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Archive for Stage Raw – Page 2

MICE – Ensemble Studio Theatre at Atwater Village Theatre

(Photo by Youthana Yuos)

(Photo by Youthana Yuos)

Rob Stevens – Haines His Way

If you have a fear/distaste for certain rodents, say mice or their bigger cousin–rats, Mice at Ensemble Studio Theatre might not be your piece of theatrical cheese.
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Deborah Klugman – Stage Raw

Schaeffer Nelson’s Mice is a strange little play in which a man in a mouse costume kidnaps two pastors’ wives and holds them prisoner in his basement. It’s a creepy story and not for everyone.
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Now running through November 5

ABSENCE MAKES THE HEART…/COMB YOUR HAIR (OR YOU’LL LOOK LIKE A SLAVE) at the Arena Stage

(Photo by Doug Haverty)

(Photo by Doug Haverty)

Neal Weaver  – Stage Raw

Absence Makes the Heart… — written by Abley, and directed by Chrisanne Blankenship-Billings — is a modern take on Hans Christian Anderson’s The Red Shoes, which deals with a dancer driven to her death by the uncontrollable urge to dance.

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Now running through October 29

 

MRS. WARREN’S PROFESSION at A Noise Within

(Photo by Craig Schwartz)

(Photo by Craig Schwartz)

Katie Buenneke – Stage Raw

Though it was written in 1893, George Bernard Shaw’s play Mrs. Warren’s Profession, now playing at A Noise Within in Pasadena, feels surprisingly contemporary. While Shaw scripted these conversations 124 years ago, the basic arguments the characters engage in have changed little in the intervening years.
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Frances Baum Nicholson –The Stage Struck Review

It would be tough, in the English-speaking theatrical canon, to find any playwright more unromantic than George Bernard Shaw. His view of the social arrangements of adult life in late Victorian and early 20th century Britain were quite clear in the arguments his plays made (and continue to make) about the entire subject.       Read more…

Now running through November 18

MR. BURNS, A POST-ELECTRIC PLAY at the Sacred Fools Theater Company

(Photo by Jessica Sherman Photography)

(Photo by Jessica Sherman Photography)

Terry Morgan  -  Stage Raw

After the recent Equity nonsense, wherein said organization did whatever it could to destroy our beloved 99-seat theatres, there was a general sense that L.A.’s theatrical scene was going to stagger backwards and falter.
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Now running through November 18

TIME ALONE at L.A.T.C.

 (Photo by David Morrison)

(Photo by David Morrison)

Deborah Klugman – Capital & Main

This powerful drama by Alessandro Camon delves into the minds of two extraordinarily isolated people: a convict serving a life sentence for a murder he committed as a juvenile, and the mother of a police officer whose only son was shot and killed in the line of duty.
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Neal Weaver  – Stage Raw

Playwright Alessandro Camon, an Oscar nominee for his screenplay for The Messenger, is deeply interested in the soul-destroying practice of solitary confinement, and in the experiences of crime survivors — people who lost loved ones to murder. He deals powerfully with both issues in this two-person play.
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Now running through October 22

FREDDY – The Fountain Theatre at the Caminito Theatre, Los Angeles Community College

(Photo by Ed Krieger)

(Photo by Ed Krieger)

Neal Weaver  – Stage Raw

This play by Deborah Lawlor, co-founder of the Fountain Theatre, is perhaps a fictionalized personal memoir. It’s about Freddy Herko, a gifted young dancer and pianist, whose talent blazed in New York City’s avant-garde scene in the 1960s, only to be snuffed out by drug addiction. Herko died when he leapt naked from a fifth-floor window when he was only 28. Read more…

Now running through October 14

RESOLVING HEDDA at the Victory Theatre

(Photo by Tim Sullens)

(Photo by Tim Sullens)

Katie Buenneke – Stage Raw

Sometimes the best way to watch a movie or TV show is to kick back with a glass of wine and some friends and yell at the TV whenever the characters do something you don’t agree with. Resolving Hedda, the new play now at the Victory Theatre in Burbank, offers a similar experience — except the titular character in Hedda Gabler is your drunk friend, railing against all her own bad decisions.
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Rob Stevens – Haines His Way

Norwegian playwright Henrik Ibsen’s Hedda Gabler is recognized as a classic of realism, nineteenth century theatre and world drama. The title character is considered one of the great dramatic roles in theatre.
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Now running through November 12

STUPID KID at the Road on Magnolia

Photo by Brian Cole

Photo by Brian Cole

Terry Morgan  -  Stage Raw

To paraphrase a theater maxim of Edmund Kean’s, “Tragedy is easy; comedy is hard.” It’s an assertion that’s proved true time and again. Harder still, perhaps, is successfully combining these two genres into one play, as the disappointing Big Night at the Douglas proved a couple of weeks back.
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Rob Stevens – Haines His Way

Playwright Sharr White and actress Taylor Gilbert proved to be a winning pair in The Road Theatre Company’s 2015 production of The Other Place. They have joined together again for The Road’s current World Premiere of the playwright’s Stupid Kid. Gilbert’s Gigi in the current play is worlds apart from the dementia plagued Juliana of Cape Cod in the previous play. Read more…

Now running through November 11

 

THE MADWOMAN OF CHAILLOT at A Noise Within

Photo by Craig Schwartz)

Photo by Craig Schwartz)

Deborah Klugman – Stage Raw

Jean Giraudoux’s The Madwoman of Chaillot (translated by Maurice Valency) has always been one of my favorite plays. Written in 1943 and premiering after the playwright’s death in 1945, it’s a witty whimsical takedown of perfidious capitalism and a paean to the artists and free spirits who oppose them.
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The Stage Struck Review

Jean Giraudoux’s classic play “The Madwoman of Chaillot” is one of those plays everyone should see at some point in life. Though written in 1943, during the Nazi occupation of France, and only performed after the playwright’s death, it is often associated with a celebration of the end of tyranny. Read more…

Jonas Schwartz -  TheaterMania

French author Jean Giraudoux’s classic comedy The Madwoman of Chaillot was written in 1943, while Germany occupied France, only for it to be first produced in December 1945 when the war had come to a halt. Yet in today’s world, when fracking, contaminated water, and plutocracy flood the national headlines, the play seems ripped from our daily headlines.
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Now running through November 11

THE DANCE OF DEATH at the Odyssey Theatre

(Photo by Enci Box)

(Photo by Enci Box)

Lovell Estell III — Stage Raw

August Strindberg’s 1900 tale about a monumentally unhappy marriage has been neatly touched up in this adaptation by Irish playwright Conor McPherson. As bleak as it is funny, it unfolds on an island fortress in Sweden that was once a prison (nicely rendered interior of gloomy faux brick, arched doorways and barred windows by designer Christopher Scott Murillo).

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Dany Margolies – The Daily Breeze

At the turn of the last century, a husband and wife battle viciously, seemingly trapped in their marriage and in their prison-turned-home, in Irish playwright Conor McPherson’s new version of Swedish playwright August Strindberg’s 1900 landmark “The Dance of Death.”
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Now running through November 19

 

THE VIEW UPSTAIRS at the Celebration Theatre at the Lex

(Photo by Matthew Brian Denman)

(Photo by Matthew Brian Denman)

Neal Weaver  – Stage Raw

The Upstairs Lounge was a lively and popular New Orleans gay bar till 1973, when an arsonist doused the stairs leading to the club with lighter fluid, set it aflame, and then rang the doorbell. In the ensuing blaze, 32 people were killed — mocked and ridiculed even in death, and refused burial by local churches because of their sexuality.
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Rob Stevens – Haines His Way

In an America divided more bitterly every day along racial, gender and sexual orientation lines, in an America where the President says that Nazis and White Supremacists are “fine people,” hate crimes and senseless acts of violence keep escalating.
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Now running through October 29

 

RUNAWAY HOME at the Fountain Theatre

 (Photo by Ed Krieger)

(Photo by Ed Krieger)

Margaret Gray – LA Times

Jeremy J. Kamps’ play “Runaway Home,” now premiering at the Fountain Theatre, is set in New Orleans’ Lower 9th Ward three years after Hurricane Katrina. The waters may have long receded, but the residents still wander like ghosts through the wreckage of their lives.
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Neal Weaver  – Stage Raw

Two years after Hurricane Katrina, playwright Jeremy J. Kamps went to New Orleans as a volunteer, “gutting and mucking” waterlogged, mold-ridden and decaying houses. He was able to observe firsthand the endless problems that plagued local residents in their efforts to rebuild and restore their destroyed communities: government assistance that came too late or not at all, displaced people unable to find lost friends and relatives, racism, red-tape and sometimes deliberate obstruction.

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Deborah Klugman – Capital & Main

Directed by Shirley Jo Finney, Jeremy J. Camps ‘ Runaway Home takes place in New Orleans in 2008 and revolves around a troubled 14-year-old runaway learning to survive on her own after a physical altercation with her mother prompts her to leave home.

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Now running through November 5