice certificate, suitable for framing.

Yep, all 85 actors in the nominated Ensembles, too. We’ll have the certificates on hand at the Nominees Reception; those not picked up will be available after March 18 through the LADCC or your show’s producers or publicist.

We will have some need of volunteers.

If you’d like to be considered as a volunteer usher or runner or some such for March 18, please contact – you guessed it – crixawards2013@gmail.com.

Dinner will NOT be served.

Lowering our ticket price is a gamble in terms of our reaching breakeven. We’re willing to take it but something had to give, and it was the dinner served at past years’ events. There will be tasty hors d’oeuvres and a cash bar, but you are advised to consider consuming a full dinner prior to arriving at the LATC.

Speaking of which, the LATC’s address is 514 S. Spring Street, Downtown Los Angeles.

The historic, beautiful Los Angeles Theatre Center will be hosting us, and here, for neither the first nor the last time, we want to express our deep appreciation to them and to the Latino Theatre Company. Click here to be directed to the LATC website, where you can learn about parking and whatnot. If you don’t know them or their work, you should, so a visit to their website will pay off doubly.

Dress is….well, call it “business casual” or “whatever you’d feel comfortable wearing to an L.A. opening night.” It’s a rare necktie or evening gown that decides to attend our event, though people do tend to make an effort to look nice.

Doors will open at 6:30, and the show is scheduled to begin at 7:30.

There’s going to be a Silent Auction that night.

Lots of really cool theatre stuff and film stuff. Cash or checks only, please. Bidding will end when intermission ends, on March 18.

Any other questions?

You know the e-mail address by now. Seriously, we are privileged and thrilled to honor the LA theatre community this way every year, and we hope you’ll join us.

Bob Verini

Awards Event Chair

 

Two-time winner (2011) Anne Gee Byrd.
Photo by Ed Krieger.

 

 

 

 

 

Program Ad and Silent Auction Info – LADCC Awards

Tip!  Scroll down to see the latest additions to the silent auction!

Program Advertisements

Sorry!  The program already went to press, so it’s too late to purchase program ads.  We will, however, accept silent auction donations right up until … heck, we’ll add stuff the day of the show, if you’re so motivated.

Silent Auction

Prefer to support the Circle with a donation to our Silent Auction?  (Think:  tickets to your upcoming show or season; show memorabilia; a master class.  Get creative!  We can help with ideas.)  Donors are thanked in the program and right here on this website — and we’ll display your promotional materials next to your auction donation.  Did we mention we’re a 501(c)(3) non-profit?  Contact LADCCAuction@aol.com to discuss your donation.

Just Added to the Auction

JUST ADDED:  Some really cool stuff you’ll have to wait and see at the auction — including movie memorabilia. DVDs, and other cool stuff Circle members have raided their closets to find.

JUST ADDED:  Two tickets to the March 30 performance of Tracie Bennett in End of the Rainbow at the Center Theatre Group Ahmanson Theatre!  The Ahmanson hosted nominees Fela! and War Horse (2 nominations and one award) this year.  CTG has 8 nominees from its other theatres, and is the recipient of a special award for its outstanding season.

JUST ADDED:  Eight books from the Cahiers du Cinema – Masters of Cinema set, ranging from Charlie Chaplin to Martin Scorsese!

JUST ADDED:  A Disney-themed lot, including The Art of Cars 2!

JUST ADDED:  Several lots of books, including Harold (the Hal Holbrook memoir); the journals of spalding grayThe Story of Hollywood; A Must See! (a book of Broadway artwork); and The Noel Coward Reader!

JUST ADDED:  Two pieces of original jewelry from artist Camille Sharon!

JUST ADDED:  Four tickets to Master Class at International City Theatre!  ICT hosted nominee Ghost-Writer this year.

RECENTLY ADDED:  Two tickets to Mrs. Warren’s Profession at Antaeus!  Antaeus hosted nominee Macbeth this year.

RECENTLY ADDED:  Two tickets for any subscription season production at Pacific Resident Theatre!

RECENTLY ADDED:  Two tickets to Having It All at the Laguna Playhouse!

RECENTLY ADDED:  A huge basket o’ goodies from Rise of the Guardians, including toys, books, an “Art of…” book, an XBox game, and all sorts of other cool stuff (total value $300) courtesy of DreamWorks Animation!

RECENTLY ADDED:  Two gift certificates for two tickets each to We are Proud to Present … at The Matrix Theatre!

RECENTLY ADDED:  Two tickets to Trainspotting at the Elephant Theatre!

RECENTLY ADDED:  Two gift certificates for two tickets each to Walking the Tightrope at 24th Street Theatre!

RECENTLY ADDED:  Two tickets to Songs of Bilitis by Rogue Artists Ensemble at Bootleg Theater!

RECENTLY ADDED:  Two gift certificates for two tickets each to Forget My Name, a world premiere play at Son of Semele!

RECENTLY ADDED:  Two VIP tickets (including free drink and free parking) to DOMA‘s production of Dreamgirls at the MET Theatre!

RECENTLY ADDED:  Two gift certificates for two tickets each to The Agony and the Ecstasy of Steve Jobs at Theatre Asylum!  Theatre Asylum hosted nominee Tape this year.

RECENTLY ADDED:  Two tickets to a performance at The Colony Theatre!  The Colony Theatre presented nominee The Savannah Disputation this year.

RECENTLY ADDED:  Two tickets to a preview performance at the Pasadena Playhouse!   The Pasadena Playhouse hosted multiple-nominee Jitney, and nominee Intimate Apparel, this year

RECENTLY ADDED:  A 27 x 40 (movie-sized) poster of Val Kilmer as Mark Twain in Citizen Twain, signed by Val Kilmer.

RECENTLY ADDED:  The script from Freud’s Last Session, signed by playwright Mark St. Germain.

RECENTLY ADDED:  A playbill from the Broadway production of Superior Donuts, signed by members of the cast.

RECENTLY ADDED:  Are You Anybody?  An Actor’s Life, autographed by the author, Bradford Dillman.

RECENTLY ADDED:  The Great Movies II, autographed by the author, Roger Ebert

RECENTLY ADDED:  Taschen‘s Stanley Kubrick’s “Napoleon”:  The Greatest Movie Never Made

RECENTLY ADDED:  Taschen‘s Billy Wilder’s “Some Like It Hot”

RECENTLY ADDED:  A 14 x 22 lobby card from multiple-nominee Waiting for Godot at the Mark Taper Forum, signed by members of the nominated ensemble!  (In lucite frame, ready for your wall.)

RECENTLY ADDED:  Two tickets to Neverwhere at Sacred Fools!  Neverwhere is an adaptation of the Neil Gaiman novel.  Sacred Fools gave us Stoneface, The Rise and Fall and Rise of Buster Keaton, a double nominee this year.

RECENTLY ADDED:  A 14 x 22 lobby card from Priscilla – Queen of the Desert, autographed by Nick Adams, Tony Sheldon, Will Swenson, and the Broadway company!  (In lucite frame, ready for your wall.)  Courtesy of an anonymous donor.

RECENTLY ADDED:  Two gift certificates for two tickets each to any performance at A Noise Within!  A Noise Within is the only Southern California company working in the repertory tradition and dedicated solely to producing classical dramatic literature — and has earned two nominations this year.

RECENTLY ADDED:  Two gift certificates for two tickets each to any performance at the Fountain Theatre!  The Fountain is the recipient of this year’s Polly Warfield Award for an excellent season in a small to mid-size theatre, and has earned six nominations this year.

RECENTLY ADDED:  A “Spa Sampler” gift certificate for Amadeus Spa in Pasadena!  (Amadeus is the winner of “Best Day Spa/Massage” and “Best Skin Care/Facial” in the LA Times 2012 Reader Poll.)

LADCC is grateful to all of its silent auction donors.  Watch this space for more of the exciting items we’ll have for auction at the LADCC Awards this year.

 

Remember to:  (1) buy your tickets to the Awards Show; and (2) bring cash or a checkbook – we can’t take credit cards at the auction.

Stay tuned!

 

 

 

Los Angeles Drama Critics Circle announces Officers for upcoming year

 

At a May meeting of the Los Angeles Drama Critics Circle, David C. Nichols was chosen as the Circle’s president for a one-year term. Nichols, who writes for the L.A. Times and other local publications, had previously held that office from 2008 to 2010.

Outgoing president Bob Verini, who has held the office since 2010, will take over as Awards Chair for the LADCC Awards ceremonies to be held next spring. Verini reviews theater and reports on film and television for Variety.

Sharon Perlmutter of TalkinBroadway.com, and five-time co-producer of the LADCC Awards show, will assume the duties of Vice President. Terry Morgan of LAist.com will serve as Secretary. Mayank Keshaviah of the L.A. Weekly will continue in the post of Treasurer. Pauline Adamek of the L.A. Weekly has accepted the newly created position of Web Content Editor.

Background:
The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism and the encouragement and improvement of theater in the Greater Los Angeles area.

Further information about the Circle, articles by members and details of the annual LADCC Awards may be accessed on this site.

Members bios and links to their outlets can also be found here.

Communications to the Circle should be directed to general@ladramacriticscircle.com.