Layout Image

Archive for George Bernard Shaw

YOU NEVER CAN TELL at A Noise Within


Photo by Craig Schwartz

Deborah Klugman – Stage Raw

George Bernard Shaw’s’s turn of the 20th century rom-com, had a rocky start. Set to debut in 1897, it failed to make it to the stage that year, as actors struggled with the material and one leading lady quit, complaining the comedy had neither enough laughs nor enough exits. Not until 8 years later, in 1905, after Shaw had had it published in an anthology, did the piece have its first full run. Read more…

David C. Nichols – LA Times

This family is no place for a father.” It’s an emphatic statement of the sober argument that lies at the larky heart of “You Never Can Tell” at A Noise Within theater in Pasadena.    Read more…

Melinda Schupmann – Arts In LA

In his early career, George Bernard Shaw wrote two sets of plays that he labeled Plays Unpleasant (Widower’s Houses, The Philanderer, Mrs. Warren’s Profession ) and Plays Pleasant (Arms and the Man, Candida, You Never Can Tell). Read more…

Now running through May 15




PYGMALION at the Pasadena Playhouse


Photo by Jim Cox


Jenny Lower – LA Weekly

The basis for the much beloved, happily-ever-after musical My Fair Lady, George Bernard Shaw’s 1913 play Pygmalion takes a much firmer tack on questions of class distinctions and female independence. Those themes, so dear to Shaw’s progressive heart, end up rather charmingly watered down in the 1964 Audrey Hepburn film version. Read more…

Jonas Schwartz -  Arts In LA

Shaw’s seminal text that this show seems listless. In the right hands, the century-old play can still be engrossing. But here it lacks bite, even with a pitch-perfect performance by Paige Lindsey White as Eliza Doolittle. Read more…

Now playing through April 12.



Mrs Warren’s Profession, The Antaeus Company

Photo by Geoffrey Wade.


Mrs Warren’s Profession by George Bernard Shaw.


Deborah Klugman – LA Weekly

George Bernard Shaw made his case for women’s lib in this 1894 play involving the contentious struggle between an assertive young feminist and her brothel-managing mom. Educated at Cambridge, Vivie (Rebecca Mozo) exemplifies a new breed of woman who loves her work and is lukewarm to the attentions of various men. Read more…