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Archive for Lucas Hnath

THE THIN PLACE, Echo Theater Company at Atwater Village Theatre

Caitlin Zambito. Photo by OddDog Pictures.

Caitlin Zambito. Photo by OddDog Pictures.

Harker Jones – BroadwayWorld

Tony-nominated playwright Lucas Hnath’s THE THIN PLACE is an eerie meditation on grief, regret and the need for closure, though it is undermined by the lack of a satisfying conclusion…

Obie Award- and Outer Critics Circle Award-winning Hnath (“Red Speedo”; “A Doll’s House, Part 2″) carefully delineates each character with precise brushstrokes, and director Abigail Deser allows her performers to breathe into the spaces Hnath leaves. The only drawback is that the ending doesn’t land. There’s no sense of closure for any of the characters and while that may be the point – that there aren’t necessarily answers we can find about the other side – it still leaves one with a sense of dissatisfaction. It needn’t be tied up in a bow, but it would be beneficial to have a sense of an actual ending. Read more…

Deborah Klugman – Stage Raw

On the page The Thin Place is a thoughtful drama, offering more than the story of a woman pursuing a ghost. As in The Christians, in which Hnath considers the unwillingness of certain “Christians” to renounce the concept of eternal damnation (even if it dooms a brave and honest boy to hellfire) The Thin Place illustrates how difficult it is for human beings to relinquish deeply embedded ideas…

But the production, directed by Abigail Deser, doesn’t do much for the text. One distraction is the choice to stage the play bleacher style, with the audience positioned on either side of the venue  (scenic design by Deser, Amanda Knehans and Penni Auster). This forces attendees to pivot their heads each time characters address each other from opposite ends of the venue; more importantly, it dissipates the drama of their exchanges. At other times the action takes place in the center of the playing space, but we mostly see everyone in profile, which detracts from the dynamic as well. Read more…

Patrick Chavis – LA Theatre Bites

Echo Theater Company Presents: The Thin Place @ Atwater Village Theatre – 8.1 out of 10 – Good Show! LA Theatre Bites Recommended! More…

 

A DOLL’S HOUSE, PART 2 at International City Theatre

Photo by Kayte Deioma

Photo by Kayte Deioma

Rob Stevens – Haines His Way

In 1879, Norwegian playwright Henrik Ibsen shook up the theatrical world with his “feminist” play A Doll’s House. In 2017, up and coming young American playwright Lucas Hnath wrote a sequel, A Doll’s House, Part 2, that picked up the action 15 years later. Read more...

Steven Leigh Morris – Stage Raw

What is the point of writing and staging a sequel to Henrik Ibsen’s 1894 world classic A Doll’s House – perhaps the earliest call to feminism in modern stage literature? Read more…

Closed

A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY at the Odyssey Theatre

Photo by Jenny Graham

Photo by Jenny Graham

Terry Morgan  -  Artsbeat LA

I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by demonstrating how they were necessary. Most experimental pieces, in my experience, fail that test, but when they succeed it’s thrilling. Read more…

Rob Stevens – Haines His Way

Lucas Hnath is a young American playwright whose work (The Christians, Red Speedo, A Doll’s House, Part 2) I have found interesting and worth experiencing. Read more…

Jonas Schwartz-Owen – Broadway World

Lucas Hnath is an ambitious playwright. He turned his mother’s harrowing recollections of being abducted in the ’90s into a riveting, intimate one-woman tale, Dana H, where the actress lip-syncs to the recording that his mother had made. Read more…

Deborah Klugman – Stage Raw

John Updike once called Mickey Mouse “the most persistent and pervasive figure of American popular culture in his century.” The mouse came into being in 1928, birthed by a young animator named Walt Disney. Read more…

Now running through May 1

DANA H at the Kirk Douglas Theatre

CCraig Schwartz

CCraig Schwartz

Erin Conley – On Stage & Screen

When playwright Lucas Hnath (A Doll’s House, Part Two, The Christians) was in college, his mother, Dana Higginbotham, went through a traumatizing ordeal. Dana struggled to speak about this painful experience with her son, so he eventually had fellow theater creator and collaborator Steve Cosson interview her about it. Hnath then adapted these interviews to create Dana H., a play currently in its world premiere at Center Theatre Group’s Kirk Douglas Theatre.
Read more…

Now running through June 23

RED SPEEDO at the Road Theatre Company

Brian M. Cole

Brian M. Cole

Lovell Estell III — Stage Raw

The legendary Vince Lombardi once declared that, “Winning isn’t everything; it’s the only thing.” (Actually the slogan was first voiced by UCLA Bruins football coach Henry Russell “Red” Sanders in 1950; Lombardi probably got it from him).
Read more...

Rob Stevens – Haines His Way

Playwright Lucas Hnath made news in April, 2017 when his play A Doll’s House, Part II premiered locally at South Coast Repertory while also being staged on Broadway by a different director and with a different cast.
Read more…

Frances Baum Nicholson – The Daily Breeze 

Playwright Lucas Hnath has built some of his considerable reputation on positing ethical puzzles — tracing a single choice or event to the ramifications for others who must then also make choices, done while never signaling a single “rightness.”    Read more…

Now running through July 1