Neal Weaver In writer-performer Michael Kass’ solo show, Ceremony, he depicts himself as a pathetic, all-around loser, until a bizarre series of encounters seems to be telling him that he must try the Peruvian drug ayahuasca.Read more… Now running through…
David C. Nichols – LA Times Old Hickory gets a charge of anarchistic electricity in “Bloody Bloody Andrew Jackson” at the Chance Theater in Anaheim Hills. This sublimely raucous take on Alex Timbers and Michael Friedman’s savage emo rock evisceration…
Bob Verini – ArtsInLA Director-writer Nancy Keystone doesn’t exactly crank ‘em out quickly through her Critical Mass Performance Group, but they sure are worth the waiting for. Her 2006 Theatre @ Boston Court staging of Suzan-Lori Parks’s The America Play…
Pauline Adamek – ArtsBeatLA From the moment the curtain goes up and our diva is belting out a song (in a nightclub setting) while flanked by two smooth back up singers, you know you are in good hands and are…
Mayank Keshaviak – LA Weekly This world premiere of Steven Cagan’s amorous musical hardly feels like a full-fledged production. First off, James Esposito’s set is little more than some black cubes and stools on a bare stage. Add to that…