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THE TEMPEST at the Whitmore-Lindley Theatre Center

Ted Ringeison
May 21, 2018Ellen Dostal – Broadway World A gaunt Leon Russom conjures up more pathos than normal as the aged Prospero in the Porters of Hellsgate’s production of THE TEMPEST. Whether it is due to the fact that the actor has been battling pneumonia, which took him out of the show opening weekend mid-performance, or that his
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SOFT POWER at the Ahmanson Theatre

Craig Schwartz Photography
May 21, 2018Ellen Dostal – Musicals in L.A. Playwright David Henry Hwang and composer Jeanine Tesori are pushing buttons and challenging conventions with their new work, Soft Power, now in its world premiere at Center Theatre Group’s Ahmanson Theatre. Read more… Rob Stevens – Haines His Way American musical theatre and politics would seem to make strange
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In Memoriam: Shirle Gottlieb

Shirle
May 19, 2018We are sad to report that longtime Los Angeles Drama Critics Circle member Shirle Gottlieb passed away on May 6th. Shirle had been a freelance art and theater writer, reviewer, and critic for over 25 years – ever since she completed her Interdisciplinary Masters Degree at California State University, Long Beach. What began quite by
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RED SPEEDO at the Road Theatre Company

Brian M. Cole
May 19, 2018Lovell Estell III — Stage Raw The legendary Vince Lombardi once declared that, “Winning isn’t everything; it’s the only thing.” (Actually the slogan was first voiced by UCLA Bruins football coach Henry Russell “Red” Sanders in 1950; Lombardi probably got it from him). Read more... Rob Stevens – Haines His Way Playwright Lucas Hnath made news in
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SEX at the Hudson Mainstage

Rich Huthman
May 19, 2018Neal Weaver  – Stage Raw We don’t think of Mae West as a literary figure, but she wrote three plays — Sex, The Drag, and Pleasure Man. All were produced on Broadway, and all were closed by the police on grounds of obscenity. Read more… Rob Stevens – Haines His Way Before she became one
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FOREVER BOUND at Atwater Village Theatre

Kathy Flynn
May 17, 2018Terry Morgan – Stage Raw Steve Apostolina’s Forever Bound is an uncommon play that begins in one genre and ends in another. It’s always difficult to market something that doesn’t fit neatly into one category, so writers are often encouraged not to create anything like that. However, the results of such experiments are usually intriguing
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SINGIN’ IN THE RAIN at Candlelight Pavilion Dinner Theater

Demetrios Katsantonis
May 12, 2018Frances Baum Nicholson –The Stage Struck Review Is there any more iconic movie musical than “Singin’ in the Rain”? The move to bring it to the stage has been, from the start, a risky one, simply because it must compete with something so familiar. When it works, though, it is a sheer delight of old-school
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Archive for Lunatics and Actors

LUNATICS AND ACTORS at the Shakespeare Center of Los Angeles

By LADCC critics · Comments (0)
Saturday, May 14th, 2016

Lunatics&Actors-FourClowns

Jenny Lower – Stage Raw

Lunatics & Actors, the latest world premiere by Jeremy Aluma’s clowning troupe Four Clowns, is less a fixed narrative than a series of funny, unpredictable, and menacing vignettes that excavate the distinction between creative performance and insanity.

Pauline Adamek – ArtsBeatLA

Four Clowns’ newest theatrical staging is Lunatics & Actors, written by David Bridel. Bridel’s one-act drama is posited as an anthropological and scientific experiment in progress, with some results and further experimentation being presented this night to a collection of interested persons (being us, the audience).  The play commences when an eccentric neurologist, Dr. Duchenne du Boulogne (Thaddeus Shafer) introduces himself to us and explains his work to date; being the science of electrophysiology. Read more...

Now running through May 28

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