Layout Image

Archive for Paul Birchall

ADAM AND EVIE at City Garage

Photo by Paul Rubenstein

Photo by Paul Rubenstein

Deborah Klugman – LA Weekly

While I’m not familiar with all — or even most — of Charles Mee’s work, it’s a safe bet that Adam and Evie, directed by Frédérique Michel at City Garage, is one of his gentler, sweeter plays. Read more…

Paul Birchall  – Stage Raw

Love is madness, just as it is unique and self-contained. The way you fall in love with your beloved will be different from the way Joe Shmoe across the way falls in love. Playwright Charles L. Mee understands this, and so does his interpreter, director Frederique Michel, evidenced in this sweet, if tepidly involving production which strives to depict the nature and essence of romantic attachment.     Read more…

Now running through April 24

 

 

CAT ON A HOT TIN ROOF at Antaeus Theatre Company

Steven C. Kemp

Steven C. Kemp

Paul Birchall  – Stage Raw

Antaeus Theatre Company inaugurates their lovely new Glendale performance space with this tremendously stylish production of Tennessee Williams’ family drama. The play tells the story of a desperate woman named Maggie (the “cat” of the title) her depressed alcoholic husband Brick, and the battle for the estate of Brick’s father, the intimidating Big Daddy. Read more…

Erin Conley – On Stage & Screen

“What is the victory of a cat on a hot tin roof?” While the cat’s case is less clear, there are many victories to be found in Antaeus Theatre Company’s take on the Pulitzer Prize-winning Tennessee Williams classic Cat on a Hot Tin Roof, which marks the inaugural production at their beautiful new home….Read more…

Deborah Klugman – LA Weekly

Tennessee Williams’ 1955 potboiler Cat on a Hot Tin Roof has more than one story to tell, and in the premiere performance I saw last week, directed by Cameron Watson at Antaeus Theatre Company’s new digs in Glendale, it was Big Daddy’s story that captivated my attention.   Read more…

Rob Stevens – Haines His Way

Arthur Miller, Eugene O’Neill and Tennessee Williams are considered by most to be the three foremost American playwrights of the 20th Century. Of that trio, Mr. Williams has always been my particular favorite. Read more…

Dany Margolies – The Daily Breeze

Like an abandoned lover, the double bed at the center of Brick and Maggie’s bedroom seems to writhe and cry out in loneliness, in Antaeus Theatre Company’s production of “Cat on a Hot Tin Roof.” Read more…

Pauline Adamek – ArtsBeatLA

The Antaeus Theatre Company production of Tennessee Williams’ Pulitzer Prize-winning masterpiece Cat on a Hot Tin Roof is a handsome production and extremely well acted (this review is of The Buttered Biscuits cast), but unfortunately the play itself feels extremely dated. The characters are often one-note in their misery and the dialogue is tediously repetitive. Read more…

 

 

Now running through May 7

 

THE CRUISE – Latin Theater Company at Los Angeles Theater Center

Photo by Grettel Cortes

Photo by Grettel Cortes

Paul Birchall  – Stage Raw

A cruise ship is a metaphor for the world in microcosm.  All classes and strata of society live together within the boundaries of the little tin ship, which is surrounded by the nothingness of the great sea. Read more…

Now running through April 19

 

PARADISE LOST: RECLAIMING DESTINY at Greenway Court Theatre

Photo by Anthony Roldan

Photo by Anthony Roldan

Paul Birchall  – Stage Raw

You don’t need to brush up on your Milton to enjoy this splendid adaptation of his great epic Paradise Lost, which tells the story of Satan’s consignment to Hell and Adam and Eve’s fall from Eden. Jones (Welsh) Talmadge, creator of this gorgeous and dynamic shindig, has crafted the work into a ballet, with Cirque Du Soleil-like acrobatic undercurrents. Read more…

Now running through April 2

 

LUSTING AFTER PIPINO’S WIFE at Theatre 68

Photo by Doren Sorrell)

Photo by Doren Sorrell)

Paul Birchall  – Stage Raw

According to director/performer Ronnie Marmo, this production of Sam Henry Kass’s comedy is a 25th anniversary staging of a show that he remembers fondly from when he acted in it many years ago. To my mind, however, the play’s mix of calculatedly quirky romantic situations and abrasively eccentric characters has aged quite poorly. I’m not sure why. Read more…

Now running through April 19

 

SHADES OF DISCLOSURE at the Skylight Theatre

Photo by Ed Krieger)

Photo by Ed Krieger)

Paul Birchall  – Stage Raw

It’s not helpful to dwell on the generation gap between the young and the old, particularly in the world of LGBTQ folks. The young possess the great currency of youth — beauty, brashness, opportunity. By contrast, if capitalist culture markets to Queers at all, the older folks are shunted to the side…..Read more…

Now running through February 25

 

GRIMLY HANDSOME at City Garage

(Photo by Paul M. Rubenstein

Photo by Paul M. Rubenstein

Paul Birchall  – Stage Raw

I am taking an online class from my old college about comparative fairy tales – not the cutesy Disney stuff, but the darker, more horrifying tales of little children falling into wells and drowning, or witches being shoved into ovens and roasted alive. So perhaps it was no surprise that, as I was watching playwright Julia Jarcho’s dark kaleidoscopic tale of danger and menace, I suddenly realized, “Oh my goodness – this is just Little Red Riding Hood!” Read more…

Dany Margolies – The Daily Breeze

Everyone involved in bringing “Grimly Handsome” to life at Santa Monica’s City Garage has done all the necessary work. Still, the play will feel like a farrago, unless the audience is willing to patiently dig in to sort out the threads. Read more…

Now running through February 26

 

WHEN LIVES MATTER: THE PLAY at the Lounge Theatre

Photo: Courtesy of When Lives Matter: The Play)

Photo: Courtesy of When Lives Matter: The Play)

Paul Birchall  – Stage Raw

It may be one of the unintended consequences of the 2017 Presidential Ascension of the Infernal One that we have a chance to witness the blooming of art in protest and an attempt to confront and shake up the new status quo. If we are lucky, there will be many plays like playwright/director Monti Washington’s passionate and thought-provoking meditation on race in the U.S., including ruminations on the philosophy surrounding the Black Lives Matter movement. Read more…

Now running through January 22

SYNTHESIS at the Dorie Theatre at the Complex

(Photo by Kim Beavers)

(Photo by Kim Beavers)

Paul Birchall  – Stage Raw

Playwright Paul Shoulberg’s dark sardonic comedy is a tale of finding love within the rubble of one’s damaged psyche. It’s a work that brings to mind Hemingway’s old koan, “The world breaks everyone and afterward many are strong at the broken places.” Read more…

Rob Stevens – Haines His Way

My first review of 2017 is of “a new play about God, rehab, and a fern.” So says the tagline for the World Premiere of Paul Shoulberg’s Synthesis at The Dorie, directed by Stan Zimmerman. Read more…

Now running through January 29

IN THE BALANCE at Studio/Stage

(Photo by Riley Beckham)

(Photo by Riley Beckham)

Paul Birchall  – Stage Raw

Playwright A. David Redish’s odd drama is a weird mix of Blithe Spirit and Who’s Afraid of Virginia Woolf. This pitch is likely to have you thinking that the show might be better than it is. So it gives no me pleasure to note that Steve Jarrard’s awkwardly executed production will leave you thinking you’ve seen a sloppy mess rather than anything mystical and quirky. Read more…

Now running through December 11

URINETOWN at the Historic Lankershim Arts Center

Photo by Nardeep Khurmi

Photo by Nardeep Khurmi

Paul Birchall  – Stage Raw

It is a terrible thing for a theater critic to admit, but I’d never seen this scabrously funny Tony Award-winning musical, about the price put on the most fundamental of bodily functions, before attending the Coeurage Theatre Company’s fresh and sprightly production.    Read more…

Now running through February 25

THE STAND-IN at the Bootleg Theatre

 

(Photo by Darrett Sanders)

(Photo by Darrett Sanders)

Paul Birchall  – Stage Raw

Sometimes a play can go up a little too early — and I am afraid that is the case with this drama co-written by Alicia Adams and Peter Monro. Its bones are in all the right places, but its narrative is slight and its tone is heavy and flat.Read more…

Now running through November 5