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Archive for Jason Alexander

Barding in the park, after dark

Kalean Ung and Sam Breen in Macbeth. Photo by Grettel Cortes.

Kalean Ung and Sam Breen in Macbeth. Photo by Grettel Cortes.

Don Shirley – Angeles Stage

‘Macbeth’ in Griffith Park, ‘Comedy’ in Irvine. CTG’s month of emulating Netflix. ‘Beach People,’ ‘Lavender Men,’ ‘Valley Song.’ Jason Alexander charts his Abby road.

Have you savored Shakespeare in the park this summer? This coming week might be the best possible moment for this annual ritual, as well as one of the last such opportunities. A daytime heat wave is expected this week, so you might not even need that extra wrap that you take, for example, to Topanga in June.

I’m recommending two productions far from Topanga — suiting different moods and, perhaps, with different ticket availability. If you want something wicked and wild, go to a dell in Griffith Park for Independent Shakespeare Company’s “Macbeth.” If you want something whimsical and witty, try the errrantly spelled “Comedy of Errrorrs” at New Swan Shakespeare Festival in Irvine. Read more…

IF I FORGET at The Fountain Theatre

Leo Marks, Sami Klein and Valerie Perri. Photo by Jenny Graham

Leo Marks, Sami Klein and Valerie Perri. Photo by Jenny Graham

Deborah Klugman – Stage Raw

Plays about fractious families may be common but toss politics and the Holocaust into the mix and you’ll have an intriguing drama.

Steven Levenson’s If I Forget takes place in an upper middle-class home in Washington DC, circa the year 2000. The central character, Michael Fischer (Leo Marks), is a professor of Jewish studies who’s written a book blasting prevailing Jewish attitudes towards the Holocaust. In the book, he suggests that historically enshrined memories of this monstrous event — perhaps best connoted by the ubiquitous slogan “Never Forget!” — are being exploited and abused by self-interested parties. It is Michael’s belief that Jews, both as individuals and collectively, would be better served if they recognized this exploitation and moved on. In his mind, this Holocaust obsession has clouded perspectives and pushed to the background other vital issues of concern, ranging from current genocide in Rwanda to glaring injustices here at home.
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Terry Morgan – ArtsBeat LA

Religion is ever with us, for good or ill. We humans seem to be hardwired with a need for the numinous. Steven Levenson’s play, If I Forget, begins with a psalm and ends with a vision, the psalm an exhortation for Jewish people not to forget their heritage, inviting misfortune if they forget. This stark prayer sets up a compelling and satisfyingly dramatic show about the tension between religious tradition and modern secularism. The new production at The Fountain Theatre in East Hollywood, directed by Jason Alexander, is a terrific showcase for its excellent cast and Levenson’s sharp writing, although it also features one major misstep. Read more…

Returns Oct 28 – Dec 18

BROADWAY BOUND at the Odyssey Theatre



Photo by Enci

Myron Meisel – The Hollywood Reporter

The last of Neil Simon’s trilogy of quasi-autobiographical accounts of his coming-of-age years in the Brighton Beach neighborhood of Brooklyn, Broadway Bound stands among his plays as perhaps the most free from easy nostalgia, and therefore the most honest. In this sturdy 1986 drama, the requisite comedy arrives more or less organically, out of family humor or professional drive and ambition, and even seemingly harmless jokes can have unforeseen consequences for the wisecrackers and those they love. Looking toward posterity, this may be Simon’s best. Read more…

Jonas Schwartz -  Arts In LA

Jason Alexander, co-star of the original Broadway cast of Broadway Bound, directs this nostalgic piece with enough pathos and humor to stir audiences’ hearts. Led by the sensitive actor Gina Hecht, the top-caliber cast mines Neil Simon’s jokes for all their potency, while remaining grounded in this touching memoir of a family collapsing. Read more…

Bob Verini -   Stage Raw

Broadway Bound, the 1986 final installment in Neil Simon’s avowedly autobiographical trilogy that began with Brighton Beach Memoirs, receives a warm and affectionate revival at the Odyssey. Maybe too warm, though not too warm for comfort.
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Now playing through September 21.