Layout Image

Archive for Stage Raw

GOONIE at Atwater Village Theatre

Photo by Hiram Sanchez

Photo by Hiram Sanchez

Deborah Klugman – Stage Raw

Writer/performer Terry Maratos’s solo show about an angry addled man and his struggles with his family is chockful of the broad caricature and shtick-laden narrative that I normally find grating. But Goonie is a rare exception. Read more…

Now running through May 5

 

MARTHA at the Whitefire Theatre

(Photo by Charles Dougherty)

(Photo by Charles Dougherty)

Neal Weaver  – Stage Raw

Modern dancer and choreographer Martha Graham has become an almost mythical figure. She was remarkably prolific, creating 181 dances over the course of her career and dancing into her 70s (though sometimes she lurched a bit during her later years). Read more…

Now running through May 28

A DOLL’S HOUSE, PART 2  at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Terry Morgan  -  Stage Raw

One of the most intriguing uses of art is a conversation between an acknowledged masterpiece from the past and a current artist commenting upon it or adding to it in some way. Of course, this doesn’t always work, but when it does, the results are often fascinating. Such is the case with Lucas Hnath’s A Doll’s House, Part 2, where the playwright examines the issues brought up in the Ibsen’s classic play with complexity and empathy. The world premiere production at South Coast Repertory is bracingly intelligent and superbly performed. Read more…

Now running through April 30

 

REVOLUTION IN A CATSUIT at the Bootleg Theatre

(Photo by Richard Pope)

(Photo by Richard Pope)

Deborah Klugman – Stage Raw

In Revolution in a Catsuit, directed by Michael Philip Edwards, playwright/lead performer Somi De Souza aims to tackle the problems of ethnic minorities in the entertainment industry — the tendency for directors, casting directors and producers to stereotype people of color and, even more deplorably, cast white actors in minority roles. Read more…

Now running through April 30

THE ENCOUNTER at the Wallis Annenberg Center for the Performing Arts

Photo by Rob Latour

Photo by Rob Latour

Terry Morgan  -  Stage Raw

The good thing about experimental theatre is the thrill of something new, the excitement of exploring radical new territory. The downside, of course, is that not every experiment is completely successful, or — even if something valuable is discovered — it may not provide a wholly satisfying piece of theatre. Such is the case with  production of The Encounter at the Wallis, which has fun with binaural sound technology, but within a show that has major problems. Read more…

Now running through April 16

LORD OF THE UNDERWORLD’S HOME FOR UNWED MOTHERS at the Skylight Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Neal Weaver  – Stage Raw

This is not the first play to deal with the Catholic Church’s former barbarous and hypocritical treatment of unwed mothers, but playwright Louisa Hill gives the subject urgent and harrowing reality. Read more…

Now running through May 14

WAITING FOR GODOT at The Other Space

Photo by Julian Buchan

Photo by Julian Buchan

Lovell Estell III — Stage Raw

And the wait continues with this engaging production of Samuel Beckett’s absurdist classic from the Open Circle Theater Company and director Daniel Wilner. Read more…

Now running through April 16

ADAM AND EVIE at City Garage

Photo by Paul Rubenstein

Photo by Paul Rubenstein

Deborah Klugman – LA Weekly

While I’m not familiar with all — or even most — of Charles Mee’s work, it’s a safe bet that Adam and Evie, directed by Frédérique Michel at City Garage, is one of his gentler, sweeter plays. Read more…

Paul Birchall  – Stage Raw

Love is madness, just as it is unique and self-contained. The way you fall in love with your beloved will be different from the way Joe Shmoe across the way falls in love. Playwright Charles L. Mee understands this, and so does his interpreter, director Frederique Michel, evidenced in this sweet, if tepidly involving production which strives to depict the nature and essence of romantic attachment.     Read more…

Now running through April 24

 

 

THE SIRENS OF TITAN at Sacred Fools Theater Company

Photo by Jessica Sherman

Terry Morgan  -  Stage Raw

One of the great themes in the writing of Kurt Vonnegut, Jr. is the lack of free will in characters who don’t know they’re being used. Moreover, should these characters find out they’re being manipulated, they certainly don’t know why or how to stop it. In this “post fact” era, when it’s accepted that our president lies to us every day, the new Sacred Fools production of Vonnegut’s The Sirens of Titan seems very timely. Read more…

Now running through May 6

THE INVENTOR AND THE ESCORT at the Lounge Theatre

Photo by Keenan Henson

Photo by Keenan Henson

Neal Weaver  – Stage Raw

Jeffrey (Jaret Sacrey) is an eccentric but moderately successful inventor of exotic and improbable sex-toys who, though he operates on the fringe of the sex industry, freely admits he’s got no game. Read more…

Now running through April 23

CAT’S PAW at Actors’ Co-op

Photo by Lindsay Schnebley

Photo by Lindsay Schnebley

Neal Weaver  – Stage Raw

An obscure warehouse in Washington, D.C. is the headquarters of a shadowy organization that claims to be devoted to the preservation of the planet. The leader and mastermind of the group is the flamboyant and self-dramatizing Victor (Sean McHugh). Read more…

Rob Stevens – Haines His Way

Playwright William Mastrosimone is best known for his 1982 off-Broadway play Extremities about a rape victim and her vendetta of revenge against her rapist. Read more…

 

Now running through April 30

 

CAT ON A HOT TIN ROOF at Antaeus Theatre Company

Steven C. Kemp

Steven C. Kemp

Paul Birchall  – Stage Raw

Antaeus Theatre Company inaugurates their lovely new Glendale performance space with this tremendously stylish production of Tennessee Williams’ family drama. The play tells the story of a desperate woman named Maggie (the “cat” of the title) her depressed alcoholic husband Brick, and the battle for the estate of Brick’s father, the intimidating Big Daddy. Read more…

Erin Conley – On Stage & Screen

“What is the victory of a cat on a hot tin roof?” While the cat’s case is less clear, there are many victories to be found in Antaeus Theatre Company’s take on the Pulitzer Prize-winning Tennessee Williams classic Cat on a Hot Tin Roof, which marks the inaugural production at their beautiful new home….Read more…

Deborah Klugman – LA Weekly

Tennessee Williams’ 1955 potboiler Cat on a Hot Tin Roof has more than one story to tell, and in the premiere performance I saw last week, directed by Cameron Watson at Antaeus Theatre Company’s new digs in Glendale, it was Big Daddy’s story that captivated my attention.   Read more…

Rob Stevens – Haines His Way

Arthur Miller, Eugene O’Neill and Tennessee Williams are considered by most to be the three foremost American playwrights of the 20th Century. Of that trio, Mr. Williams has always been my particular favorite. Read more…

Dany Margolies – The Daily Breeze

Like an abandoned lover, the double bed at the center of Brick and Maggie’s bedroom seems to writhe and cry out in loneliness, in Antaeus Theatre Company’s production of “Cat on a Hot Tin Roof.” Read more…

Pauline Adamek – ArtsBeatLA

The Antaeus Theatre Company production of Tennessee Williams’ Pulitzer Prize-winning masterpiece Cat on a Hot Tin Roof is a handsome production and extremely well acted (this review is of The Buttered Biscuits cast), but unfortunately the play itself feels extremely dated. The characters are often one-note in their misery and the dialogue is tediously repetitive. Read more…

 

 

Now running through May 7