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Archive for Pasadena Playhouse

KING CHARLES III at the Pasadena Playhouse

Photo by Jenny Graham

Photo by Jenny Graham

Katie Buenneke – Stage Raw

Mike Bartlett’s play King Charles III is, in many ways, a snapshot of an earlier era. Given that the whole thing is written in iambic pentameter, you might think it’s a throwback to Shakespeare’s time. Instead, it depicts an alternate history that diverged from our own in late 2015. This is a world where Queen Elizabeth II is dead, Brexit never happened, and American TV star Meghan Markle has yet to start dating Prince Harry.
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Jonas Schwartz -  TheaterMania

Mike Bartlett’s award-winning play King Charles III arrives at the Pasadena Playhousewith a reinterpretation by its director, Michael Michetti, putting his own touch on the production. A talented cast enlivens this “what if” that finds the new monarch, King Charles III (Jim Abele), clashing with a hostile parliament.
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Frances Baum Nicholson –The Stage Struck Review

In order to fully understand the tensions of the play now open at the Pasadena Playhouse, it would be helpful have some background in the last century of the British monarchy.
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Now running through December 3

OUR TOWN at the Pasadena Playhouse

Photo by Jenny Graham

Photo by Jenny Graham

Jonas Schwartz -  TheaterMania

In Thornton Wilder’s Our Town, the Stage Manager guides audiences through the fictional New Hampshire town of Grover’s Corners. She confides in the audience, shares secrets, and points out revelations. Which is why the casting of Jane Kaczmarek in Pasadena Playhouse‘s production makes sense.
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Frances Baum Nicholson –The Stage Struck Review

When Thornton Wilder’s “Our Town” first appeared in 1938, its production was a radical departure from what theater had been up until that time. This intimate portrait of small town New Hampshire at the start of the 20th Century would prove to modern audiences what theater could do that film (and later television) could not…..
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Hoyt Hilsman  -  Huffington Post

The Pasadena Playhouse opened its season – the first under the leadership of Producing Artistic Director Danny Feldman – with a truly memorable staging of Thornton Wilder’s iconic play. Considered by many to be the greatest American play, Our Town presents a daunting challenge for theaters and theater artists.
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Now running through October 22

 

SHOUT SISTER SHOUT! at the Pasadena Playhouse

Jim Cox Photography

Jim Cox Photography

Deborah Klugman – LA Weekly

Born in 1915, Sister Rosetta Tharpe has been called the godmother of rock & roll for her profound influence on a legion of famous vocalists, including Elvis Presley, Tina Turner and Johnny Cash (who noted in his induction speech into the Hall of Fame that she was his favorite singer). Read more…

Jonas Schwartz -  TheaterMania

Rosetta Tharpe was a pioneer rock artist who inspired many individuals and the future of rock and roll itself, but Randy Johnson and Cheryl L. West, the creators of Shout Sister Shout!, do not seem to trust the power of Tharpe’s story on its own merits. Instead, they structure a convoluted fantasy around this life story that feels as if it was directly cribbed from Frank Capra’s It’s a Wonderful Life.   Read more…

Frances Baum Nicholson – The Daily News

If you love classic rock ’n’ roll and have never heard of Sister Rosetta Tharpe, shame on you.
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Now running through August 20

THE ORIGINALIST at the Pasadena Playhouse

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(Photo by Jim Cox Photography)

Deborah Klugman – Capital & Main

In John Strand’s play, The Originalist, the late Supreme Court Associate Justice Antonin Scalia (Edward Gero) is presented as a lovable curmudgeon — rather like the tough, gruff but charismatic professor you might have had back in your university days. To appreciate the character, and the play, you need to be willing to suspend your knowledge of the sum damage of Scalia’s opinions on civil rights and the democratic process...Read more…

Frances Baum Nicholson – The Daily Breeze

In the opening moments of John Strand’s “The Originalist,” the late Supreme Court Justice Antonin Scalia is addressing a large group at The Federalist Society. For those who care to look, this is an elegant shorthand about his background. (If you need to know more, check out Jeffrey Toobin’s article, which discusses that organization’s agenda and its foundational drive to train and raise up originalist conservative judges, in The New Yorker on April 17.)

Margaret Gray – LA Times

In John Strand’s snappy, timely, contrived drama “The Originalist,” now at the Pasadena Playhouse, it’s 2012, and a liberal law-school graduate named Cat has applied for a clerkship with conservative Supreme Court Justice Antonin Scalia. Read more…

Now running through May 7

A CINDERELLA CHRISTMAS at the Pasadena Playhouse

Photo by Philicia Endelman

Photo by Philicia Endelman

Jonas Schwartz -  TheaterMania

A Cinderella Christmas, the latest pantomime show at the Pasadena Playhouse, has an age limit. The children at the theater delighted in the sophomoric jokes, sing-alongs, and fourth-wall-breaking conversations with the audience. Read more…

Now running through January 8

THE FANTASTICKS at the Pasadena Playhouse

© Jim Cox Photography)

© Jim Cox Photography)

 Jonas Schwartz -  TheaterMania

The title says it all. The Fantasticks is always is a delight. This production at the Pasadena Playhouse is no exception. Led by Philip Anthony-Rodriguez as the mysterious El Gallo, the musical comedy features a talented cast, including Tony winner Hal Linden, all of whom add to the enchantment of the text. Read more…

Now running through October 2

THE MADWOMAN IN THE VOLVO at the Pasadena Playhouse

 

(© Jim Cox Photography)

(© Jim Cox Photography)

Jonas Schwartz – TheaterMania

Sandra Tsing Loh has a lot to say about menopause and the suffering and confusion it causes for women. The award-winning essayist’s first play, The Madwoman in the Volvo, reveals very personal travails, but does it in a superficial way, so that the audience cannot always identify with her or understand the motives for the major upheavals she makes in her life.   more…

 

CASA VALENTINA at the Pasadena Playhouse

Photo by Jim Cox Photography

Photo by Jim Cox Photography

Myron Meisel – Stage Raw

I remember, back when young and impecunious, sneaking into the house during first intermission to catch the last two acts of Harvey Fierstein’s Torch Song Trilogy, only to be so smitten that I returned the following day to buy a ticket to see the first act and stay again for the rest. Read more…

Jonas Schwartz -  TheaterMania

Fierstein’s play shines a light on hatred in unlikely places with Casa Valentina, given a sly interpretation David Lee, who adds extra bite to this 2014 dramedy. Read more…

Now running through April 17

FLY at the Pasadena Playhouse

Photo by Jim Cox Photography

Photo by Jim Cox Photography

Lovell Estell III – Stage Raw

The Tuskegee Airmen were the first African-American military pilots in the Armed Forces of the United States. Their courage, skill and dedication played a significant role in the allied victory in Europe during World War II — this in a time of hardcore segregation and racial hostility, both inside and outside the military. Their story is the inspiration for this stylized drama, penned by Trey Ellis and Ricardo Khan, who also provides sound direction.
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Pauline Adamek  – ArtsBeatLA

Exhilarating and profoundly emotional, Fly is a hugely entertaining and uplifting stage play about real-life heroes and determined pioneers who defied opposition and broke an important race barrier. In Trey Ellis and Ricardo Khan’s World War II-set play we meet a group of men who excelled in their chosen career against all odds. These men demonstrated ferocious valor as well as a willingness to serve and die for their country, in spite of being treated like second-class citizens at home in the still-segregated regions of the US.     Read more…

 

Now running through February 21

BREAKING THROUGH at the Pasadena Playhouse

Photo by Jim Cox

Photo by Jim Cox

Jonas Schwartz -  TheaterMania

Struggling singer Charlie Jane wants to find her voice. She writes songs that speak to her frustrations growing up as the daughter of a failed artist, and she wants to reach other youngsters. Sleazy producers, egotistical colleagues, and her own insecurities stand in her way….

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REAL WOMEN OF EAST LA ARE IN THE PALISADES AND PASADENA – Don Shirley, L.A. Observed

real-women-curves-pasadena

Don Shirley – LA Observed

Center Theatre Group, which continues to call itself “L.A.’s Theatre Company,” also continues to demonstrate virtually no interest in LA stories.

When CTG recently announced the next Mark Taper Forum season, after previously revealing new seasons for the coming year at CTG’s Ahmanson and Kirk Douglas theaters, I began counting. So, how many of the 14 CTG productions at these three venues are set in or near LA?

None.

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REAL WOMEN HAVE CURVES at the Pasadena Playhouse

Photo by Philicia Endelman

Photo by Philicia Endelman

Margaret Gray – LA Times

No Prince Charming — or any other man, for that matter — appears onstage in the revival of “Real Women Have Curves” at the Pasadena Playhouse.

Nevertheless Josefina López’s crowd-pleasing play is a Cinderella story, with a touchingly pure faith in the power of a makeover.  Read more…

Jonas Schwartz -  TheaterMania

Real Women Have Curves, Josefina López’s reflection on the plight of garment workers in Los Angeles, began its life in 1990 at the Mission Cultural Center in San Francisco. Based on Lopez’s experiences becoming a legal U.S. resident, the play was adapted into a Sundance Award-winning film in 2002. Now, to mark its 25th anniversary, López has updated her original play for modern times at Pasadena Playhouse.  Read more..    

Now running through Oct 4.