Layout Image

Archive for The Taming of the Shrew

THE TAMING OF THE SHREW – Independent Shakespeare Company in Griffith Park


Photo by Grettel Cortes

Steven  Leigh Morris – Stage Raw

That David Melville should bring La Dolce Vita into his family-friendly outdoor staging of Shakespeare’s knotty Italian comedy makes sense. Italian comedies of the 1960s are no less dodgy, regarding their sexual politics, than the amused brutality towards a defiant spouse found in Taming of the Shrew’s central story. Independent-minded, embittered Katherine (Melissa Chalsma) turns obedient only after being violently, jocularly wooed by her flippant suitor/husband Petruchio (Luis Galindo). This is every tyrant’s fantasy. Read more…

Deborah Klugman – LA Weekly

How does — or should — a modern director deal with the egregious chauvinism in The Taming of the Shrew? While there are ways, you won’t uncover them in director David Melville‘s current staging, on display weekends in Griffith Park. <em>Read more…</em>

Margaret Gray – LA Times

Sometimes I wish Shakespeare had written a different version of “The Taming of the Shrew” — one in which the shrew is “tamed” with, say, empathy and affection instead of torture.  Read more…


Now playing through August 29.

The Taming of the Shrew at Will Geer’s Theatricum Botanicum

Taming Shrew

Photo by Ian Flanders

David C. Nichols – LA Times

With summer here, the whirligig of time brings in “The Taming of the Shrew” at Will Geer’s Theatricum Botanicum, and it proves a blissfully madcap occasion. This rip-roaring take on William Shakespeare’s ever-popular romantic comedy opens the 40th anniversary season at this incomparable outdoor venue with marvelous forward momentum.
Read more…

Mayank Keshaviak  – LA Weekly

The slapstick, or batacchio, which originated in the commedia dell’arte of 16th-century Italy, is a wooden device used to create a loud, smacking sound. So it seems fitting that in staging Shakespeare’s contemporaneous tale of a headstrong woman who finally meets her match, director Ellen Geer plays its physical comedy to the hilt, incorporating slide whistles, drums and other noisemaking devices to punctuate the onstage pratfalls, fisticuffs and acrobatics.

Read more…