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Archive for Terry Morgan – Page 2

THE DESIGNATED MOURNER at REDCAT

K. HO

K. HO

Terry Morgan  -  Stage Raw

Sometimes a play finds its moment long after its premiere and initial exposure to the world. Read more…

Deborah Klugman – LA Weekly

Wallace Shawn is a powerhouse storyteller, and the story he spins in The Designated Mourner is a riveting tale.    Read more…

Now running through May 21

PERICLES – The Porters of Hellsgate at the Whitmore-Lindley Theatre Center

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Terry Morgan  -  Stage Raw

As a theatre critic, I’ve reviewed a lot of Shakespeare’s plays, but this is the first time I’ve seen anyone, in this case George Wilkins, credited as a collaborator in the writing. Read more…

Now running through June 4

A DOLL’S HOUSE, PART 2  at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Terry Morgan  -  Stage Raw

One of the most intriguing uses of art is a conversation between an acknowledged masterpiece from the past and a current artist commenting upon it or adding to it in some way. Of course, this doesn’t always work, but when it does, the results are often fascinating. Such is the case with Lucas Hnath’s A Doll’s House, Part 2, where the playwright examines the issues brought up in the Ibsen’s classic play with complexity and empathy. The world premiere production at South Coast Repertory is bracingly intelligent and superbly performed. Read more…

Now running through April 30

 

THE ENCOUNTER at the Wallis Annenberg Center for the Performing Arts

Photo by Rob Latour

Photo by Rob Latour

Terry Morgan  -  Stage Raw

The good thing about experimental theatre is the thrill of something new, the excitement of exploring radical new territory. The downside, of course, is that not every experiment is completely successful, or — even if something valuable is discovered — it may not provide a wholly satisfying piece of theatre. Such is the case with  production of The Encounter at the Wallis, which has fun with binaural sound technology, but within a show that has major problems. Read more…

Now running through April 16

THE SIRENS OF TITAN at Sacred Fools Theater Company

Photo by Jessica Sherman

Terry Morgan  -  Stage Raw

One of the great themes in the writing of Kurt Vonnegut, Jr. is the lack of free will in characters who don’t know they’re being used. Moreover, should these characters find out they’re being manipulated, they certainly don’t know why or how to stop it. In this “post fact” era, when it’s accepted that our president lies to us every day, the new Sacred Fools production of Vonnegut’s The Sirens of Titan seems very timely. Read more…

Now running through May 6

THE SNOW GEESE at Independent Shakespeare Co.

Photo by Grettel Cortes

Photo by Grettel Cortes

Terry Morgan  -  Stage Raw

Sharr White’s play, The Snow Geese, is clearly inspired by such classics as The Seagull and The Cherry Orchard and is trying to be an American equivalent, which is an admirable undertaking. Unfortunately, naming one’s play after waterfowl doesn’t make one Chekhov. Read more…

Now running through April 19

LITTLE CHILDREN DREAM OF GOD at The Road on Magnolia

Photo by Michele Young)

Photo by Michele Young)

Terry Morgan  -  Stage Raw

With its plot involving the fate of a foreign refugee seeking a new life in America, Jeff Augustin’s Little Children Dream of God couldn’t be timelier. It gets a solid production from the Road Theatre Company in this West Coast premiere and is full of strong performances, but something curiously flat in the main storyline keeps it from attaining its full potential. Read more…

Now running through April 15

946: THE AMAZING STORY OF ADOLPHUS TIPS at the Wallis Center for the Performing Arts

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Rob Stevens – Haines His Way

The Wallis in Beverly Hills has brought back Kneehigh, the English theatre company that presented Brief Encounter at the venue in 2014. The company also appeared locally in 2015 at South Coast Repertory with their take on Tristan & Yseult. Now they are back with , a mixed bag of an undertaking….Read more…

Terry Morgan  -  Stage Raw

William Faulkner’s famous quote “The past is never dead. It’s not even past.” is reconfigured in the new presentation by Britain’s Kneehigh Theatre into the refrain, “Not gone, just gone away,” referencing how history is always with us.    Read more…

Dany Margolies – The Daily Breeze

Like a cat that doesn’t want to be caught, theater that satisfies adults and children can be elusive. But Britain’s Kneehigh theater company caught an adorable cat firmly by the scruff with the company’s “946: The Amazing Story of Adolphus Tips,” at the Wallis in Beverly Hills through March 5….Read more…

Now running through March 5

MOBY DICK at South Coast Repertory

Photo by Debora Robinson

Photo by Debora Robinson

Terry Morgan  -  Stage Raw

If one has the audacity to take on the leviathan of American literature, Herman Melville’s Moby-Dick, one had best be able to do justice to the source material and also have something new to bring to it. Thankfully, the Lookingglass Theatre Company’s production (which mysteriously removes the hyphen from the title) fulfills these requirements Read more…

Rob Stevens – Haines His Way

Has there ever been a work of classic literature, something that was on the reading list at your high school or college? Something you meant to read, maybe even started to read, but gave up soon into it? Read more…

Hoyt Hilsman  -  Huffington Post

Founded in 1988 in Chicago by a group of Northwestern graduates, the Lookingglass Theatre is known for its innovative ensemble theater productions. In its adaptation of Herman Melville’s sprawling novel, Moby Dick, the company has tackled the monumental challenge of translating an epic work into a couple of hours of stage time.  Read more…

Now running through February 19

ROSE AND THE RIME at Sacred Fools

Photo by Jessica Sherman Photography

Photo by Jessica Sherman Photography

Terry Morgan  -  Stage Raw

The fairy tale is an effective form of storytelling for many reasons, but the primary one is that everybody is already familiar with it from childhood. A lot can be done with this format — as in Lapine and Sondheim’s Into the Woods, where the self-reflective analysis of the characters follows the “happily ever after” curtain of Act 1. The current production at Sacred Fools, Rose and the Rime, tells a simple story with creative flair, but in the end it might be too simplistic to be memorable. Read more…

Now running through February 19

LITTLE DRUMMER BOWIE at the Falcon Theatre

(Photo - Sherry Greczmiel)

(Photo – Sherry Greczmiel)

Terry Morgan – Stage Raw

A Troubadour Theatre Company holiday show has become a beloved local tradition, often selling out shortly after the dates are announced. There’s good reason for this: Troubie shows are reliably hilarious and fun, combining the classic music of a particular artist with the interpretation of a well-known story. Read more…

Rob Stevens – Haines His Way

Classical music composer Katherine Kennicott Davis wrote the song “The Little Drummer Boy” AKA “Carol of the Drum,” based on a traditional Czech carol, in 1941.    Read more…

Now running through January 15

THRONES! THE MUSICAL PARODY at the Hudson Mainstage Theatre

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Photo by Garrett Palm

Terry Morgan  -  Stage Raw

A clear sign that something has entered the zeitgeist is when people decide to mock it in song. Now that the TV series Game of Thrones has become a worldwide phenomenon, its time has come. Read more…

Now running through December 20