Layout Image

Archive for On Stage and Screen

AN AMERICAN IN PARIS at the Pantages Theatre

aaip_tour-1130

Erin Conley – On Stage & Screen

“When you think of Paris, what comes to mind?” This question, posed somewhat oddly to the audience, sets the tone for An American in Paris, the musical adaptation of the 1951 film of the same name now playing at the Pantages Theatre in Hollywood.   Read more…

Jonas Schwartz -  Arts In LA

Most musicals either grab the audience or do not. It’s a risk to leave the audience a bit unsettled by intermission since there’s the chance people may walk out. An American in Paris takes that gamble, never giving audiences the assurance that the dangling story lines will ever gel, but by Act Two, it’s clear that the adaptation of the Oscar-winning 1951 musical is in very assured hands and quite a marvel. Read more…

Now running through April

AT HOME AT THE ZOO at the Wallis Annenberg Center for the Performing Arts

Zoo Story

Photo by Kevin Parry

Neal Weaver  – Stage Raw

As the story goes, someone — a friend, a roommate or a lover — said to Mr. Albee, “Edward, you will be thirty years old tomorrow, and you don’t have a damn thing to show for it.” Stung by this comment, Albee sat down and, overnight, wrote a long one-act about a volatile encounter between two men — a complacent middle class guy named Peter, and an impoverished eccentric named Jerry, on a bench in Central Park. Read more…

Erin Conley – On Stage & Screen

“Do you want to know what happened at the zoo?” If you do, make your way to the Wallis Annenberg Center for the Performing Arts, home to the new Deaf West production of Edward Albee’s At Home at the Zoo—although be warned, the actual answer to that question is far from the point of the piece. Read more…

Now running through April 2

PLASTICITY at the Hudson Guild Theatre

Photo by Jessica SHerman

Photo by Jessica SHerman

Erin Conley – On Stage & Screen

The human brain is a powerful and fascinating thing. In Plasticity, a world premiere play written by Alex Lyras and Robert McCaskill, a man in a coma struggles to become conscious again, all while his family and friends are forced to make difficult decisions regarding his life and future.     Read more…

Lovell Estell III — Stage Raw

The title of this play refers to the brain’s ability to rewire or reorganize itself by forming new neural connections throughout life, especially in response to disease or injury. Read more…

Now running through March 13

THE KING AND I at the Pantages Theatre

Photo by Matthhew Murphy

Photo by Matthew Murphy

Erin Conley – On Stage and Screen

The production of the Rodgers & Hammerstein classic The King & I that won four Tony Awards, including Best Revival, in 2015 has made its way to Los Angeles just in time for the holidays.    Read more…

Rob Stevens – Haines His Way

The King and I was the fifth collaboration between composer Richard Rodgers and lyricist/dramatist Oscar Hammerstein II, following their classics Oklahoma, Carousel, South Pacific and their flop Allegro.   Read more…

Jonas Schwartz -  TheaterMania

The national tour of director Bartlett Sher’s revival of The King and I, now making a stop at the Hollywood Pantages Theatre, is scrumptiously produced, a visual feast worthy of the exotic musical. Read more…

F. Kathleen Foley – LA Times

Twentieth-century French literary maven François Mauriac once observed, “If you would tell me the heart of a man, tell me not what he reads, but what he rereads.” Read more…

Deborah Klugman – LA Weekly

Anna and the King of Siam first emerged in popular culture in 1944 as a novel by Margaret Langdon, which she based on the memoirs (now considered suspect) of Anna Harriette Leonowens, a British widow who taught English in the court of the King of Siam between 1862 and 1867. Read more…

Dany Margolies  -  Arts In LA

In mid-Victorian days, a Siamese king and an English activist-educator came together in a clash of cultures. That pairing inspired memoirs, then a novel, then films and stage musicals. Read more…

Now running through January 21