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Archive for Stage Raw

MARCH at The Garage at the LGBT Center

Kelly Stuart

Kelly Stuart

Dana Martin– Stage Raw

LA’s LGBT Center and Playwrights’ Area have gone (COVID compliantly) rogue by staging high stakes drama in the LGBT Center parking garage. (The audience watches the action from within their cars, sound broadcast through a pre-set FM radio station.) March, conceived and directed by Jon Lawrence Rivera and written by MJ Brown, Amir Levi, Coretta Monk, Alex Budin, Chad Christopher, Matthew Clark, Brandon English, MARDOZA, Jon Lawrence Rivera, Roland Ruiz and Nick Salome, is high stakes melodrama with a lot of heart.
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Now running through November 15

 

 

RORSCHACH FEST, INKBLOT C at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Deborah Klugman – Stage Raw

In a Rorschach test, an individual is presented with a series of abstract images and asked what they see. Their answers are used by the administering psychiatrist or psychologist to gain insight into that person’s state of mind.

Open Fist Theater Company’s current production is titled Rorschach Fest. Presented as three separate programs, it’s a series of short plays by John O’Keefe, Harold Pinter, Daniel MacIvor and Caryl Churchill — four playwrights widely recognized for the distinctive style and/or content of their work.
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Now running through April 5

 

FOUND at IAMA Theatre Company

Jeff Lorch

Jeff Lorch

Erin Conley – On Stage & Screen

It all begins with a note on a car and a case of mistaken identity. Found, a musical based on the books and magazines of the same name by Davy Rothbart, opened this past weekend in its west coast premiere at IAMA Theatre Company in Los Angeles.
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Katie Buenneke – Stage Raw

If you’ve ever wondered if a talented musical theater composer could take literally anything and turn it into music, Found, now playing at the Los Angeles Theatre Center, is proof that that’s possible. Composer Eli Bolin, who wrote a number of winning songs for the Netflix special John Mulaney and the Sack Lunch Bunch, works with book writers Hunter Bell and Lee Overtree to take the notes that people misplace and turn them into a musical.
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Now running through March 23

HAMLET THE ROCK MUSICAL at the El Portal Theatre

Barry Weiss

Barry Weiss

Lovell Estell III — Stage Raw

Hamlet The Rock Musical has had a few iterations since it debuted in 1973 with the title Kronberg 1582. It was commissioned by the Canadian Broadcasting Corporation, where it was part of a larger radio program. In 1976, it ran on Broadway for seven shows as Rockabye Hamlet, and played here at the Odyssey Theatre in 1981 for 18 months as Somethin’ Rockin’ in Denmark.
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Now running through February 23

HUMAN INTEREST STORY at the Fountain Theatre

Jenny Graham

Jenny Graham

Terry Morgan  -  Stage Raw

Poverty and homelessness and what to do about them are hardly new matters of concern. King Lear berates his newly-found conscience thus: “Poor naked wretches…how shall your houseless heads and unfed sides…defend you from seasons such as these? O, I have ta’en too little care of this!”
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Margaret Gray – LA Times

The plot and themes of Frank Capra’s film “Meet John Doe,” released in 1941, feel startlingly pertinent to America in 2020. A craven plutocrat buys a city’s newspaper, lays off its seasoned journalists and repurposes it as propaganda for his political campaign — and the public eats it up.
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Now running through April 5

REVENGE SONG at Geffen Playhouse

Jeff Lorch

Jeff Lorch

Deborah Klugman – Stage Raw

Born around 1673, Julie D’Aubigny was an extraordinary women who defied the gender expectations of her time to live entirely on her own terms. D’Aubigny’s unconventional life is the basis for Revenge Song, a play by Qui Nguyen, familiar to local audiences for his compelling award-winning play Vietgone and its sequel Poor Yella Rednecks, both based on the immigrant experience of his Vietnamese parents.
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Now running through March 8

UNTIL THE FLOOD at the Kirk Douglas Theatre

Dael Orlandersmith in “Until the Flood.” Written by Orlandersmith and directed by Neel Keller, “Until the Flood” runs through February 23 at Center Theatre Group’s Kirk Douglas Theatre. For more information, please visit CenterTheatreGroup.org. Press Contact: CTGMedia@CTGLA.org / (213) 972-7376. Photo by Craig Schwartz.

Deborah Klugman – Stage Raw

The fatal shooting of black teenager Michael Brown by white police officer Darren Wilson in 2014 cast a harsh spotlight on the community of Ferguson, Missouri. Brown’s killing (six bullets in the front) provoked riots and unrest, stirring righteous rage within a black community long subject to abuse and intimidation from an all-white police force (supported in turn by an all-white city council).
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Now running through February 23

THE FATHER at the Pasadena Playhouse

Jenny Graham

Jenny Graham

Erin Conley – On Stage & Screen

Perspective is crucial to the understanding of both life and theater, and in the Pasadena Playhouse production of The Father, which opened this week, an intentionally disorienting point-of-view offers a dramatic and moving look at late-stage dementia. Written by Florian Zeller, the play premiered in 2014 and many consider it one of the most acclaimed of the recently concluded decade.
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Dana Martin– Stage Raw

Getting old is painfully difficult. Pasadena Playhouse’s newest production, The Father, is a fascinating yet frustratingly unclear story that examines a rapidly shifting dynamic between parent and child as the line between reality and delusion becomes increasingly blurred.
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Rob Stevens – Haines His Way

As life expectancy continues to grow, so does the concern for the wellbeing of our aging population. It’s a subject that hits close to home for everyone—whether it is providing care for a parent or thinking about our own future as we reach retirement age and beyond.
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Terry Morgan  -  Talkin’ Broadway

The specter of dementia touches us all, whether within our immediate family or not. It’s a particularly awful condition in which someone you once knew well might not even recognize you anymore or be able to do things they previously were expert at.
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Now running through March 1

 

WEST ADAMS at the Skylight Theatre

Ed Krieger

Ed Krieger

Deborah Klugman – Stage Raw

In September 2019, Investopedia published an article entitled “Six Gentrifying Neighborhoods in Los Angeles,” with West Adams at the top of the list. The writer mentioned the neighborhood’s proximity to Metro’s Expo Line, and the possibility of nabbing a property for $300 thou at a time when prices for L.A. housing are skyrocketing with no end in sight.
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Now running through March 8

 

THE LAST SHIP at the Ahmanson Theatre

Matthew Murphy

Matthew Murphy

Erin Conley – On Stage & Screen

At first blush, the shipbuilding industry does not seem the most obvious topic for a musical. The Last Ship, an original musical with music and lyrics by Sting and a new book by Lorne Campbell, opened this week at the Ahmanson Theatre in Los Angeles with some of the problems you might expect given the show’s tumultuous journey the last few years. But impressive design elements, a talented cast, and a surprising amount of heart save the production from running aground.
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Deborah Klugman – Stage Raw

The Last Ship is a good match for anyone with powerful empathy for the working-class men and women whose livelihoods over the past 50 years have been devastated by ruthless corporatism. It’s probably an agreeable one for theatergoers who, in their restless rebellious youth, may have pulled up roots to venture out into the world, leaving friends and family behind. And the show is a fortuitous opportunity for fans of Sting, the internationally famous British musician who birthed the idea behind it, wrote the score and lyrics, and is featured among the ensemble.
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Now running through February 16

EARTHQUAKES IN LONDON at Rogue Machine Theatre

John Perrin Flynn

John Perrin Flynn

Terry Morgan  -  Stage Raw

The phrase, “Nero fiddled while Rome burned” is used to describe doing something trivial when serious action is desperately required. It’s an apt epigram for humanity today — fully aware of the worsening disasters brought on by climate change but content to focus on acquiring more money and power, even as sea levels rise.
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Now running through March 1

 

WHAT THE CONSTITUTION MEANS TO ME at the Mark Taper Forum

Joan Marcus

Joan Marcus

Erin Conley – On Stage & Screen

When playwright Heidi Schreck was in high school, she traveled the country participating in Constitutional debate competitions. It was primarily a scheme cooked up by her mother to pay for college tuition with prize money (it worked), and she became an expert at defending or opposing various amendments to panels of judges that almost always consisted of exclusively old, white men.
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Deborah Klugman – Stage Raw

In attendance last Friday at What the Constitution Means to Me, Heidi Schreck’s droll insightful play directed by Oliver Butler at the Mark Taper Forum, I had the rare experience of  bonding with the rest of my fellow audience members.
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Rob Stevens – Haines His Way

Heidi Schreck’s What the Constitution Means to Me arrives as the Mark Taper Forum with a lot of advance hype—Tony Award and Pulitzer Prize nominations, etc. It certainly is relevant given the current political climate in the United States……
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Now running through February 28