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Archive for Caryl Churchill

LOVE AND INFORMATION at Antaeus Theatre Company

Photo by Jenny Graham

Photo by Jenny Graham

Katie Buenneke – Theatre Digest

Through some unlucky combination of script, direction, cast, set design, and video design, this felt more like sitting through a scene study class than a professional play. Somehow, I hadn’t seen a play by Caryl Churchill before, but I’m in no rush to see another. Read more…

Patrick Chavis – LA Theatre Bites

Love and Information @ Antaeus Theatre Company – Review. More…

RORSCHACH FEST, INKBLOT C at Atwater Village Theatre

Darrett Sanders

Darrett Sanders

Deborah Klugman – Stage Raw

In a Rorschach test, an individual is presented with a series of abstract images and asked what they see. Their answers are used by the administering psychiatrist or psychologist to gain insight into that person’s state of mind.

Open Fist Theater Company’s current production is titled Rorschach Fest. Presented as three separate programs, it’s a series of short plays by John O’Keefe, Harold Pinter, Daniel MacIvor and Caryl Churchill — four playwrights widely recognized for the distinctive style and/or content of their work.
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Now running through April 5


CLOUD 9 at the Antaeus Theatre Company

Photo by Geoffrey Wade Photography

Photo by Geoffrey Wade Photography

Terry Morgan  -  Stage Raw

The Antaeus Theatre Company once again demonstrates its immense value to the Los Angeles theatre community, this time with a superb revival of Caryl Churchill’s Cloud 9. It’s an ambitious and tricky work, but under Casey Stangl’s thoughtful direction, an inspired ensemble does the play proud. As usual, Antaeus “partner-casts” its productions; this review is of “The Blighters” cast.Read more…

Deborah Klugman – LA Weekly

Noted playwright Caryl Churchill developed Cloud 9 in collaboration with a company of actors, who drew on their personal experience in helping create the work. A biting satirical farce that premiered in 1979, with cross-gender casting, it deals with conflicts engendered when people’s natural sexual predilections are out of line with society’s rigid expectations. Read more…

Now running through April 24

TOP GIRLS at the Antaeus Company

latopgirlsTopGirlsDaniel-G-300x200 (1)Pauline Adamek  – Stage Raw

During the ‘greed is good’ ‘80s and the tumultuous era of British Prime Minister Margaret Thatcher, London-born playwright Caryl Churchill informed her scathing political satires with an examination of feminist themes — challenging and charting the evolving notions of gender and sexuality in the workplace. Her plays were bold, different, and felt thrillingly immediate. They were of their time, yet they still scorch.  Read more…

Terry Morgan  -  Talkin’ Broadway

Top Girls, by Caryl Churchill, is a play considered a modern classic, but for some unknown reason it doesn’t seem to get produced very often. One would think there would be quite a lot of theatre companies looking for a play with plenty of interesting roles for women, but I’ve been reviewing theatre in L.A. since 1997, and this is the first time I’ve seen it done. Read more…

Myron Meisel – The Hollywood Reporter

The 1982 Top Girls starts with a loopily sustained tour de force: a dinner party to celebrate the elevation of Marlene (Rebecca Mozo) to a top management post at her London job placement firm at which the guests are all legendary prototypical women of centuries past. From the mythical 9th-century Pope Joan (Elizabeth Swain) to Lady Nijo (Kimiko Gelman), the 13th century concubine to the Japanese Emperor (and later itinerant Buddhist nun), to Griselda (Shannon Lee Clair), the prototypical obedient wife from Boccaccio, Petrarch, Chaucer and numerous operas, to Dull Gret (aka Mad Meg) (Abigail Marks), a folkloric Flemish peasant immortalized in the painting by Bruegel the Elder in 1562, and finally celebrity Victorian naturalist and explorer Isabella Bird (Karianne Flaathen), they comprise one helluva guest list. Read more.

Deborah Klugman – LA Weekly

In the famous first scene of Top Girls, Caryl Churchill’s 1982 play about gender and class, a group of celebrated women from history and literature gather at a restaurant for food, drink and convivial conversation. They arrive at the behest of Marlene (Sally Hughes and Rebecca Mozo, alternating in this double-cast production at Antaeus Company), the steely up-and-coming manager of a top-notch London employment agency and an enthusiastic supporter of Thatcherism, with its twin notions of free market and personal responsibility. Read more…

Now running through May 4.