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2016 Los Angeles Drama Critics Circle Awards

Jake Broder in performance.

Jake Broder in performance.

2016 Los Angeles Drama Critics Circle Awards

The critics of the Los Angeles Drama Critics Circle are pleased to announce the date and location of our annual awards ceremony.  The ceremony and accompanying fete celebrate excellence in theater seen in Los Angeles in 2015.

This year the event will take place on March 14, 2016. It will be held at the Ann & Jerry Moss Theater at New Roads School, in the Capshaw-Spielberg Center for Arts and Educational Justice. Doors open at 6:30 pm.  The show begins at 7:30 pm.

The Center is located in the Herb Alpert Educational Village, 3131 Olympic Blvd., Santa Monica, CA.

Tickets are $40.00, and can be purchased here (a small service fee applies) or at the door. There is some onsite parking and ample street parking.

For questions regarding the upcoming Awards show, please email here: 2016criticsawards@gmail.com

We hope to see you there.

Raymond Lee, Jon Hoche and Maureen Sebastian in South Coast Repertory's 2015 world premiere of VIETGONE by Qui Nguyen.

“Vietgone.” Photo by Jason Niedle.

Following is a list of special awards and nominees:

The Margaret Harford Award for sustained excellence in theatre — Deaf West Theater Company.

The Ted Schmitt Award for the world premiere of an outstanding new play — Qui Nguyen for Vietgone, originally produced by South Coast Repertory.

The Polly Warfield Award for an excellent season in a small to mid-size theatre — International City Theatre.

The Kinetic Lighting Award for outstanding achievement in theatrical design — projections designer Jason H. Thompson.

The Joel Hirschhorn Award for outstanding achievement in musical theatre — director-choreographer Janet Miller.

The Milton Katselas Award for career or special achievement in direction — Michael Matthews.

Hit-the-Wall-600x400

“Hit the Wall.” Photo by Ken Sawyer.

 

 Annual award categories

Production

  • André & Dorine, Kulunka Teatro at Los Angeles Theatre Center.
  • Bootycandy, Celebration Theatre at The Lex.
  • Enron, The Production Company at The Lex.
  • Fences, International City Theatre.
  • Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.
  • The Gospel at Colonus, Ebony Repertory Theatre at Nate Holden Performing Arts Center.

McCulloh Award for Revival (plays written between 1920 and 1980)

  • Anna Christie, Odyssey Theatre Ensemble at Odyssey Theatre.
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“Carrie The Musical.”
Photo by Jason Niedle.

 

Lead Performance

  • Angela Bullock in Watching O.J., Ensemble Studio Theatre/LA at Atwater Village Theatre Complex.
  • Jason Dechert in Picnic, Antaeus Theatre Company.
  • Mary Beth Fisher in Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Matthew Hancock in Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Ted Heyck in God’s Man in Texas, A Guest Production at The Blank Theatre’s 2nd Stage.
  • Lily Knight in A Small Fire, The Echo Theater Company @ Atwater Village Theatre.
  • Troy Kotsur in American Buffalo, Cal State L.A. Department of Music, Theatre and Dance and Deaf West Theatre at State Playhouse.
  • Emily Lopez in Carrie the Musical, Bruce Robert Harris and Jack W. Batman, The Transfer Group, Michael T. Cohen/Robin Reinach, Kraige Block and Joe Everett Michaels, in association with La Mirada Theatre for the Performing Arts at La Mirada Theatre for the Performing Arts and The Los Angeles Theatre.
  • Zoe Perry in Anna Christie, Odyssey Theatre Ensemble at Odyssey Theatre.
  • Tiffany Royale in The Best of Enemies, The Colony Theatre.
  • Michael A. Shepperd in Fences, International City Theatre.
  • Jimmi Simpson in Trevor, Circle X Theatre Co. at Atwater Village Theatre.
  • Jeff Skowron in Into the Woods, Oregon Shakespeare Festival at Wallis Annenberg Center for the Performing Arts.
  • Sabina Zuniga Varela in Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.

Featured Performance

  • Richard Fancy in Awake and Sing!, Odyssey Theatre Ensemble at Odyssey Theatre.
  • Charlotte Gulezian in Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Charlie Hofheimer in Bent, Center Theatre Group at Mark Taper Forum.
  • Tracie Lockwood in A Permanent Image, Rogue Machine Theatre at Theatre/Theater.
  • Elyse Mirto in Figaro, A Noise Within.
  • Martin Rayner in Oedipus Machina, Odyssey Theatre Ensemble and KOAN at Odyssey Theatre.
  • Bryce Ryness in Matilda the Musical, Royal Shakespeare Company and the Dodgers, Center Theatre Group at Ahmanson Theatre.
  • Michael A. Shepperd in Bootycandy, Celebration Theatre at The Lex.

Ensemble Performance          

  • André & Dorine, Kulunka Teatro at Los Angeles Theatre Center.
  • Bootycandy, Celebration Theatre at The Lex.
  • Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.

Solo Performance

  • Orson Bean in Safe at Home: An Evening With Orson Bean, Pacific Resident Theatre.
  • Monica Piper in Not That Jewish, Jewish Women’s Theatre at The Braid.
  • John Douglas Thompson in Satchmo at the Waldorf, The Long Wharf Theatre and Shakespeare & Company Production at Wallis Annenberg Center for the Performing Arts.

Direction

  • Jessica Kubzansky, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.
  • Jaime Robledo, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre.
  • Kim Rubinstein, Anna Christie, Odyssey Theatre Ensemble at Odyssey Theatre.
  • Ken Sawyer, Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • August Viverito, Enron, The Production Company at The Lex. 

Writing

  • Rebecca Gilman, Luna Gale, Goodman Theatre’s World Premiere Production, Center Theatre Group at Kirk Douglas Theatre.
  • Nick Jones, Trevor, Circle X Theatre Co. at Atwater Village Theatre.
  • Robert O’Hara, Bootycandy, Celebration Theatre at The Lex.
  • Lucy Prebble, Enron, The Production Company at The Lex.
  • Micah Schraft, A Dog’s House, IAMA Theatre Company at Elephant Theatre.
  • Luis Alfaro, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.

Writing (Adaptation)

  • Luis Alfaro, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa. 

Musical Score

  • Stu Barker, Tristan & Yseult, Kneehigh at South Coast Repertory.
  • Jake Broder, Miravel, Sacred Fools Theater Company at Sacred Fools Theater.
  • Tim Minchin, Matilda the Musical, Royal Shakespeare Company and the Dodgers, Center Theatre Group at Ahmanson Theatre.
  • Anna Waronker and Charlotte Caffey, Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.

Music Direction

  • Stu Barker, Tristan & Yseult, Kneehigh at South Coast Repertory.
  • Brian P. Kennedy, Carrie the Musical, Bruce Robert Harris and Jack W. Batman, The Transfer Group, Michael T. Cohen/Robin Reinach, Kraige Block and Joe Everett Michaels, in association with La Mirada Theatre for the Performing Arts at La Mirada Theatre for the Performing Arts and The Los Angeles Theatre.
  • Abdul Hamid Royal, The Gospel at Colonus, Ebony Repertory Theatre at Nate Holden Performing Arts Center.
  • Julie Wolf, Girlfriend, The Actors Theatre of Louisville Production, Center Theatre Group at Kirk Douglas Theatre.

Choreography

  • Christopher Gattelli, Newsies, Disney Theatrical Productions under the direction of Thomas Schumacher at Hollywood Pantages Theatre.
  • Josh Rhodes, Rodgers + Hammerstein’s Cinderella, Robyn Goodman, Jill Furman, Stephen Koos, Edward Walson, Venetian Glass Productions, The Araca Group, Carola Productions, Roy Furman, Peter May/Sanford Robertson, James Spry, Eric Schmidt, and Blanket Fort Productions, Center Theatre Group at Ahmanson Theatre.
  • Dana Solimando, Billy Elliot, La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment at La Mirada Theatre for the Performing Arts.
  • Angela Todaro, American Idiot, DOMA Theatre Company at The MET Theatre.

Set Design

  • Tom Buderwitz, The Whipping Man, South Coast Repertory and The Pasadena Playhouse.
  • Mimi Lien, Appropriate, Center Theatre Group at Mark Taper Forum.
  • Don Llewellyn, Fences, International City Theatre.
  • Bill Mitchell, Tristan & Yseult, Kneehigh at South Coast Reperto 

 

Lighting Design

  • Martin Labrecque, Kurios—Cabinet of Curiosities, Cirque du Soleil at Dodger Stadium.
  • Tom Ontiveros, My Barking Dog, The Theatre @ Boston Court.
  • Matt Richter, Hit the Wall, The Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center and Sixth Avenue at The Los Angeles LGBT Center.
  • Malcolm Rippeth, Tristan & Yseult, Kneehigh at South Coast Repertory.

Costume Design

  • Angela Balogh Calin, Figaro, A Noise Within.
  • Jessica Ford, These Paper Bullets!, Geffen Playhouse in association with Atlantic Theater Company presents the Yale Repertory Theatre Production at Geffen Playhouse.
  • Philippe Guillotel, Kurios—Cabinet of Curiosities, Cirque du Soleil at Dodger Stadium.
  • Wade Laboissonniere, Waterfall, The Pasadena Playhouse in association with The 5th Avenue Theatre at The Pasadena Playhouse.
  • William Ivey Long, Rodgers + Hammerstein’s Cinderella, Robyn Goodman, Jill Furman, Stephen Koos, Edward Walson, Venetian Glass Productions, The Araca Group, Carola Productions, Roy Furman, Peter May/Sanford Robertson, James Spry, Eric Schmidt, and Blanket Fort Productions, Center Theatre Group at Ahmanson Theatre.

Sound Design

  • Gregory Clarke, Tristan & Yseult, Kneehigh at South Coast Repertory.
  • Bruno Louchouarn, Mojada: A Medea in Los Angeles, J. Paul Getty Museum and The Theatre @ Boston Court at Barbara and Lawrence Fleischman Theater at the Getty Villa.
  • Jaime Robledo, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre.
  • John Zalewski, My Barking Dog, The Theatre @ Boston Court.


CGI/Video

  • Anthony Backman and Jim Pierce, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre.
  • Nicholas Santiago, A Permanent Image, Rogue Machine Theatre at Theatre/Theater.

 

Specialty

  • Gieselle Blair, Figaro, A Noise Within. (Hair, wigs, and makeup)
  • Garbiñe Insausti, André & Dorine, Kulunka Teatro at The Los Angeles Theatre Center. (Masks)
  • Aviva Pressman, Astro Boy and the God of Comics, Sacred Fools Theatre Company at Sacred Fools Theatre. (Live art direction)
  • Jim Steinmeyer, Carrie the Musical, Bruce Robert Harris and Jack W. Batman, The Transfer Group, Michael T. Cohen/Robin Reinach, Kraige Block and Joe Everett Michaels, in association with La Mirada Theatre for the Performing Arts at La Mirada Theatre for the Performing Arts and The Los Angeles Theatre. (Illusion design)

 

 

"Mojada: A Medea in Los Angeles." Photo by Craig Schwartz.

“Mojada: A Medea in Los Angeles.” Photo by Craig Schwartz.

Productions which have garnered nominations

Hit the Wall (Los Angeles LGBT Center) 7
Mojada: A Medea in Los Angeles (Getty Villa) 6
Tristan & Yseult (South Coast Repertory) 5
Astro Boy and the God of Comics (Sacred Fools) 4
Bootycandy (Celebration Theatre) 4
Luna Gale (Kirk Douglas Theatre) 4
André & Dorine (Los Angeles Theatre Center) 3
Anna Christie (Odyssey Theatre) 3
Carrie the Musical (La Mirada Center for the Performing Arts and Los Angeles Theatre) 3
Enron (The MET Theatre) 3
Fences (International City Theatre) 3
Figaro (A Noise Within) 3
A Permanent Image (Rogue Machine) 2
Kurios—Cabinet of Curiosities (Dodger Stadium) 2
Matilda the Musical (Ahmanson Theatre) 2
My Barking Dog (The Theatre @ Boston Court) 2
Rodgers + Hammerstein’s Cinderella (Ahmanson Theatre) 2
The Gospel at Colonus (Nate Holden Performing Arts Center) 2
Trevor (Atwater Village Theatre) 2
A Dog’s House (Elephant Theatre) 1
American Buffalo (Cal State L.A.) 1
American Idiot (MET Theatre) 1
A Small Fire (Echo Theatre) 1
Appropriate (Mark Taper Forum) 1
Awake and Sing! (Odyssey Theatre) 1
Bent (Mark Taper Forum) 1
Billy Elliot (La Mirada Center for the Performing Arts) 1
Girlfriend (Kirk Douglas Theatre) 1
God’s Man in Texas (Blank Theatre) 1
Into the Woods (Wallis Annenberg Center) 1
Miravel (Sacred Fools Theatre) 1
Newsies (Hollywood Pantages) 1
Not That Jewish (The Braid) 1
Oedipus Machina (Odyssey Theatre) 1
Picnic (Antaeus) 1
Safe at Home: An Evening With Orson Bean (Pacific Resident Theatre) 1
Satchmo at the Waldorf (Wallis Annenberg Center) 1
The Best Of Enemies (Colony Theatre) 1
These Paper Bullets! (Geffen Playhouse) 1
The Whipping Man (South Coast Repertory/Pasadena Playhouse) 1
Vietgone (South Coast Repertory)        -  The Ted Schmitt Award 1
Watching O.J. (Atwater Village Theatre) 1
Waterfall (Pasadena Playhouse) 1

 

Godspell Jr., Eclectic Company Theatre

Photo by Sherry Lynn.

 

Godspell Jr. by John Michael Tebelak and Stephen Schwartz.

 

Pauline Adamek – ArtsBeatLA

There’s nothing quite like the pure spirit and shining, happy faces of talented young teens and kids. Provided with a suitable vehicle, namely Godspell, Jr., the vibrant energy of this mostly female, mostly eight-grader cast of eight kids provides a great night of musical entertainment.  Fittingly, the classic Broadway hit musical from the seventies, Godspell, has been refashioned for young audiences and young performers. Godspell, Jr. is a fun and sweet production now running on weekends at the Eclectic Company Theatre in NoHo until Nov. 18.  Read more…

 

 

The Elephant Room, Center Theatre Group

Photo by Scott Suchman / Arena Stage

 

The Elephant Room created by Trey Lyford, Geoff Sobelle and Steve Cuiffo.

 

Pauline Adamek – ArtsBeatLA

A creepy trio of lounge lizard magicians, sporting pedophile moustaches, cheesy outfits, hideous wigs and (in one case) false buck teeth, are the “protagonists” of a spoofy “play” called The Elephant Room, now playing at the Kirk Douglas Theater in Culver City. But it’s not really a play at all. Instead it’s an ill-focused, poorly developed and chaotic assemblage of mildly amusing nonsense featuring a handful of extraordinary magic tricks outweighed by far too many gags, pratfalls and lame conjuring stunts that fail to impress. Think Spinal Tap for magicians… Yes, it’s clearly a send-up of the more tacky elements of the world of magic, but when you can actually SEE one of the magicians (Louie Magic) diving in and out of the voluminous pockets and secret compartments of his coat, that is what is known as prestidigitation FAIL.   Read more…

 

Bob Verini - Variety

What hath “Pee-wee’s Playhouse” wrought? The creators of “Elephant Room” may not have been directly inspired by Paul Reubens’ campy childhood takeoff, but the magic show now at the Kirk Douglas is cut from the same lightly smarmy, semi-surrealist, so-clunky-we’re-cool cloth. What Pee-wee pulls off, the Elephants muff: The framework of “Room” is incoherent and distasteful (beneath a wholesome veneer), and the performers spectacularly overestimate their personal appeal.  Read more…

 

 

The Exorcist, Geffen Playhouse

Production photo by Michael Lamont.

 

The Exorcist by John Pielmeier.

 

Pauline Adamek – ArtsBeatLA

The Geffen Playhouse have commissioned John Pielmeier to adapt author William Peter Blatty’s legendary horror story to the stage for a world-premiere presentation, and it’s difficult to comprehend why. Why take a sensational novel that was cleverly parlayed into a hit movie to great effect and then – almost forty years later – adapt that story for the theatrical stage? Why?  Read more…

 

Dany Margolies – ArtsInLA

Give John Doyle’s direction its due: It lends an effective visual and aural atmosphere to a problematic script. Regrettably, the direction does not quite create the fearsome battleground presumably intended by the writers. John Pielmeier’s scrip, in its premiere here, is of course based on William Peter Blatty’s iconic novel. Missing from the direction is thorough-enough dramaturgy and any passion—maternal or religious.  Read more…

 

Sharon Perlmutter – Talkin’ Broadway

When you enter the theatre for the world premiere adaptation of The Exorcist, you’ll notice that the set looks church-like, with a massive wooden cross suspended over the stage. There is nothing subtle about it.  Read more…

 

Bob Verini – Variety

The Geffen’s updated stage adaptation clearly hopes helmer John Doyle’s theatricality will compensate for cinematic pea-soup vomit and a moppet’s spinning head, but his black magic never quite rises to the spine-chilling. Read more…