Layout Image

Archive for Stage Raw – Page 2

DOGFIGHT at the Hudson Mainstage Theatre

DOGFIGHT - 6

Rob Stevens – Haines His Way

The composing team of Benji Pasek and Justin Paul are very hot right now having just won an Academy Award for their song in the film La La Land. Read more…

Neal Weaver  – Stage Raw

This new musical, with book by Peter Duchan and music and lyrics by the team that produced La La Land, Benj Pasek and Justin Paul, is based on the movie Dogfight, from a script by Bob Comfort. Superficially, it resembles the 1944 musical On the Town…. Read more…

Erin Conley – On Stage & Screen

These days, it seems like nearly every musical was adapted from a movie. Some of my favorite stage musicals began their lives as films—OnceLegally Blonde, and Thoroughly Modern Millie come to mind. Sometimes, however, you can’t help but wonder—why that movie? Read more…

Deborah Klugman – LA Weekly

Dogfight the musical (music and lyrics by La La Land creators Benj Pasek and Justin Paul, book by Peter Duchan) is one of those period pieces that make the good old days appear not so good after all — kind of like the musical itself. Read more…

Now running through June 25

LES BLANCS – Rogue Machine Theatre at the Met

Photo by John Perrin Flynn

Photo by John Perrin Flynn

Terry Morgan  -  Stage Raw

It’s kind of amazing that a major play by Lorraine Hansberry is just having its Los Angeles premiere now. Perhaps the tide of criticism that caused the play to close after one month on Broadway in 1970 tainted its reputation in some way, or its need for a 24-member cast scared producers off. Thankfully, Rogue Machine decided to rectify this situation, and its current production is a smart, exciting theatrical event. Read more…

Rob Stevens – Haines His Way

Lorraine Hansberry was the first black woman to write a play that was produced on Broadway when her classic A Raisin in the Sun opened in 1959. At the age of 29, she won the New York Drama Critics Circle Award becoming the youngest playwright to do so.   Read more…

Deborah Klugman – LA Weekly

Lorraine Hansberry’s Les Blancs is set in colonial Africa sometime in the mid–20th century, and while much has changed since then, the play’s moral dilemmas and the racism and hypocrisy that give rise to them remain with us. Read more…

Margaret Gray – LA Times

The playwright Lorraine Hansberry died of cancer in 1965 when she was only 34, leaving behind incomplete drafts of “Les Blancs” (“The Whites”), a play she had begun writing in 1960, soon after “A Raisin in the Sun” made her famous.Read more…

les-blancs-2

Now running through July 3

FIVE GUYS NAMED MOE – Ebony Rep at Nate Holden Center for the Performing Arts

(Photo by Craig Schwartz Photography)

(Photo by Craig Schwartz Photography)

Deborah Klugman – Stage Raw

Five Guys Named Moe celebrates the music of pioneering jazz musician Louis Jordan, a crossover artist whose swinging soulful music was popular with both black and white audiences from the late 1930s to the early ‘50s.  Read more…

Now running through June 11

 

DON’T YOU EVER CALL ME ANYTHING BUT MOTHER at Atwater Village Theatre

(Photo by Jen-Ann Kichmeier

(Photo by Jen-Ann Kichmeier

Paul Birchall  – Stage Raw

The second in a set of two one-person plays, John O’Keefe’s Don’t Ever Call Me Anything But Mother may be that unique monologue that is literally unlike anything you’ve witnessed before — though whether it will beguile or appall you really depends on your mood and ability to deal with creepy darkness. Read more…

Now running through May 30

SEPARATE TABLES at Theatre 40

Photo by Ed Krieger

Photo by Ed Krieger

Neal Weaver  – Arts In LA 

In the 1940s and 50s, British playwright Terrence Rattigan was considered an important playwright, scoring successes in both England and the U.S. with The Winslow Boy, The Browning Version, Separate Tables, and other works.     Read more…

Rob Stevens – Haines His Way

“Loneliness is a terrible thing, don’t you agree.” That sentiment is expressed by one of the lonely characters in British playwright Terence Rattigan’s Separate Tables, a collection of two one-act plays set at the Beauregard Hotel in Bournemouth, England….Read more…

Now running through June 18

THE LYONS at The Road Theatre on Lankershim

Michele Young

Michele Young

Rob Stevens – Haines His Way

Playwright Nicky Silver has written over a dozen plays which have mostly been produced off-Broadway and at the Woolly Mammoth Theatre Company in Washington, D.C. South Coast Repertory produced his Pterodactyls and Raised in Captivity in the early 1990s. Read more...

Lovell Estell III – Stage Raw

Nicky Silver’s mordant comedy revisits the familiar generative terrain of the dysfunctional family coping with life’s difficulties — and themselves. Read more…

Now running through July 1

HELLO AGAIN at Chromolume Theatre at the Attic

(Photo by James Esposito)

(Photo by James Esposito)

Neal Weaver  – Stage Raw

This long one-act by Michael John LaChiusa (The Wild Party) is a musical update of Arthur Schnitzler’s 1900 play La Ronde which, shocking for its time, featured 10 interconnected sexual encounters. The structure and the characters’ names are Schnitzler’s, though the Young Thing has been transformed from female to male to embrace a broader sexual spectrum. Read more…

Now running through May 28

 

LUCKY STIFF at Actors Co-op

Michael Lamont

Michael Lamont

Neal Weaver  – Stage Raw

It’s hard to imagine a more far-fetched plot than the one that animates this zany musical by Lynn Ahren (book and lyrics) and Stephen Flaherty (music), based on The Man Who Broke the Bank at Monte Carlo by Michael Butterworth.    Read more…

Rob Stevens – Haines His Way

Lucky Stiff is a 1988 musical farce with book and lyrics by Lynn Ahrens and music by Stephen Flaherty. It was the team’s first collaboration…..Read more…

Frances Baum Nicholson – The Daily News

In 1988, the fledgling duo of Lynn Ahrens and Stephen Flaherty produced their first musical: “Lucky Stiff.” The show is a silly send-up of the mystery/suspense genre, and based loosely on the 1983 book “The Man Who Broke Monte Carlo.” Read more…

Now running through June 18

THE DESIGNATED MOURNER at REDCAT

K. HO

K. HO

Terry Morgan  -  Stage Raw

Sometimes a play finds its moment long after its premiere and initial exposure to the world. Read more…

Deborah Klugman – LA Weekly

Wallace Shawn is a powerhouse storyteller, and the story he spins in The Designated Mourner is a riveting tale.    Read more…

Now running through May 21

THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE at The Theatre at Boston Court

Ed Krieger

Ed Krieger

Jonas Schwartz -  TheaterMania

Dan O’Brien has written an American gothic tale on a par with Pulitzer Prize winner Sam Shepard’s best works. Like many of the characters in Shepard’s plays, the protagonist seeks the truth, but the answers will not assuage his guilt or pain. Read more…

Deborah Klugman – Stage Raw

Early in Dan O’Brien’s intense and lyrical play, a scene transpires between Dan (Brian Henderson) the playwright’s alter ego, and Skip (Tim Cummings), a childhood acquaintance and the son of his wealthy grandfather’s second wife. Read more…

Frances Baum Nicholson – The Sun

There are two ways to approach Dan O’Brien’s “The House in Scarsdale: A Memoir for the Stage.” Read more…

Margaret Gray – LA Times

In “The House in Scarsdale: A Memoir for the Stage,” the poet and playwright Dan O’Brien dramatizes a mystery of his past. His fictive alter ego, also named Dan O’Brien (played by Brian Henderson), is a writer in his late 30s whose parents recently, with no explanation, severed ties with him. Read more…

 

Now running through May 22

 

OF MICE AND MEN at The Belfry Stage at the Crown Theater

Photo by Lonni Silverman

Photo by Lonni Silverman

Lovell Estell III — Stage Raw

No American writer chronicled the unpleasant reality of the Depression era with more clarity and inventiveness than John Steinbeck. His gift for creating memorable characters underscores his best work, and this is no truer anywhere than in his 1937 novella about the ill-fated relationship between two itinerant migrant workers in Salinas Valley. Read more…

Now running through May 13

 

PERICLES – The Porters of Hellsgate at the Whitmore-Lindley Theatre Center

OLYMPUS DIGITAL CAMERA

Terry Morgan  -  Stage Raw

As a theatre critic, I’ve reviewed a lot of Shakespeare’s plays, but this is the first time I’ve seen anyone, in this case George Wilkins, credited as a collaborator in the writing. Read more…

Now running through June 4