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Archive for Stage Raw – Page 2

BURNERS at Atwater Village Theatre

Photo by Mae Koo

Photo by Mae Koo

Deborah Klugman – Stage Raw

Terence Anthony’s Burners is a two-hander set in the dystopian future. The plot revolves around two people pitted against each other in a precarious war-torn world where a rebellious faction is attempting to overthrow an authoritarian state. Read more…

Now running through April 2

THE CRUISE – Latin Theater Company at Los Angeles Theater Center

Photo by Grettel Cortes

Photo by Grettel Cortes

Paul Birchall  – Stage Raw

A cruise ship is a metaphor for the world in microcosm.  All classes and strata of society live together within the boundaries of the little tin ship, which is surrounded by the nothingness of the great sea. Read more…

Now running through April 19

 

THE SNOW GEESE at Independent Shakespeare Co.

Photo by Grettel Cortes

Photo by Grettel Cortes

Terry Morgan  -  Stage Raw

Sharr White’s play, The Snow Geese, is clearly inspired by such classics as The Seagull and The Cherry Orchard and is trying to be an American equivalent, which is an admirable undertaking. Unfortunately, naming one’s play after waterfowl doesn’t make one Chekhov. Read more…

Now running through April 19

BUILDING THE WALL at the Fountain Theatre

Photo by Ed Krieger

Photo by Ed Krieger

Neal Weaver  – Stage Raw

Robert Schenkkan’s play, set in 2019, is a dystopian vision of what life in Trump-land might be like two years hence.

In a prison meeting room, a black woman, Gloria (Judith Moreland) is interviewing Rick (Bo Foxworth), a white prisoner. She offers him a chance to tell his side of the story. But the two are wary of each other. At first, he refuses to cooperate with her, but when she prepares to leave, he relents. Read more…

Deborah Klugman – Capital & Main

Prolific playwright Robert Schenkkan won a 1992 Pulitzer Prize for his series of one-acts, The Kentucky Cycle, and a 2014 Tony Award for Best Play for All the Way, about the efforts of Lyndon Baines Johnson to pass the Civil Rights Act of 1964. He wrote Building the Wall in response to the election of Donald Trump. Read more…

Dany Margolies – The Daily Breeze

Unlike other plays that are about a real-life person but speak metaphorically or use a pseudonym, “Building the Wall” refers to Donald Trump by name and by policy. Read more…

Now running through May 21

STILL LIFE at Rogue Machine at The Met

Deborah Klugman – LA Weekly

Though it aspires to be profound, Alexander Dinelaris’s’ aptly titled Still Life can’t transcend its commonplace dialogue or the limitations of an inadequately conceived central character.   Read more…

Now running through April 23

PARADISE LOST: RECLAIMING DESTINY at Greenway Court Theatre

Photo by Anthony Roldan

Photo by Anthony Roldan

Paul Birchall  – Stage Raw

You don’t need to brush up on your Milton to enjoy this splendid adaptation of his great epic Paradise Lost, which tells the story of Satan’s consignment to Hell and Adam and Eve’s fall from Eden. Jones (Welsh) Talmadge, creator of this gorgeous and dynamic shindig, has crafted the work into a ballet, with Cirque Du Soleil-like acrobatic undercurrents. Read more…

Now running through April 2

 

LETTERS FROM GAY YOUNG MEN at Studio C

LFYGM 1

Lovell Estell III — Stage Raw

The inspiration for this show was drawn from Letters to a Young Poet, the famous tome by the great Austrian romantic poet, Rainer Marie Rilke. Rilke wrote the letters to a young Austrian Army cadet who had sought advice on whether he should pursue a career in the army, or become a poet. Read more…

Now running through April 2

 

AT HOME AT THE ZOO at the Wallis Annenberg Center for the Performing Arts

Zoo Story

Photo by Kevin Parry

Neal Weaver  – Stage Raw

As the story goes, someone — a friend, a roommate or a lover — said to Mr. Albee, “Edward, you will be thirty years old tomorrow, and you don’t have a damn thing to show for it.” Stung by this comment, Albee sat down and, overnight, wrote a long one-act about a volatile encounter between two men — a complacent middle class guy named Peter, and an impoverished eccentric named Jerry, on a bench in Central Park. Read more…

Erin Conley – On Stage & Screen

“Do you want to know what happened at the zoo?” If you do, make your way to the Wallis Annenberg Center for the Performing Arts, home to the new Deaf West production of Edward Albee’s At Home at the Zoo—although be warned, the actual answer to that question is far from the point of the piece. Read more…

Now running through April 2

MARRIED PEOPLE: A COMEDY at the Zephyr Theatre

(Photo by Sascha Knopf)

(Photo by Sascha Knopf)

Deborah Klugman – Stage Raw

As its title implies, Married People: A Comedy concerns the ups and downs of two married couples. Written by Steve Shaffer and Mark Schiff, both long-time standup comics, it’s less a play than a compilation of sitcom shtick with a sizable sprinkling of borscht-belt humor.    Read more…

Now running through April 2

ARTIFICIAL FLOWERS at Zombie Joe’s Underground

Photo Courtesy of Zombie Joe's Underground

Photo Courtesy of Zombie Joe’s Underground

Lovell Estell III — Stage Raw

The folks at Zombie Joes continue to expand the theatrical palate with this engaging two-character psychological drama, written and directed by Emily Charouhas. Read more…

Now running through March 11

DISINHERIT THE WIND at The Complex

Photo by Ed Krieger

Photo by Ed Krieger

Neal Weaver  – Stage Raw

When I was in college, I decided I should take some psychology courses to better understand myself and my fellow man. I signed up for Psych A, and discovered to my dismay that it was entirely concerned with statistics and testing methods, with nary a useful insight to be found. Read more…

Erin Conley – On Stage and Screen

In the middle of act one of Disinherit the Wind, now playing at The Complex in Hollywood, something rather unusual is asked of the audience. The main character, Bertram Cates (portrayed by the playwright, Matt Chait) leads everyone in the room, actors and patrons alike, in a brief meditation. Read more…

Now running through April 9

COLLECTIVE RAGE at The Theatre at Boston Court

CR1

Photo by Ed Kreiger

Deborah Klugman – Stage Raw

Collective Rage, whose poster features a gal with soft eyes, a flexed bicep and a clenched fist, is subtitled “a play in 5 boops” because all five characters are named Betty Boop, after the cartoon figure conceived by Max Fleischer in 1930. Read more…

Frances Baum Nicholson – The Daily Breeze

If a play intends to use cultural references in the course of its work, it probably makes sense to be sure that the audience will catch a clue as to what those references are. Read more…

Now running through March 19