The Turn of the Screw by Jeffrey Hatcher. Dany Margolies – ArtsInLA.com To attend this production, one should be able to see in the dark. To best enjoy this production, one should probably be at least a little afraid of the dark. Read…
Creation by Kathryn Walat. Dany Margolies – ArtsInLA.comThe premise is promising, but the sum of this Kathryn Walatscript feels unoriginal and uninspiring. However, it gets much tender care from director Michael Michetti and his design team, and the quartet of actors steps up in all…
Mad Women by John Fleck and Catch 23: Broken Negatives by Karen Finley Shirle Gottlieb – Gazette Newspapers It all happened twenty-two years ago, but people are still buzzing about the notorious case of the “NEA 4.” To be more precise: Due to pressure in 1990…
Fraternity by Jeff Stetson. Pauline Adamek – LA Weekly Jeff Stetson’s all-male political drama Fraternity, written 25 years ago, has a prescient power to it. Set in Birmingham, Ala., the storyline presents a prosperous group of black men, members of a private gentleman’s club,…
Krapp’s Last Tape by Samuel Beckett. Pauline Adamek – ArtsBeatLA Samuel Beckett’s melancholy one man, one act play is being performed superbly by John Hurt in his first appearance on a Los Angeles stage, at the Kirk Douglas Theatre, in a production imported from the Gate Theatre in Dublin,…