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Archive for Talkin’ Broadway

A STREETCAR NAMED DESIRE at Boston Court Performing Arts Center

Jeff Lorch

Jeff Lorch

Terry Morgan  -  Talkin’ Broadway

Often, when classic plays are “updated” or “reimagined,” the implication is that the work needed such treatment to remain relevant to a modern audience. In my experience, this rarely is the case, and such reinventions are generally more of a way for a director to stamp his or her stylistic ideas on the show.
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Paul Birchall  – Stage Raw

Blanche may have always depended on the kindness of strangers, but there’s very little strange about director Michael Michetti’s masterful production of Tennessee Williams’ ferocious perennial.
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Frances Baum Nicholson –The Stage Struck Review

When I was in high school and college, casting of the shows produced there was founded primarily in giving the best performers a chance at the best roles. This often meant that traditionally white characters were played by persons of color (though, it should be noted, rarely the other way around for understandable sensitivity reasons –….
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Deborah Klugman – LA Weekly

Sometimes, a play may be outdated in its particulars, but what it says of human relationships is so truthful that the work remains moving and relevant.
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Now running through March 25

SHAKESPEARE IN LOVE at South Coast Repertory

Paul David Story and Carmela Corbett in South Coast Repertory's 2018 production of SHAKESPEARE IN LOVE

Terry Morgan  -  Talkin’ Broadway

These days, films are regularly being converted into musicals, some which actually benefit from the change. It’s rarer to see a film made into a dramatic play, perhaps because of the belief that there’s less box office profit to be had.
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The 1998 period romantic comedy Shakespeare in Love was an upset winner of the Academy Award for Best Picture of the year, leaving Stephen Spielberg’s Saving Private Ryan floundering on the beaches of Hollywood.

Now running through February 10

KAIDAN PROJECT: WALLS GROW THIN at East West Players

kaidan

Terry Morgan  -  Talkin’ Broadway

High-end haunted houses seem to be more popular than ever these days. One can see the appeal—a bit more personal of a scare than simply watching a horror movie, a safe Halloween adventure. East West Players and Rogue Artists Ensemble have taken this trope and put their own unique spin on it with Kaidan Project: Walls Grow Thin….
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Margaret Gray – LA Times

It’s part haunted house, part art installation, part performance-art piece: The Rogue Artist Ensemble and East West Players’ immersive “Kaidan Project: Walls Grow Thin” unfolds in an abandoned warehouse that has been reconfigured into settings for a series of nightmares spun out of Japanese folklore.
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Now running through November 5