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Archive for Robert Egan

Conversation Starters: How Robert Egan Put Ojai Playwrights on the Map

Robert Egan in rehearsal at Ojai Playwrights Conference. Photo courtesy of Theatre Communications Group

Robert Egan in rehearsal at Ojai Playwright’s Conference. Photo courtesy of Theatre Communications Group

Margaret Gray – American Theatre, A publication of Theatre Communications Group

On Sunday evening, Aug. 14, Robert Egan stood up at the front of an auditorium in Ojai, Calif., to introduce the final event of the 2022 Ojai Playwright’s Conference’s (OPC) New Works Festival, a staged reading of Bill Cain’s play-in-progress, God’s Spies. Promising to keep his remarks brief, because “it’s a two-act play,” Egan reminisced about the start of his long collaboration with Cain, who went on to be “the most produced playwright” at the Ojai conference. Their relationship began in the late 1980s, when Egan was the producing artistic director at the Mark Taper Forum in L.A. and Cain had a hit there with Stand-Up Tragedy.

Egan then alluded, a bit hesitantly, to another milestone: This would be his last introduction as OPC’s artistic director/producer, a role he’s held since 2002. He had announced his decision to step down in March. Read more…


Photo by Chelsea Sutton

Photo by Chelsea Sutton

Deborah Klugman – Stage Raw

Love, muses Richard Cabral during the opening moments of his autobiographical solo show, means different things to different people, and can even be something different for any one person at different stages in his or her life. Cabral’s perception of love as a young boy, he tells his audience, differed from how he experienced it as a gang member, and then as a prison inmate — and still later as the man he is now. Read more…

Now running through May 8