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Archive for Sacred Fools Theatre Company

2018 Award Show Photos

It was a great night at the 50th Annual Los Angeles Drama Critics Circle Awards at Pasadena Playhouse on Monday, April 8th. Congratulations to all of the award recipients and to everyone whose outstanding work received a nomination. We are proud to recognize your accomplishments. Thank you to everyone who attended the show and thanks to photographer Meredith Adelaide for capturing the excitement. For additional photos, visit our Facebook page.

Yvonne Bell, our inaugural Theater Angel Award winner

Yvonne Bell, our inaugural Theater Angel Award winner

Brian Kite, Cathy Rigby, Tom McCoy and B.T. McNicholl celebrate their Joel Hirschhorn Award

Brian Kite, Cathy Rigby, Tom McCoy and B.T. McNicholl celebrate their Joel Hirschhorn Award

Jean Bruce Scott and Randy Reinholz representing Native Voices at the Autry

Jean Bruce Scott and Randy Reinholz representing Native Voices at the Autry, winner of the Gordon Davidson Award

Artists representing Celebration Theatre

Artists representing Celebration Theatre’s win for their revival of Cabaret

Jennifer Chang, winner for her direction of East West Player's VIetgone

Jennifer Chang, award winner for her direction of East West Players’ Vietgone

Daisuke Tsuji, outstanding Featured Performance

Daisuke Tsuji, outstanding Featured Performance in Cambodian Rock Band at South Coast Rep

Padraic Duffy, Aviva Pressman and Bruno Oliver celebrating Sacred Fools Theater Company's Margaret Harford Award

Padraic Duffy, Aviva Pressman and Bruno Oliver celebrating Sacred Fools Theater Company’s Margaret Harford Award

Jim Steinmeyer, winner for Illusions, Stagecraft, and Magic Carpet in  Aladdin at the Hollywood Pantages Theatre

Jim Steinmeyer, winner for Illusions, Stagecraft, and Magic Carpet in Aladdin at the Hollywood Pantages Theatre

John Iacovelli

John Iacovelli, Set Design winner for Antaeus Theatre Company’s The Little Foxes

Jeff Gardner

Jeff Gardner, Sound Design winner for Native Son at Antaeus Theatre Company

Stephen Gifford, Set Design winner for Cabaret

Stephen Gifford, Set Design winner for Cabaret at Celebration Theatre

Thomas McCurdy, Thomas Isao Morinaka and Aaron Aoki, Fight Choreography winners for Vietgone, East West Players

Thomas McCurdy, Thomas Isao Morinaka and Aaron Aoki, Fight Choreography winners for Vietgone, East West Players

Janet Roston, award winner for her choreography of Cabaret at Celebration Theatre

Janet Roston, award winner for her outstanding choreography for Cabaret at Celebration Theatre

Rob Nagle, award winner for his Featured Performance in The Little Foxes at Antaeus Theatre Company

Rob Nagle, award winner for his Featured Performance in The Little Foxes at Antaeus Theatre Company

Artists representing the winning ensemble of Antaeus Theatre Company production of The Little Foxes

Artists representing the winning ensemble of Antaeus Theatre Company’s The Little Foxes

Echo Theater Company's Chris Fields, Lindsay Allbaugh, Rachael Zambias and Molly Smith-Metzler celebrate receiving the Polly Warfield Award

Echo Theater Company’s Chris Fields, Lindsay Allbaugh, Rachael Zambias and Molly Smith Metzler celebrate receiving the Polly Warfield Award

Jessica Hird from The Shakespeare Center of Los Angeles accepts Tom Hanks' award for Lead Performance

Jessica Hird from The Shakespeare Center of Los Angeles accepts Tom Hanks’ award for Lead Performance in Henry IV

Rithy Hanh and Pita Huot accept the Ted Schmitt Award on behalf of Lauren Yee's new play Cambodian Rock Band

Rithy Hanh and Pita Huot accept the Ted Schmitt Award on behalf of Lauren Yee and her new play Cambodian Rock Band

Kasey Mahaffy, Paul David Story, Geoff Elliott and Wesley Mann celebrate their award for A Noise Within's revival of Rosencrantz and Guildenstern Are Dead

Kasey Mahaffy, Paul David Story, Geoff Elliott and Wesley Mann celebrate their award for A Noise Within’s revival of Rosencrantz and Guildenstern Are Dead

Allison Dillard, double winner for her Costume Designs for Celebration Theatre's Priscilla, Queen of the Desert and Moving Arts'  BLISS (or Emily Post is Dead!)

Allison Dillard, double winner for her Costume Designs for Celebration Theatre’s Priscilla, Queen of the Desert and Moving Arts’ BLISS (or Emily Post is Dead!)

Alex Nee, award winner for his Lead Performance in Cabaret at Celebration Theatre

Alex Nee, award winner for his Lead Performance in Cabaret at Celebration Theatre

Kaitlyn Pietras and Jason H. Thompson, CGI winners for their work in Vietgone, East West Players

Kaitlyn Pietras and Jason H. Thompson, CGI winners for their work in Vietgone at East West Players

Anthony Zediker celebrates his award for Music Direction for Celebration Theatre's Cabaret

Anthony Zediker celebrates his award for Music Direction for Celebration Theatre’s Cabaret

Molly Smith Metzler, Writing award winner for Cry It Out at Echo Theater Company

Molly Smith Metzler, Writing award winner for Cry It Out at Echo Theater Company

Kasey Mahaffy, award winner for his Featured Performance in A Noise Within's Rosencrantz and Guildenstern Are Dead

Kasey Mahaffy, award winner for his Featured Performance in A Noise Within’s Rosencrantz and Guildenstern Are Dead

 

THE ART COUPLE at the Broadwater Black Box

Darrett Sanders

Darrett Sanders

Lovell Estell III — Stage Raw

Paul Gauguin, Vincent Van Gogh and Neil Simon: two icons of the brush and canvass, another of the written word and stage, are all cleverly brought together in this striking world premiere by playwright Brendan Hurt.
Read more…

Now running through March 17

MIRAVEL at Sacred Fools Theatre

Photo by Jessica Sherman

Photo by Jessica Sherman

David C. Nichols – LA Times

Edmond Rostand meets Hermann Hesse at the Village Vanguard in “Miravel” at Sacred Fools.

Author-performer Jake Broder’s mash-up of Rostand’s deathless “Cyrano de Bergerac” and Hesse’s novel “Gertrude” has some post-larval quirks, yet a compelling undertow propels its jazz-centric romantic triangle.   Read more…

Paul Birchall  – Stage Raw

Playwright/composer Jake Broder, whose play Louie and Keely Live at the Sahara  went from Sacred Fools to the Geffen and then to regional theaters such as Chicago’s Royal George, returns here once again with another musical motif – this time the world of jazz. His latest opus is a magical amalgam of jazz music and gentle tinged-with-regret romantic drama.  Read more…

Now running through December 19.

CANDIDE at Sacred Fools Theatre

Candide2

Photo courtesy of Sacred Fools

Paul Birchall  – Stage Raw

Playwright Jon Jory’s adaptation of Voltaire’s novella Candide is, to cynically paraphrase the satire’s implacable optimist, Professor Pangloss,  work that is the best of all possible worlds. Which is to say that it is all right-ish, if not especially powerful or inspired.

Read more…

Now running through Oct. 17.

ASTRO BOY AND THE GOD OF COMICS at Sacred Fools Theatre Company

Sacred Fools Theatre Company

Sacred Fools Theatre Company

Terry Morgan  -  Stage Raw

One of the beauties of Natsu Onoda Power’s play is that it’s just as enjoyable for neophytes to “manga” (Japanese comics) as it would be for cognoscenti. The main reason to see this new show at Sacred Fools, however, is the spectacular production. Jaime Robledo’s direction is brilliantly creative, pushing the technical capabilities of that theatre space about as far as they can go, resulting in a dazzling display. Read more…

Now running through July 25.

TASTE at Sacred Fools Theatre Company

taste

Photo by Jessica Sherman Photography

 

 

 

 

 

 

 

 

 

Bob Verini -   Arts In LA

The premise of Benjamin Brand’s Taste, as the management of Sacred Fools Theater Company has been unabashedly eager to trumpet in preopening publicity, is a compact made between two men to meet for dinner, at which the guest is to be killed, butchered, cooked, and eaten by the host in what must qualify as the most unusual, and surely the most potentially savory, assisted suicide of all time. Read more…

Pauline Adamek  – Stage Raw

Two men meet on the Internet and forge an unholy pact.

Screen and television writer Benjamin Brand’s first play, Taste, is based on a bizarre, true-crime episode from 2001, for which a German man named Armin Meiwes was convicted and eventually sentenced to life imprisonment.

Every grisly detail of the actual event was videotaped, so Taste is a factual play that reenacts the meeting between the two men and powerfully unfolds in real time.

It’s chilling stuff, yet it’s also inexplicably hilarious.  Read more

Terry Morgan  -  Talkin’ Broadway

When one reads about a new play concerning cannibalism, directed by Stuart Gordon, the man who brought the world Re-Animator, one has certain preconceptions. Or at least I did. I presumed it would be gory and darkly humorous, and I was correct in those assumptions. What I didn’t expect was that it would be an essentially serious and weirdly touching character study, and I was pleasantly surprised by the brilliant performances.   Read more…

Myron Meisel – The Hollywood Reporter

The fastidious Terry (Donal Thoms-Cappello), well-schooled from television chefs such as Jacques Pepin, caramelizes some onions in his carefully arranged apartment, the set of which consists primarily of a kitchen. Director Stuart Gordon, a gorefest connoisseur, invokes sensory recollections of cinematic Smell-O-Vision with the cepaceous aroma, when the awaited visitor comes to the door. Read more…

Deborah Klugman – LA Weekly

It’s hard to conceive of a more bizarre and revolting tale than the one re-imagined in Taste, Benjamin Brand’s reality-based play about a pact between a man with cannibalistic desires and the willing victim he solicits on the internet.  Read more…

Hoyt Hilsman  -  Huffington Post

Benjamin Brand’s play, based on the 2001 incident in Germany in which a man agreed to be killed and eaten by another man (dubbed the Rotenberg Cannibal) has been justifiably praised for impeccable performances by Donal Thoms-Cappello and Chris L. McKenna, as well as for the audacious tackling of the subject matter by Brand.  Read more…

Now running through May 31.

Neverwhere, Sacred Fools Theatre Company

Photo by Jessica Sherman.

 

Neverwhere by Robert Kauzlaric, adapted from the novel written by Neil Gaiman.

 

Pauline Adamek – LA Weekly

After assisting a distraught and injured woman named Door (Paula Rhodes), a milquetoast office worker named Richard (Bryan Bellomo) embarks on a journey that draws him into a fantastical subterranean world that lies beneath London. Neil Gaiman’s Wizard of Oz-esque story promises a magical subculture of strange characters, terrifying beasts and exciting twists and turns, but director Scott Leggett’s disappointing production delivers a meandering fairytale of a series of myth-like quests that lack tension or genuine threat.  Read more…

 

 

 

Terry Morgan – LAist

Over the years I’ve come to respect Sacred Fools Theater Company as one of the most adventurous theatre groups in town. Its history is full of big shows that seem too ambitious for the space and financial means, but time and again the company triumphs, from shows such as The Mystery of Edwin Drood and Gorey Stories in the past to Watson and Stoneface in the present. They’ve done it again with Neverwhere, a big-canvas fantasy that, while rough around the edges, still preserves the charm and magic of Neil Gaiman’s novel.   Read more…

 

 

Stoneface, Sacred Fools Theatre Company

Photo by Shaela Cook

 

Stoneface by Vanessa Claire Stewart.

 

Pauline Adamek – ArtsBeatLA

Be advised – Vanessa Claire Stewart’s wonderful play about Buster Keaton is not a barrel of laughs. Dealing largely with the latter, dismal years of the legendary silent film comedy star’s career and failed marriages (two), many of the dramatic scenes are truly heartbreaking. That’s thanks to superbly subtle and emotional performances from both French Stewart and Joe Fria as Buster Keaton (older and younger, respectively).  Read more…