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Archive for Onstage


Photo by Ed Krieger

Photo by Ed Krieger

Neal Weaver  – Stage Raw

When I was in college, I decided I should take some psychology courses to better understand myself and my fellow man. I signed up for Psych A, and discovered to my dismay that it was entirely concerned with statistics and testing methods, with nary a useful insight to be found. Read more…

Erin Conley – On Stage and Screen

In the middle of act one of Disinherit the Wind, now playing at The Complex in Hollywood, something rather unusual is asked of the audience. The main character, Bertram Cates (portrayed by the playwright, Matt Chait) leads everyone in the room, actors and patrons alike, in a brief meditation. Read more…

Now running through April 9

GOOD GRIEF at the Kirk Douglas Theatre

Photo by Craig Schwartz

Photo by Craig Schwartz

Margaret Gray – LA Times

Ngozi Anyanwu stars in the first play she wrote herself, “Good Grief,” in its world premiere at the Kirk Douglas Theatre in Culver City. She plays Nkechi, a medical-school dropout who has returned to her childhood home in Bucks County, Pennsylvania, after the accidental death of a friend plunges her into intense mourning that, family and friends suggest, is becoming self-indulgent. Read more…

Erin Conley – OnStage

“Tell me a story. Something that’s true, something that’s false, something that seems familiar. Something that sounds like it could be true.” This line really encapsulates the simultaneously realistic and dreamlike feeling of Good Grief, a world premiere play written by and starring Ngozi Anyanwu, now playing at Center Theatre Group’s Kirk Douglas Theatre.Read more…

Deborah Klugman – LA Weekly

In the preface to her extraordinarily eloquent play Good Grief, Ngozi Anyanwu tells us that it takes place between 1992 and 2005 in Bensalem, Pennsylvania — and also “at the beginning of time … and the future.”  Read more…

Dany Margolies – The Daily Breeze

Our pasts cannot be changed. We can try to relive them, but in reality all we store in our memories is our reactions to them. These ideas thread through “Good Grief,” …… Read more…

Now running through March 26


FUN HOME at the Ahmanson Theatre


Robert Gauthier / Los Angeles Times

Erin Conley – OnStage

Don’t be misled by the sight of three adorable children bouncing around and singing “come to the fun home.” In this case, ‘fun’ is short for ‘funeral,’ and while little about the tragic tale could actually be described as fun, it can certainly be described as some of the very best storytelling modern musical theater has to offer. Read more…

Dany Margolies – The Daily Breeze

Just when we thought theater had nowhere else to go, had no further means to crawl into our jaded hearts, “Fun Home” wandered onto the scene. It encapsulates the best of musical theater, the best of dramatic literature, and the best examples of how we are our own worst enemies. Read more…

Rob Stevens – Haines His Way

A childhood spent in a family run funeral home would be daunting under the best of circumstances. One spent in a funeral home with a closeted gay father who was a perfectionist and a bitter mother who regretted the choices she made and the life she was living must have been a living hell. Read more…

Hoyt Hilsman  -  Huffington Post

The musical based on Alison Bechdel’s bestselling graphic novel covers familiar and mostly predictably territory, but is wrapped up in a pleasing score and solid performances. While the show was highly praised when it opened in 2014, it already feels oddly dated. Read more…

Now running through April 1

AMELIE at the Ahmanson Theatre

Photo by Mariah Tauger

Photo by Mariah Tauger

Dany Margolies – The Daily Breeze

Those who dared to take a charming little French film and turn it into a Broadway-bound musical had to know they’d be facing brickbats along with the plaudits. Or, as the French say, criticism is easy but art is difficult. Read more…

Erin Conley – Onstage

It is always a treat when those of us in Los Angeles get a sneak peek of a Broadway-bound new musical, and Amelie is no exception. Read more…

Rob Stevens – Haines His Way

Amelie, A New Musical is currently at the Ahmanson Theatre after premiering at Berkeley Repertory Theatre in 2015 and before opening on Broadway in early April, 2017. Read more…

Now running through January 15