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THE CRUCIBLE at the Antaeus Company

CRUCIBLE ANTAEUS

Photo by Karianne Flaathen

 

 

THE CRUCIBLE by Arthur Miller.

 

Neal Weaver – LA Weekly

Arthur Miller’s play, first produced on Broadway in 1953, was Miller’s impassioned response to McCarthyism and the witch-hunts launched by the House Un-American Activities Committee. But the fact that it has become an oft-produced American classic and the basis for two films (including a French version with screenplay by Jean-Paul Sartre) reminds us that it’s not just a political screed.
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Hoyt Hilsman – Huffington Post

The distinguished Antaeus Company, L.A.’s classic theater ensemble of extraordinarily talented actors, presents Arthur Miller’s tale of the Salem witch trials, his parable of mass hysteria and the dangers of theocracy, or any blind ideology, for that matter. Co-directors Armin Shimerman and Geoffrey Wade guide two casts, who perform the play on various dates with skill and imagination. Read more

 

Terry Morgan – LAIST

Much has been made over the years about how Arthur Miller’s play The Crucible was paralleling the Salem witch trials to the McCarthy hearings of the 1950s, and while that is certainly true, it does the play a disservice to think that’s all it is.
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Master Class, International City Theatre

Photo by Suzanne Mapes.

 

Master Class by Terrence McNally.

 

David C. Nichols – L.A. Times

It’s a softer-grained “Master Class” than usual in Long Beach, but just try to look away. Although more muted than some past editions, this adroit International City Theatre revival of Terrence McNally’s Tony-winning fantasia on Maria Callas’ life and art carries real immediacy and thematic point.   Read more…

 

 

Hoyt Hilsman – The Huffington Post

Gigi Bermingham, one of the leading lights of Los Angeles theater, gives a masterful performance in Terrence McNally’s challenging portrait of opera diva Maria Callas. With a strong supporting cast under the skilled direction of Todd Nielsen, Bermingham brings Callas to life – make that larger than life – fascinating flaws and all.  Read more…

 

 

Shirle Gottlieb – Gazette Newspapers

Leonard Bernstein referred to legendary soprano Maria Callas as “The Bible of opera.” Opera News still called her a “diva” and “La Divina” three decades after her death. And Terrence McNally received his fourth Tony Award for “Master Class,” a brilliant work about the last tortuous phase of Callas’ life.   Read more…

 

 

The Miser, Parson’s Nose Productions

Photo by Sasha.

 

The Miser by Moliere, adaptation by Lance Davis.

 

Hoyt Hilsman – The Huffington Post

Los Angeles has a star shining brightly in its theatrical firmament. Parson’s Nose Productions, a small ensemble troupe in Pasadena, has the unique mission of presenting classic stories in shorter, entertaining and more contemporary formats to appeal to the broadest possible audiences, young and old. Their dynamic and wickedly talented artistic director, Lance Davis, who adapts and stars in most of the productions, believes that the classics endure because they speak illuminating truths to each generation.  Read more…

 

 

The Snake Can, Odyssey Theatre

Photo by Ed Krieger.

 

The Snake Can by Kathryn Graf.

 

Hoyt Hilsman – The Huffington Post

Kathryn Graf’s paen to the perils of middle-aged dating has a solid premiere under the skillful direction of Steven Robman and a very talented ensemble of actors. Set in the romantic jungle of New York City, Graf’s play focuses on the lives and loves of Harriet (Jane Kaczmarek), widowed with children, Meg (Sharon Sharth) single and cynical but still looking, and Nina (Diane Cary), married but seeking a new path. Read more…

 

Pauline Adamek – ArtsBeatLA.com

Writer Kathryn Graf (author of late 2011’s hit play Hermetically Sealed) perfectly captures the easy and sparkling conversation between three longtime female friends, the kind that always resumes mid-sentence. Nina (Diane Cary), Harriet (Jane Kaczmarek) and Meg (Sharon Sharth), now middle aged, are all successful in their careers but unlucky in love for different reasons. The trio frequently gets together to drink wine and share war stories and encouragement as widowed Harriet nervously dips her toe into the online dating pool.  Read more…

 

David C. Nichols – L.A. Times

“Being newly single in middle age…. It’s like opening one of those child’s toys where the snake pops out of the can.” So goes The Snake Can at the Odyssey Theatre. Kathryn Graf’s wry, insightful dramedy about three longtime girlfriends and their internecine midlife crises surmounts some post-larval structural blips with pertinence, humor and heart.  Read more…

 

Shirle Gottlieb – Stage Happenings

As our population gets older, playwrights reach out to explore dramatic situations that extend beyond the graven milestone of “the big 4-0″ (our ominous fortieth birthday). Not many years ago, that number denoted entrance into (groan) “middle-age”– which, in turn, was the portal to “senior citizenship.” Read more…

 

 

You Can’t Take It With You, Antaeus Company at Deaf West Theatre

Photo by Geoffrey Wade.

 

You Can’t Take It With You by George S. Kaufman and Moss Hart.

 

Dany Margolies – ArtsInLA.com
The family at the heart of this George S. Kaufman–Moss Hart play is so cheerful, non-critical, and forgiving, it’s obviously sheer fantasy. It’s certainly unusual on stages so often filled with alcoholism, abuse, manipulation, and self-loathing. The Vanderhofs and Sycamores and their hangers-on live for free speech and the pursuit of happiness.   Read more…

 

Hoyt Hilsman – The Huffington Post

Kaufman and Hart’s comedy about the eccentric Sycamore family opened in 1936 during the depths of the Depression and won the Pulitzer Prize for that year. While it has long been regarded as an old chestnut in the theater world, there is a refreshing contemporary resonance in the revival at the Antaeus Company under the thoughtful direction of Gigi Bermingham.   Read more…

 

 

Winners announced for 43rd Annual Los Angeles Drama Critics Circle Awards

Co-hosts Lesli Margherita and Jason Graae. Photo by Ed Krieger.

The Los Angeles Drama Critics Circle has announced the winners and special awards for excellence in Los Angeles and Orange County theater for the year 2011.

You can now follow the Los Angeles Drama Critics Circle on twitter via @LADramaCC.

The 43rd Annual Los Angeles Drama Critics Circle Awards ceremony took place Monday, March 19, 2012 at A Noise Within in Pasadena, and was co-hosted by Lesli Margherita and Jason Graae.

[Full list of nominees.]

The award recipients for the 2011 Los Angeles Drama Critics Circle Awards are as follows:

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