Photo Courtesy of 3-D Theatricals
Dany Margolies – The Daily Breeze
“Anybody can take their clothes off. But to do it on a stage, with thousands and thousands of people looking at you? That takes something.” Read more…
Now running through May 8
September 17, 2021Jonas Schwartz-Owen – Broadway World During the opening number, the Troubadour Theatre Company, affectionately known to all as the Troubies, comment how thrilled the troupe, and the audience by extension, is to have returned to live theatre. The audience responded with glorious applause, and both the occasion and the Troubies deserve that adulation. Read more…
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August 10, 2021Rob Stevens – Haines His Way For 50 years beginning in 1950, cartoonist Charles M. Schulz drew a daily comic strip entitled Peanuts which featured the mis-adventures of a young boy named Charlie Brown and his friends. Read more… Now running through September 12
August 10, 2021Terry Morgan – Arts Beat L.A. In 1970, journalist Studs Terkel released his book, Hard Times: An Oral History of the Great Depression, in which he interviewed people about living through that desperate time and how they made it through. Read more… Now running through September 4
August 6, 2021Rob Stevens – Haines His Way Actor William Haines started his film career in 1922 in bit parts as a contract player for Goldwyn Pictures. After his studio became part of Metro Goldwyn Mayer in 1924, the size of his roles increased as did his popularity in silent films. Read more… Closed
August 6, 2021 Jonas Schwartz-Owen – Broadway World When I told friends I was seeing You’re A Good Man, Charlie Brown as my first live Performance in 18 months, I had to remind them this wasn’t a middle school production, but part of the award-winning South Coast Repertory‘s season. Read more… Closed
January 25, 2021Erin Conley – On Stage & Screen Since the pandemic forced the temporary end of in-person theater, Geffen Playhouse audiences have performed magic tricks, solved puzzles, and investigated a cold case, all from the comfort and safety of their own homes. The latest Geffen Stayhouse offering brings new meaning to the phrase “dinner and a
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December 22, 2020Ellen Dostal – Broadway World Like most solo productions, Philicia Saunders’ BREATHE comes from her own experiences. Unique to her telling however is the method by which she relates that story. Necessitated by a global pandemic that has forced audiences to view theatrical productions from behind a computer screen, Saunders has employed a variety of
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Archive for Plummer Auditorium
THE FULL MONTY – 3-D Theatricals at Plummer Auditorium
By LADCC critics · Comments (0)
Thursday,
April
28th,
2016
THE ADDAMS FAMILY – 3–D Theatricals at Plummer Auditorium
By LADCC critics · Comments (0)
Friday,
October
23rd,
2015
Photo by Isaac James Creative
Dany Margolies - Arts In LA
Originally characters in 1930s single-panel cartoons and then the basis of a 1960s television sitcom, the Addams family consists of the bizarrely gothic, macabre, but close-knit clan created by cartoonist Charles Addams. Read more…
Now running through October 26.
Photo by Issac James
Melinda Schupmann – Arts In LA
Though the original production of Side Show on Broadway closed after only 91 performances in 1997, in subsequent years it has been revived and modified from its original form. The original book and lyrics were created by Bill Russell with music by Henry Krieger. As a dramatic project, it falls far from traditional musicals in topic and execution. Read more…
Now running through May 10,
Photo by Issac James Creative
Bob Verini - Arts In LA
3D Theatricals has been pulling off ambitious offerings in its spacious Plummer Auditorium digs in Fullerton. I wasn’t able to catch 2013’s acclaimed Parade, though early this year I thoroughly enjoyed a fresh and clever The Producers. The Dawsons—the family who are the 3 D’s—seem to be smart, well-funded, and committed to revisiting musicals with integrity, taste, and talent, characteristics amply present in their current offering of James Lapine and Stephen Sondheim’s Into the Woods. Read more…
Now running through May 18.
Photo by Isaac James Creative
Melinda Schupmann – Arts In LA
Preposterously silly, Mel Brooks and Thomas Meehan’s comes to Fullerton and Redondo Beach via 3-D Theatricals season opener. It is another hit in the theater company’s chain of musicals that last season included Shrek the Musical and Parade. In this one, Max Bialystock’s (Jay Brian Winnick) Broadway play, Funny Boy: A Musical Version of Hamlet, has opened and closed in one night, as have his other recent efforts.
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Now running through February 15.
Photo by Isaac Jacobs
David C. Nichols – LA Times
A star is reborn in “Funny Girl,” now marching its band out in Fullerton (and soon after, Redondo Beach). This solid 3D Theatricals revival of the classic 1964 musical generally engrosses, and triumphs in lead Nicole Parker.
Shining in every detail, Parker’s nuanced, platinum-voiced Fanny Brice withstands the Streisand factor — a hurdle for every Fanny after the role launched Barbra to superstardom — with breathtaking results. From first entrance on designer Stephen Gifford’s initial bare-stage setting to emotional final moments, Parker reinvents the character, her comic mastery, palpable honesty and soaring chops creating a memorable turn. Read more…
Bob Verini - ArtsInLA
3–D Theatricals’s handsomely mounted but anemic Funny Girl has taken the title too literally. Nicole Parker’s Fanny Brice practically bounces off the walls to get laughs. The actor seems to have internalized much of the available video and audio of the legendary comedienne, and channels Brice’s oy-vey, Baby Snooks mannerisms rather well.
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Now running through September 22.
Melinda Schupmann – Arts In LA
A hero and the musical about him have been on a journey. From the book by William Steig to the Dreamworks animated film and then back to the book again, this musical has undergone multiple changes from Broadway and the national traveling production to its current successful regional incarnation by 3—D Theatricals. With book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori for the 2008 Broadway show, it is still being recrafted along its journey.
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