Bob Verini – Arts In LA For Tartuffe to achieve maximum comic, emotional, and thematic impact, the privileged Orgon must serve as the central figure. He must be a misanthrope (a type not unknown to Molière) well and truly disgusted with the…
Dany Margolies – Arts In LA The score of the classic Fiddler on the Roof is among American musical theater’s best. In this production, the music and lyrics get top-tier treatment. But the direction misses opportunities, while so tightly cramming performers into…
Neal Weaver – Arts In LA The central character in Ken Ludwig’s farce is famous Italian tenor Tito Merelli (Floyd Vanbuskirk), who’s scheduled to appear in the title role in Verdi’s Otello for the Cleveland Opera Company. But Tito is well-known for…
Pauline Adamek – Stage Raw During the ‘greed is good’ ‘80s and the tumultuous era of British Prime Minister Margaret Thatcher, London-born playwright Caryl Churchill informed her scathing political satires with an examination of feminist themes — challenging and charting…
Dany Margolies – Arts In LA “A movie is cold comfort for a man who loves the theater,” says Alfie Byrne, this musical’s hero. That pretty much sets the tone for the character and for this show. Its major themes will…