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Archive for Stage Raw – Page 2

THE DESIGNATED MOURNER at REDCAT

K. HO

K. HO

Terry Morgan  -  Stage Raw

Sometimes a play finds its moment long after its premiere and initial exposure to the world. Read more…

Deborah Klugman – LA Weekly

Wallace Shawn is a powerhouse storyteller, and the story he spins in The Designated Mourner is a riveting tale.    Read more…

Now running through May 21

THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE at The Theatre at Boston Court

Ed Krieger

Ed Krieger

Jonas Schwartz -  TheaterMania

Dan O’Brien has written an American gothic tale on a par with Pulitzer Prize winner Sam Shepard’s best works. Like many of the characters in Shepard’s plays, the protagonist seeks the truth, but the answers will not assuage his guilt or pain. Read more…

Deborah Klugman – Stage Raw

Early in Dan O’Brien’s intense and lyrical play, a scene transpires between Dan (Brian Henderson) the playwright’s alter ego, and Skip (Tim Cummings), a childhood acquaintance and the son of his wealthy grandfather’s second wife. Read more…

Frances Baum Nicholson – The Sun

There are two ways to approach Dan O’Brien’s “The House in Scarsdale: A Memoir for the Stage.” Read more…

Margaret Gray – LA Times

In “The House in Scarsdale: A Memoir for the Stage,” the poet and playwright Dan O’Brien dramatizes a mystery of his past. His fictive alter ego, also named Dan O’Brien (played by Brian Henderson), is a writer in his late 30s whose parents recently, with no explanation, severed ties with him. Read more…

 

Now running through May 22

 

OF MICE AND MEN at The Belfry Stage at the Crown Theater

Photo by Lonni Silverman

Photo by Lonni Silverman

Lovell Estell III — Stage Raw

No American writer chronicled the unpleasant reality of the Depression era with more clarity and inventiveness than John Steinbeck. His gift for creating memorable characters underscores his best work, and this is no truer anywhere than in his 1937 novella about the ill-fated relationship between two itinerant migrant workers in Salinas Valley. Read more…

Now running through May 13

 

PERICLES – The Porters of Hellsgate at the Whitmore-Lindley Theatre Center

OLYMPUS DIGITAL CAMERA

Terry Morgan  -  Stage Raw

As a theatre critic, I’ve reviewed a lot of Shakespeare’s plays, but this is the first time I’ve seen anyone, in this case George Wilkins, credited as a collaborator in the writing. Read more…

Now running through June 4

KISS at the Odyssey Theatre

Kiss_8

Rob Stevens – Haines His Way

I have always been a proponent of good political theatre, not agitprop theatre such as written by Italian playwright Dario Fo. I prefer political writing that is more balanced like the great teleplays that David E. Kelley wrote for L.A. Law…Read more…

Neal Weaver  – Stage Raw

Chilean playwright Guillermo Calderón sets his play in the apartment of a young woman named Hadeel (Kristin Couture), who is hosting a soap-opera watching party for her friends. Read more…

Photo by  Enci Box

Photo by Enci Box

Deborah Klugman – LA Weekly

In Kiss, directed by Bart DeLorenzo at the Odyssey Theatre, Chilean playwright Guillermo Calderón explores the gap (one might say chasm) in perspective between people who live in a war-free society (ourselves, at least for now), and those trapped in the horrors of war who are subject to atrocities committed by vile men, like Syria’s Assad. Read more…

Dany Margolies  -  Arts In LA

Critics have been asked to not give away the plot of this play. Out of respect to the theater, the work’s playwright, and its director, most of us won’t. But good luck to anyone who tries to describe the work and the potent sensations it induces. Read more…

Erin Conley – On Stage & Screen

Both in theater and in life, things are often not what they seem to be. The power of perspective is a strong influence in Kiss, a play by Guillermo Calderón currently in its west coast premiere at the Odyssey Theatre. Read more…

Now running through June 18

LONE STAR at the Zephyr Theatre

Photo by Elephant Stageworks)

Photo by Elephant Stageworks)

Neal Weaver  – Stage Raw

In James McClure’s one-act comedy, three men hang out in the parking lot at Angel’s Bar in Maynard Texas in 1981. Roy (Christopher Jordan) is a Vietnam vet. Before he went off to war, he was a kind of local hero, famous for his 1959 pink convertible Thunderbird and his way with women. Read more…

Now running through May 7

PURE CONFIDENCE – Lower Depth Theatre Ensemble at Sacred Fools Theater

Photo by Ed Krieger

Photo by Ed Krieger

Deborah Klugman – Stage Raw

African-Americans figured prominently in American horseracing in the mid 19th century. Many trainers were slaves who worked on farms in the South, taking care of the horses for their owners. Some slaves also became jockeys, earning money (that they were able to keep for themselves) by auctioning off their riding skills to the highest bidder. Read more…

Now running through May 14

GOONIE at Atwater Village Theatre

Photo by Hiram Sanchez

Photo by Hiram Sanchez

Deborah Klugman – Stage Raw

Writer/performer Terry Maratos’s solo show about an angry addled man and his struggles with his family is chockful of the broad caricature and shtick-laden narrative that I normally find grating. But Goonie is a rare exception. Read more…

Now running through May 5

 

MARTHA at the Whitefire Theatre

(Photo by Charles Dougherty)

(Photo by Charles Dougherty)

Neal Weaver  – Stage Raw

Modern dancer and choreographer Martha Graham has become an almost mythical figure. She was remarkably prolific, creating 181 dances over the course of her career and dancing into her 70s (though sometimes she lurched a bit during her later years). Read more…

Now running through May 28

A DOLL’S HOUSE, PART 2  at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Terry Morgan  -  Stage Raw

One of the most intriguing uses of art is a conversation between an acknowledged masterpiece from the past and a current artist commenting upon it or adding to it in some way. Of course, this doesn’t always work, but when it does, the results are often fascinating. Such is the case with Lucas Hnath’s A Doll’s House, Part 2, where the playwright examines the issues brought up in the Ibsen’s classic play with complexity and empathy. The world premiere production at South Coast Repertory is bracingly intelligent and superbly performed. Read more…

Now running through April 30

 

REVOLUTION IN A CATSUIT at the Bootleg Theatre

(Photo by Richard Pope)

(Photo by Richard Pope)

Deborah Klugman – Stage Raw

In Revolution in a Catsuit, directed by Michael Philip Edwards, playwright/lead performer Somi De Souza aims to tackle the problems of ethnic minorities in the entertainment industry — the tendency for directors, casting directors and producers to stereotype people of color and, even more deplorably, cast white actors in minority roles. Read more…

Now running through April 30

THE ENCOUNTER at the Wallis Annenberg Center for the Performing Arts

Photo by Rob Latour

Photo by Rob Latour

Terry Morgan  -  Stage Raw

The good thing about experimental theatre is the thrill of something new, the excitement of exploring radical new territory. The downside, of course, is that not every experiment is completely successful, or — even if something valuable is discovered — it may not provide a wholly satisfying piece of theatre. Such is the case with  production of The Encounter at the Wallis, which has fun with binaural sound technology, but within a show that has major problems. Read more…

Now running through April 16