THE CRUCIBLE by Arthur Miller.
Neal Weaver – LA Weekly
Arthur Miller’s play, first produced on Broadway in 1953, was Miller’s impassioned response to McCarthyism and the witch-hunts launched by the House Un-American Activities Committee. But the fact that it has become an oft-produced American classic and the basis for two films (including a French version with screenplay by Jean-Paul Sartre) reminds us that it’s not just a political screed.
Hoyt Hilsman – Huffington Post
The distinguished Antaeus Company, L.A.’s classic theater ensemble of extraordinarily talented actors, presents Arthur Miller’s tale of the Salem witch trials, his parable of mass hysteria and the dangers of theocracy, or any blind ideology, for that matter. Co-directors Armin Shimerman and Geoffrey Wade guide two casts, who perform the play on various dates with skill and imagination. Read more
Terry Morgan – LAIST
Much has been made over the years about how Arthur Miller’s play The Crucible was paralleling the Salem witch trials to the McCarthy hearings of the 1950s, and while that is certainly true, it does the play a disservice to think that’s all it is.