November 28, 2022Dana Martin – Stage Raw Cori Cable Kidder is channeling the star power of country music icon Patsy Cline at the Sierra Madre Playhouse this holiday season. A Patsy Cline Holiday Concert promises the most wholesome two hours of country music crooning this side of anywhere. Read more… Through December 23

November 26, 2022Steven Leigh Morris – Stage Raw Confession: In all my years of reviewing theater, this is the first production I’ve ever seen of Shakespeare’s Henry VIII originally titled All is True, co-written (somebody thinks, who knows?) with Shakespeare’s peer, John Fletcher. It’s the last history play penned or co-penned by the Bard, and it’s a
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November 25, 2022Tracey Paleo – Gia On The Move Outrage sets the stage for a righteous reset according to Dilber in Arthur Jolly’s reimagined Christmas Carol classic MRS. DILBER’S FABULOUS BEDCURTAINS at Loft Ensemble. More… Through December 16

November 25, 2022Terry Morgan – Stage Raw Everyone knows that a good ghost story needs to be scary, but to be a great ghost story, it needs to move its audience as well. Where would The Sixth Sense be without the Bruce Willis character slowly realizing his fate or The Haunting of Hill House be without poor,
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November 25, 2022Deborah Klugman – Stage Raw First produced with the title Gray’s Anatomy at New York’s Circle Rep Theatre in 1994, Jim Leonard’s family-oriented coming-of-age fable strives for the unvarnished poignancy of Thornton Wilder’s Our Town as it recounts the story of a fatherless teen in 1880s rural Indiana. Leonard’s revised version, published as Anatomy of
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November 23, 2022Harker Jones – BroadwayWorld In the West Coast premiere of Cyndy A. Marion’s BROKEN STORY, Jess (Lindsay Danielle Gitter), a Manhattan journalist, relates her childhood obsession with a mobster’s daughter whose parents died under mysterious circumstances. Years later, that daughter, Jane Hartman (Lynn Adrianna Freedman), has moved to Los Angeles and become a successful author.
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November 23, 2022Terry Morgan – ArtsBeat LA According to a survey conducted by American Theater magazine, Lynn Nottage’s Clyde’s is currently the most produced play in the U.S. It’s not surprising that Nottage’s work is being done; she’s received the Pulitzer Prize twice during her illustrious career. But it’s a little disappointing that this show seems to
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